Comeback of the group that helped to explode the french touch with its irreversible soul-garage chorus sung by Ron Carroll, Lucky Star is THE dancefloor hit of the year 2000. 

Behind this hit that sold 900,000 copies (200,000 for the Hold-Up album signed by Virgin): three southerners, Fafa Monteco, Stephane B and Mike 303 who have been fed by the culture of free radio and hip hop and finally the rave party scene, many musical cultures that constitute the identity of the Superfunk sound .Lucky Star ,internationally acclaimed French house track that symbolizes the French sound in the minds of the general public but then the wave fell leaving Daft Punk as the only ambassadors of the French touch . 

Following this phenomenal success, the band separated : while Stephane B and Mike 303 continued the adventure with other musicians, Fafa left the group in 2005 to pursue a solo career. 

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2018, the come back
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Fueled by the rebirth of Black Jack Records, a label that was inactive since the mid-2000s, on which the trio of producers had delivered their first EP, Superfunk resurfaced. On the occasion of its 20th anniversary, Black Jack returns with new collaborations and new artists: a bridge is recreated between the teachers of Chicago and the leaders of this sound made in France, past successes and new tracks to come with of Paul Johnson, K-Alexis Shelby and the emergence of a new generation of artists like EEEDIOT or Vantage. With Chinatown, it’s new track for BlackJack, Superfunk revisits the synths by Giorgio Moroder and the eternal vibrations of disco with an undisguised jubilation. It is above all the musical imprint of the group that resurfaces: a sound that is sought after but accessible, immediately identifiable while appealing to the musical culture of the listener. Very quickly, the feedbacks were excellent, the track was played on Radio FG, the reference in France on this type of sound. And naturally, new tracks and collaborations are coming : I Like It with Mercer who was a Superfunk fan and rightfully considers the group has a legend. ... 
Superfunk is the come-back-event of an acclaimed sound for music lovers of all ages!

Established in London, 1999.

#HouseMusicAllLifeLong

Andrew Emil // Change Request 

A preeminent artist of Chicago's 3rd wave, Andrew Emil is one of house music’s most staunch stalwarts. A concert-trained percussionist since age 11, he earned a chair in his native Kansas City Symphony before eventually moving to Chicago. 

As a traditional musician, Andrew Emil has worked as a keyboardist, arranger, and an orchestrator on recording sessions and productions, cutting his teeth at the former Chicago Trax Recording Studios. 

Credited on over 200+ recordings, his composition and studio productions have ranged from concert works and sound design to film scoring stages and hundreds of releases of electronic music productions. 

After a life in live music performance, from orchestra percussion sections to punk rock ensembles, he crafted a reputation for House Music productions in Chicago under his own name, as well as Broadway & Wilson, and Uptown Tones. 

One of the earlier innovators of the “Jackin House” genre under the Broadway & Wilson moniker with Jeff Bloom, Andrew is never content to stay in one place or style of musical thought for very long. 

He is the only recording artist to do production work simultaneously for Derrick Carter’s Classic Music Company, Mark Farina’s Great Lakes Audio, Gene Farris’ Farris Wheel Recordings, and four-time GRAMMY nominee Steve “Silk” Hurley’s S&S Records.

A string of double-digit singles for prominent labels, including remixes for artists such as Common, Kanye West, Little Louie Vega, Jamie Principle, Steve "Silk" Hurley, Iz & Diz, Fast Eddie, Shalamar, Roland Clark, David Morales, Colette, Amp Fiddler, JT Donaldson, and Gene Farris, to name a few. 

2012 saw the emergence of his epithet, Change Request, with the Change Theory EP on four play music. This new persona allowed the freedom to explore hybrids of mid-tempo live instrument focused jazz-dance-fusion. 

Following this release was “After All” on Seasons Recordings, with another single thereafter featuring house music icon, Chez Damier, “I Wanna Go Back”, including a remarkable rework from Glenn Underground, on Glenview Records. 

The ever-growing collection of songs and musical dialogue eventually led to the conceptual album series from Change Request. Each full-length effort containing a completely separate story and scored via its own unique incidental subtext. 

Emil created AstraVox Music with the award-winning Los Angeles-based composer, Mr. Nathaniel, as a home for his increasing catalog of incidental dramatic musical compositions. 

www.andrewemil.com

DJ / Producer / Remixer ... find me on hearthis.at/shaned

Rob Morrison
Film Composer on various projects guitar and keyboards voiceovers....

Zonum began his musical career, as producer in 1990.
He is currently Music Producer,Remixer,Sound Engineer,Grammy And Latin Grammy Member, S&S Chicago Label Rep / Event Liaison Spain / Europe Area at S&S Records Inc.

Logistics, S & S Records, Inc.
House Head for Life

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