different gravities I. Agile, crisp

Music and things that might sound like music by Mat Ward. Noise Art/A  Piano and Bass Duet with Dani Kirby/A 50 plus member Art Ensemble called Then She Reaches The Gun/Deep Research Into Luigi Russolo and his Intonarumori .. thats just the stuff I post regularly : ) Thanks to everyone thats ever stopped by. Music is The Best!

https://www.erikavega.net

De-(com)poser
Mexican 
​Violin
PhD in Oxford
Never been to Japan

We inhabit a space somewhere on the outskirts of avant-jazz and punk rock, Dogs h8 Rats are genre defying, and full of surprises. The music is born of improvisational performances so with a little luck you'll catch the "mistakes and imperfections" now and then, or as Miles Davis once said "Don't fear mistakes, there are none" and that ethos is in clear evidence within the music of Dh8R's. The core of Dh8R's is made up of Douglas Wilkerson and Michael Grimes who collaborate with friends old and new."

❤️ Thank you for buying music from independent artists! We need to pay our rent and electricity bills, feed our cats, buy food, car insurance, and all that other stuff too...You can buy our music on Bandcamp.

TEC Ensemble was founded as a working ensemble for the Composition Workshops of the Encontres de Compositors, an initiative by composer Maties Far in collaboration with the Encontres de Compositors and the ACA Foundation.

Originally conceived as a platform for the training and specialization of composers based in the Balearic Islands, the project expanded in 2024 to welcome creators from around the world. From the outset, the ensemble has brought together performers and composers dedicated to the study and performance of contemporary music—creation understood both as action and as reflection.

Throughout five consecutive workshops, the group has gradually shaped its identity, defining a sound and a context for artistic creation and performance rooted in the Balearic Islands. Always driven by curiosity and a commitment to learning, TEC Ensemble explores extended techniques and new relationships between sound, science, and nature.

At its core lies a desire to communicate creative processes to audiences, while navigating the complex dialogue with tradition—both the one we inherit and the one we are continuously creating.

experimental, acousmatic, field recording, soundscape, electroacoustic, composition

M. Shakeseasalt, currently still alive, plays sounds for fun, currently limited by technique)

composer living in the woods // interested in tiny sounds, leaves, stacks of thirds, and music that jitters // Asst. Prof. of Composition, Yale School of Music

https://alexanderpanos.com
https://linktr.ee/alexanderpanos

different gravities I. Agile, crisp

Katherine Balch