Name: 原始感覚美術祭2014 水のうたがき 特別公演 『linbo』 死ねない森 by kazuya matsumoto
Duration: 3 min 27 s
Description: <iframe width＝"560" height＝"315" src＝"https://www.youtube.com/embed/1oPY2I6BWNo" frameborder="0" allowfullscreen></iframe>

"Flower Studies", the enchanting third album by Australia’s Blue Chemise, consists of eight intimate, delicate and touching ‘études’, reflecting Mark Gomes’ introspective musings on a series of floral studies by 19th-century French photographer Adolphe Braun (1812-1877).
More info: https://linktr.ee/BAADM

Blue Chemise – Chrysanthemum No 1

Environments

cassette/digital ♫ ♫ ♫

PJS - Daydream

https://trustcollective.bandcamp.com/album/volunteer-coroner-yolabmi

Breathe(Full)

From Elin Piel's Satsuma Sunday, available for pre-order now:
https://muzaneditions.bandcamp.com/album/satsuma-sunday

Elin Piel - Fält

from KR094: KONSTRUKT & PETER BRÖTZMANN - Dolunay (2xLP / DL) out on august 26th, 2022

Dolunay

KONSTRUKT & PETER BRÖTZMANN - Tepe

原始感覚美術祭2014 水のうたがき 特別公演 『linbo』 死ねない森

Debut LP of rave reduction and ambient techno from mysterious Manchester producer Echium. Backed with remixes from Space Afrika & Perfume Advert.

Edition of 300, out now...

https://boomkat.com/products/synthetic-space

Tracklist:

A1. Blended Textures
A2. Interlude 2.3
A3. Juum
A4. Synthetic Space
A5. Looum

B1. Ethereal 
B2. Activation
B3. Jazz Interlude
B4. Perfume Advert Remix
B5. Space Afrika Remix

Echium - Synthetic Space (sferic001) [Preview]

Performance
Friday, October 20th, 2017

ISSUE Project Room
22 Boerum Place, Brooklyn

Friday, October 20th, ISSUE presents a public performance celebrating the work of pioneering French composer Éliane Radigue (in absentia), presented as a part of The Austrian Cultural Forum’s Moving Sounds Festival. Following her honoring at ISSUE’s 2017 Gala, the evening spans her acoustic and electronic compositions and features the world premiere of OCCAM RIVER XVI, performed by composer and clarinetist Carol Robinson and harpist Rhodri Davies, as well as a performance of Radigue’s 2013 piece OCCAM IX by Laetitia Sonami.

The evening also showcases Mila's Song in the Rain from The Songs of Milarepa, a tribute to the Tibetan saint and poet from the eleventh century. Released in 1983 and compiled in 2001 by Mimi Johnson’s Lovely Music, the song cycle is arguably considered the masterpiece of Radigue’s early electronic works. The recording of Mila's Song in the Rain is presented as a focused listening environment, demonstrating the signature organic mysticism of Radigue’s Arp synthesizer work alongside Lama Kunga Rinpoche and Robert Ashley’s respective Tibetan and English readings.

After completing her ground-breaking Naldjorlak trio for two basset horns and cello, Éliane Radigue began a new musical project called OCCAM OCEAN. She initiated the cycle with a solo harp piece written for Rhodri Davies in 2011. Little by little, solos for a wide range of instruments were created, including three for electronic instruments, and then combined into various chamber groupings. The combinations are seemingly infinite, a compositional coincidence that was extremely motivating to Radigue. Her first trio, OCCAM DELTA II, was written for bass clarinet, viola and harp, and premiered by Carol Robinson, Julia Eckhardt and Davies in 2012. It, and other pieces for these performers, will soon be released by shiiin on a double CD.

OCCAM IX, the ninth composition in the OCCAM OCEAN composition cycle, was created with Laetitia Sonami on electronics with her new instrument, the Spring Spyre. Sonami originally studied with Radigue in France in 1976. While her music took on a very different expression through her design of unique controllers and live performance, they both remained very close. In 2011, Sonami requested Eliane to create a piece for her new instrument. Their meetings took place during the winter 2012 in France, after which Radigue gave her permission to premiere the piece in the Fall 2013. Three audio pick-ups on the Spring Spyre are analyzed and trained through neural networks to create subtle real time modulations of digital synthesis. The work mode is based on an individual “image” illustrated and evoked within each solo -- where each musician is guided by his or her personal “image.” This provides the essential sound, letting descriptive words and evocations establish a system of communication as the piece is being elaborated. This intuitive-instinctive process guides the performer to the very essence of the composition. Sonami describes the process as akin to oral transmission of ancient traditional music.

Éliane Radigue: OCCAM IX (Laetitia Sonami)- LIVE at ISSUE / October 20th, 2017

Classic ’60s surf-rock channeled into hazy ambient zones... 

LA's Jake Muir constructs a poignant sound world crafted from samples of a well loved American pop group smudged with aqueous field recordings made everywhere from Iceland to the beaches of California. 

In nine succinct scenes, the results loosely limn a wide sense of space and place with its fading harmonic auroras and glinting, half-heard surf rock melodies rendered in an abstract impressionist manner that suggests a fine tracing of in-between-spaces, perhaps describing metropolitan sprawl giving way to vast mountain ranges and oceanic scales. But for all its implied sense of space, ultimately there’s a paradoxically close intimacy to proceedings which feels like you’re the passenger in Muir’s ride, and he patently knows the scenic route...

A1. High Tide
A2. Lapis Lazuli
A3. Shoal
A4. Yaupon
A5. Peacock's Tail

B1. Green Eyes
B2. Buoy
B3. Drifter
B4. Lanterns Below

Limited edition of 300 copies pressed up on clear vinyl. 
Mastered by Lawrence English at Negative Space, cut at D&M Berlin.

https://boomkat.com/products/lady-s-mantle

https://sferic.bandcamp.com/album/ladys-mantle-5

Jake Muir - Lady's Mantle (sferic003) [Preview]

Self released EP 
by Rosnet Jean-Emmanuel (composer, author, right-owner)

https://jean-emmanuel.bandcamp.com/releases

03 General Updates

Taken from GEORGIA (@georgiasounds) new album State Effect (Accel), out April 16, 2021, via OOH-sounds

Pre-order: bit.ly/3tacvvv

GEORGIA’s new kaleidoscopic hyper-music-entity “State Effect (Accel)” expands the LA-NY duo’s project in a high-dimensional phase space—and does so within their all-kind-music frame.

State Effect (Accel) is happening this very moment, it is a positive cry for change—a brilliant plan.

This record is “viscous” — whatever I do, wherever I am, it sort of “sticks” to me.

It is “nonlocal” — its ‘accelerated’ effects are globally distributed through a huge tract of time. It forces me to experience time in an unusual way.

It is “phased” — I only experience pieces of it at any one time.

It is “inter-objective” — it consists of all kinds of other/multiple entities but it is not reducible to the sum of its parts.

This music reveals the present and its psychic dimension, no titles could have been more relevant.

Justin Tripp and Brian Close’s new kaleidoscopic hyper-music-entity expands their GEORGIA project in a high-dimensional phase space. A great work of cognitive music mapping that plots all the states of a system — Lovely bubbly HTML.

The eight tracker long playing make extensive use of the vocal participation of Paris/Berlin-based artist/DJ MARYLOU aka OISEAU DANSEUR and Gabi Asfour of visionary NY fashion collective threeASFOUR.

Cover art by GEORGIA
www.instagram.com/georgiastudio/

Mastering by Rupert Clervaux

State Effect (Accel)

Story Scene

GEORGIA - Story Scene [OOH-025]

Kazuya Matsumoto is a Musician SoundArtists Composer percussionist and Drummer from Kanazawa (Ishikawa) now based in Tokyo.
Matsumoto uses any objects that sounds including Japanese instruments like Hamon and Shamisen.
He focuses on the sound itself rather than the notes and melodies, and performs and records in the nature to create documental pieces.
By mixing his performance with environmental sounds, he transforms the whole space giving the audience a new experience.
In 2013, he received the grad prix award in the Otokuchi project which was held as the related project of Setouchi International Art Festival.
In 2014, he produced music for Primitive Sense Art Festival.
In 2015, he releases his 1st solo album “Mizu no katachi“from SPEKK label.
In 2016, he joined the “Kenko music festival” organized by the Commons label hosted by Ryuichi Sakamoto. He has also toured extensively throughout Japan (56 shows) as the “Mizu no Katachi release tour”.
In 2017, his first sound installation “Sound capsule ~ Kazuya Matsumoto himself as an exhibit” was exhibited at the “Nakagin Capsule Tower OPEN CELL 2017” held at a profound architecture designed by Kisho Kurokawa.
he releases his 2nd solo album “Ochill Chill Michill“from SPEKK label.
They hold a “Ochill Chill Michill Release Tour” that goes around all 47 prefectures and has over 100 performances in total. They will perform at Kanazawa Night Museum 2017, Zero-date Boys’ Art School 2017, Kobe Art Festival commemorating 150 years since its opening, Kumamoto Modern Art Museum, etc.
In 2018, he was in charge of the music for Nao Yoshigai “Grand Bouquet/The Most Beautiful Ladies of You” which was exhibited at the “Open Space 2018 in Transition.” held by the ICC.
At the chago/Residence Gallery, they have a dynamic movement exhibition “Moment/Mement” where they live in the gallery during the period and keep exhibiting the sound.
He held a Bustrio and Kazuya Matsumoto “Black and White and Ghosts.” at the Echigo Tsumari Art Triennale in the Art Festival of the Earth. This performance will be held at Kanazawa 21 Century Museum of Art as a part of the art exchange joint project.
Participated in “Open Grind House”, a residence program by Kichijoji Theater and Bustrio.
In 2019, Sound performance “Tetsusaeru” tour is held.
“Grand Bouquet” directed by Nao Yoshikai, who was in charge of music in 2018, was officially invited to the Cannes Film Festival during its Director’s Week.
He appeared as a DOMMUNE Presents non-musical instrument player “World of Kazuya Matsumoto.” at the Setouchi International Art Festival 2019 DOMMUNE SETOUCHI.

原始感覚美術祭2014 水のうたがき特別公演『linbo』死ねない森

kazuya matsumoto

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原始感覚美術祭2014 水のうたがき 特別公演 『linbo』 死ねない森

kazuya matsumoto

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原始感覚美術祭2014 水のうたがき特別公演『linbo』死ねない森