"Diane, second song we completed in lockdown. Stoney's funny to watch when he's trying to decipher melodies over a cell phone through a video screen.

On this tune we were able to record D3 through the cell phone, but we had to wire it to an old telephone jack Stoney had from 1984. 

I think you could feel our pent up 'pent up' anger in this one.

I think the title from this came from Stoney being drunk one night at the pub before the lockdown saying to a drunk asshole that if he saw him on the street he would throw a car at him. Of course at the time, I was tripping on mushrooms and I had a completely different idea of what he was talking about. D3 would know EXACTLY what I'm talking about. Diane, it's refreshing to hear D3's energy again! 

Diane, I can't even lift a car right now. I'm leaving Paris and going to an undisclosed cabin location. Coop was right about the French woman. She can't make doughnuts.

-PJ."


from The Lost D3 Tapes
written by Keep The Fear:
Cooper (drums)
Darren D. Danahy (lead synth guitar)
Phillip Jeffries (bass, synths)
Stone Catcherye (guitar, vocals, lyrics)


*** I Could Throw A Car ***

I could just feel the cold steel
in my mitts
I could let go and crush your whole world
with one pitch

won't you answer me
with hypocrisy
won't you challenge me
rush to cure my needs

don't extinguish flames
just evade the scene
we all run the same
we all use our feet

I could just feel the cold steel
in my mitts
I could let go and crush your whole world
with one pitch
I could back out and calm the fuck down
flip the switch

won't you stare me down
as you wear that crown
won't you ruin me
because we don't agree

don't extinguish flames
just engulf the heat
we all burn the same
we all hurt SO deep

I could just feel the cold steel
in my mitts
I could let go and crush your whole world
with one pitch

won't you answer me
with hypocrisy
won't you challenge me
rush to cure my needs

don't extinguish flames
just evade the scene
we all run the same
we all use our feet

I Could Throw A Car

Danceable and downtempo, electronic but organic, thoughtful yet irreverent…
Keldari Station is a synth duo based in Denver, CO comprised of Darren Douglas Danahy: Keyboards, Guitars, Voice, Programming/Sequencing and
Kelley Donovan: Samplers, Synthesizers, Signal Processing, Melodica, voice

Formed in 2012 originally as a live, all improvised instrumental project, Keldari Station prefer to make and perform their brand of electronic music by connecting together bits and bobs of analog and digital equipment, rather than exploring the depths of their personal computers and the mysteries buried there. 

Their debut EP, 2013's "Where in the Universe is Keldari Station" (released December 21, 2013) was recorded entirely live for Portugal's Dan Dada Records, and more than half of the songs on the release were written and recorded during the same week as the release.

Three of the songs from the EP, after some work and many live performances, made it onto their first studio album and CD "Brave New Worlds" (released April 25, 2015) which is where the band solidified their "Space Dub" sound which fused elements of dub reggae, psychedelia, electronic pop, and experimental music with lyrics that spoke of a change in consciousness that is either impending or already upon us, creating this "brave new world".

By the time the band had enough new material for an album at the beginning of 2016 (along with a reworking of something from the first EP) and were getting set to record, one of the bands biggest influences, the late David Bowie passed away, giving both members pause for a moment and reflection, and the decision to name the upcoming album "Say Goodbye to Ground Control" and to begin working it towards becoming a tribute to the artist. Since this point, the band has gone on to involve an outside source for the cover art (Chris Pendergraft, Torch Fire Labs) and more importantly, mixing and production assistance by Russ Sinfield (at the Chaos Cookhouse in the UK) who has in turn, began to involve other musicians outside of Keldari Station's two "core" members. 

First release from the album is the single "Lucky" which was released on an EP August 26, 2016. 

Their most recent  album "Say Goodbye to Ground Control" was released on Thanksgiving, 2016 and was a tribute to the life and music of David Bowie. 

After taking a short break for the first 3/4 of 2017 to work on other projects, the band returned to performing in November with new material and updated versions of their older songs. 
2018 has found the band rejuvenated and inspired, and they are writing and recording for their 3rd album, to be preceded by a single in May - "Granda Elektra Koro" as well as a small summer tour.  The new material expresses gratitude and love towards the band's fans, and each other, and is loosely being titled "the wedding album"  and roughly themed around our having landed somewhere, after a long journey. 

Be on the lookout!

fear is real. it is really made up in your mind.

the vacation cabin of Keep The Fear. Songs That Don't Fit On Our First Page.

"All things considered, being shot is not as bad as I thought it might be, as long as you can keep the fear from your mind. But I guess you could say that about most anything in life. Its not so bad as long as you can keep the fear from your mind."

Stone ~ Vocals, Guitars, Decisions.
DDD ~ Lead Guitars, Keyboards, Distractions.
Coop ~ Drums, Coffees, Denotions.
Phillip ~ Bass Guitars, Cameos, Disappearances.

All music is nice if you can appreciate.
Everyone makes music and all music is good if heard carefully.
All sounds are reasons that we are alive and share different frequencies.

PLEASE WORLD, PEACE AND LOVE.

https://open.spotify.com/artist/31z30JyUEF1yNOgEW6pch2?si=fsx_z8gJTqOBelSFFSA48A

A place for Honor in Treason to share the love and showcase their incredibly talented musician friends.

I am Musician,explorer, sculptor and painter Petri Kiviniemi from Finland. 


There is so much talent and variety here, and most of the people are pretty cool too. I love being part of this community. Listening to your music and being heard in return is enough.

Still reading? OK I'm gonna muse a bit. It's hard to fully convey how much this forum has meant to me. There are people I've never met that feel very much like old friends -- and in a very real way they are.
If I follow someone I make every effort to listen to and support their efforts. It's certainly not a transactional relationship but I do tend to limit my follows to people who engage in mutual listening and engagement. If you listen and leave a comment I always try to listen to *your* music when responding! If you follow at random without any feedback I hope you get something out of that too... ; )