A globally respected and highly accomplished artist, label boss at the seminal Hot Creations, founder and curator of the worldwide Paradise event series and member of cross-genre band Hot Natured, Jamie Jones has achieved iconic status in the electronic music world. A trendsetter and seasoned tastemaker, the Welsh dance music superstar pioneered his own distinct sound, drawing on his deep knowledge and experience to cultivate DJ sets that weave through a range of diverse, complementary styles selected to energise and enchant the dance floor.

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It is warm, upbeat, energetic and most of all, irresistible: The Egbert-sound. Egbert VanderGugten is an ordinary Dutch guy, except for the fact that he is THE Dutch techno-act at this moment. In his loft in Rotterdam, Egbert produces one great dance floor track after another. However, no dance floor can hear it. The only witness to the magic he creates are the four walls of his loft until the Dutch techno legend Secret Cinema (Jeroen Verheij) finds him online. Verheij pulls Egbert out of his loft and gives him, at age 20, a stage to perform on and a record label. It turned out to be the start of an international victory tour. Having hardly recovered from his first two releases in the Netherlands, Sven Väth calls from Frankfurt: ‘Can Egbert deliver a track for Cocoon, stat.’ Vreugdevuur becomes one of the most prominent releases of 2009 and after that things go fast. Really fast. The loft quickly becomes history when Egbert closes the main stage of Time Warp, crushes Awakenings for no less than a dozen times in a couple years and graces Club Womb in Tokyo. Additionally, he is a frequent guest in Cape Town, Budapest, Ibiza, Melbourne and Singapore… Not bad for a guy who before his first release only flew in a plane once. But understand that wherever Egbert comes, all (let me repeat: ALL) hands will go up, and they will stay there. 

“Very proud of him to be the youngest Dutch techno-hero bringing quality music to
dance floors across the globe” - Rocco Veenboer, Awakenings

Egbert sets a new standard when he singlehandedly performs for 6 hours straight in a sold out club Melkweg in Amsterdam. The question is: what is someone who achieved so much in such a short period of time going to do next? No worries. Aside from the fact that he still has a countless amount of tracks waiting to see the world (thank you, loft), Egberts’ ambition and energy are limitless.

The entire world is his next stop.

There are few artists carving out a legacy for themselves like Dax J is right now. The British DJ and producer from London has gone from the backroom parties to headlining raves at every major techno institution the world over, all whilst staying true to the underground with an individual style all of his own. His technical skill, pure selection as a DJ and attention to high-end sound production has placed him at the forefront of a global scene, and established him as a singular presence within modern dance music. 

Recent accolades for his unswerving devotion to his sound have included places in the top 100 DJs polls published by Resident Advisor, DJ Mag and Groove Magazine. Over the years, he’s also received nominations as Best Techno DJ, Best Breakthrough DJ and Best British DJ from Mixmag, DJ Mag and the DJ Awards. He's renowned for playing mammoth closing sets at monumental parties including 10-hour marathons in the world’s most notorious techno clubs, Berghain and Bassiani.

Also known as a prolific producer and successful record label boss, his trademark sound remains in constant rotation among the most respected DJs in dance music, a style which was first fully recognised on his highly acclaimed 2015 album, "Shades of Black". Upon its initial release on his own Monnom Black label, Mixmag named it "Album of the Month", Hardwax described it as “brilliantly banging” and it also took the coveted No.1 spot on Juno Records. 2018 saw Dax release his multi-faceted second solo album “Offending Public Morality”. The record won support across the board, including that of BBC Radio 1 who picked it as their “Biggest Record of the Week”. By the end of 2018, “Offending Public Morality” also featured in the “Top 50 Albums of the Year” lists for DJ Mag, Tsugi and Apocalypse Mag. Two more events that crowned a year of great success were his enrolment into the BBC hall of fame with the release of his debut Radio 1 Essential Mix, and Be.At.TV’s choice of his 4-hour closing set at NeoPop Festival for their “Best DJ set of the year”

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