chilling as always, I love it's as if your music has a trademark emotion

From "Microphone Permission" LP, Editions Mego, 2020
https://jasmineguffond.bandcamp.com/album/microphone-permission

An Utterly Dark Spot

A track from the album 'New Reality' out now on Constellation Tatsu.

Ecovillage - When I Was A Boy ft. X.Y.R.

Taken from the upcoming album 'Family Harmony'...

Music: Pepo Galán
Guests: Warmth, Benoît Pioulard, Sita Ostheimer, Karen Vogt, Awakened Souls, Markus Guentner
Matering: Rafael Anton Irisarri 
Label: Fluid Audio

www.fluidaudio.co.uk

The New House

Pepo Galán & Karen Vogt - A Wave That Carries Me

🌟 Download / Stream:
https://music.ambiqo.nl/maeveeverbrook/newlife

💫 Follow Maeve Everbrook:
https://open.spotify.com/artist/2R5M7dYcLav4kvlwDeI6hY?si=LndSJMysQheAcH7v-43akQ

✨ Follow Ambiqo Records:
https://bio.site/ambiqo.records

New Life

09. Maeve Everbrook - Renewal

taken from the remix ep:
AROVANE & HIOR CHRONIK - IN BETWEEN (REMIX EP)
on A STRANGELY ISOLATED PLACE
feb2016

Arovane & Hior Chronik - Scale (Markus Guentner Remix)

In the Lens, Solo Andata’s fourth full-length album, was born from recordings found in the interstices of decades-old hard drives, lost email threads from disused accounts, and forgotten samples recorded on cassette dictaphones. These fragments were combined and re-worked with newer elements to create an album very much in the spirit of the band’s debut Fyris Swan (Hefty Records, 2006), an album touched by both folk and jazz and swathed in a dusty, narcotic haze.
Solo Andata’s Kane Ikin and Paul Fiocco have always pushed aside the digital studio in favor of a more haphazard and hands-on workshop vibe to their productions. They prefer near-broken acoustic instruments, cheap microphones and, as can be witnessed by their live performances, tend to turn anything they can get their hands on into a beautiful sound-making object.

While there is a raw and guileless nature to the duo’s sound it is precisely this that makes their music so powerful amidst the over-produced cliches of much modern music. The beauty of their work is how simple instruments and objects can be physically manipulated into creating such rich, layered sound. Dark, swaying, almost-looped melodies from piano, woodwinds and horns wrap themselves in smoky obscurity around remnants of percussion and warm beds of noise and the world around us.

In The Lens is very much a late-night record, reflected in the rain-soaked cover imagery, dripping with half-forgotten memories. Jittery yet calming, rhythmic, yet unhurried, it leads you down its dark corridors to a soft resting space. Ikin and Fiocco have created a new story around the chemistry of their creations that were taking place during the early days of their musical explorations.

In The Lens

Separate Lovers

Softer Than Before

From "We Can Sleep Now", available on cassette and digital from Unifactor:
https://unifactor.bandcamp.com/album/we-can-sleep-now

The Mountain (cassette out now on Unifactor)

From TRACED, Sonic Pieces, Pattern Series, 2017

Boundless Informant

Simple experiments geared towards performance, these pieces were recorded using Monome mlr & Grid, Organelle/Orac, Montreal Assembly CT5, Chase Bliss Audio Mood, and Mutable Instruments' Rings & Clouds.

I hope you'll enjoy!!

Performed/Recorded by D.Harper 6/2020

Mastered by Porya Hatami
http://poryahatami.com/

Poppy botanical by Walter Müller, 1910

Root

Our Ancestors Are Like Trees That We Sow In Soil From The Sea

Various formats available at:
http://oejerum.bandcamp.com

Softer Than Before

øjeRum

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