PART 1: starting from 10pm

Last month I played an all-night set at Nowadays in NY, which I’ve described to many friends since as probably the best DJing experience of my life. 

As a DJ you’re constantly seeking a connection with those you play to, and sometimes it’s there, sometimes not. But I have never felt so intimately close to, and in tune with, an audience – whose faces I could barely even see – for the entire duration of a night. 

I’d slept for 2 hours, was jetlagged to the point of delirium and woefully underprepared for a 9-hour set. By the last hour and a half I had a crippling stomach cramp and was falling asleep on my feet. But by some cosmic rave miracle I had somehow slipped into a groove from the beginning and found myself tracing an arc that felt like it was drawing itself, as if all I had to do was relax and watch my own hands play the music. There were moments of intensity and euphoria and nostalgia and energetic catharsis, but throughout the entire set I felt fully empowered to meander in deep, subtle and confounding directions, somehow confident that wherever I went, the dancefloor would follow. 

The final stretch descended into a nostalgic parade of old and poignant favourites which, coming out of a recent period of personal upheaval, kinda knocked me sideways and left me frequently close to tears. I was a physical and emotional wreck by the time I finished. But it was a completely magical experience from beginning to end, which felt shared in a very genuine way by everyone in the room, and honestly I don’t care if anyone would listen to a 9-hour recording these days because I just want there to be a document of the night in its entirety out there for posterity. 

So here you go – a four part recording of the whole set, hopefully conveying at least some of the joy I felt on the night. Heartfelt thanks to Nowadays and to every person who was there. ♥️

Objekt @ Nowadays 23 October 2021

All night @ Nowadays [23/10/2021] – Part 1 – 10pm

drizle.010 _ PLO man

Recording of Batu B2B Donato Dozzy (the secret B2B) at Aura, Draaimolen Festival 2023, Day 1.

Batu B2B Donato Dozzy at Draaimolen Festival 2023

Dubstep-tech hybrids from one of 2024's most forward-thinking breakouts.

Born in France to English parents, Beatrice M. is a product of two environments. And like many third culture kids, this lends the Rinse France resident and Bait label head a knack for seeing the realm of possibility beyond arbitrary borders and binaries.

Beatrice M. is a part of a wider cohort of artists spearheading an elastic take on dubstep: take Carré and Introspekt in the US, EMA in Dublin and Mia Koden in London, to name a few. Collectively, they are not only pushing greater representation and diversity, but ensuring a broader palette of sounds find home within the genre's renaissance.

Where dubstep got trapped down a brostep cul-de-sac in the early 2010s, 2020s already seems to be all about a charming phrase Beatrice M. employs: siblingstep. Their RA Podcast, a "full femme, non-binary, trans productions set," is testament to that.

RA.961 finds Beatrice M. embracing the softer, more intimate edges of their sonic world. There's cuts from Grace Jones and rRoxymore, a fresh tech-house venture under the alias B. McQueen and heaps of siblingstep. All in, it's an hour of past reverberations, present rhythms and glimmers of future horizons.

@beatricemasters

Read more at ra.co/podcast/961

RA.961 Beatrice M.

Recording of upsammy's set at Dekmantel Selectors 2024.

Dekmantel Selectors 2024

upsammy at Dekmantel Selectors 2024

@adobeprincess

For Q&A with adobeprincess... please visit our website

(((((pipipi.life)))))

adobeprincess - -9˚C

It was my first Draaimolen and no one knew it which was great. 
It was also my first encounter with Addit Audio and their sound system installed for the first time in its full glory. I can't recall being brought to tears during one soundcheck.
So there were no news, no algorithms, no expectations to be disappointed. The pit was not announced. It felt like a curious manifestation of something paranormal.
Wonderful sound system, records and sweetest weather.  
Those who found us in the small pit in the middle of the forest most likely didn't know what was going on. 
For the most part of the first 5 hours I figured out that it would be great to play for and with the sound guy, playing right and wrong records and figuring out which one sound good. Research and development mission for Addit Audio.
After 5 hours ISAbella joined for a brief back to back session. Everything can happen in the realm of paranormal. Luckily she stayed and we played together for the next 3 hours until the last song, the one for the deceased. Probably as close as it gets to transcendence. 

Thank you all. You know who you are. 

Vladimir Ivkovic

Vladimir Ivkovic at Draaimolen Festival 2024

An incredibly special recording from Hewan Aman @hewanaman live from pe:rsona festival last year. 

From Hewan:
"The set is all playful, dubby, tecky, with some psy vibes and also a bit of deep and introspective bits. I played on a hot, sweaty afternoon during day 2—just as the sun was starting to cool down and the music heads that made up this special crowd were starting to get in all their feels. LOIF took over after me with his live set, carrying us into the darker hours of the night with his sexy psy vibes. It was such a magical moment, and I’m so glad to have it captured in this recording!"

Beautiful photograph by Romain Guede.

subglow/Live 3: Hewan Aman @ pe:rsona '24

@richard-akingbehin

Q&A ------> https://pipipi.life/mix/richardakingbehin/ <----------

Richard Akingbehin - 8˚C

Kiosk and The Lot Radio proudly team up for a three-day broadcast from the Moon Ra stage at Horst Festival, highlighting the vibrant music scenes of New York and Brussels at one of Europe’s renowned festivals.

https://www.instagram.com/emily_jeanne

www.kioskradio.com
www.thelotradio.com
www.horstartsandmusic.com

Emily Jeanne | Kiosk Radio x The Lot Radio at Horst Festival 2025

Distro-Verse

End of Verse

Adventures in machine music built to make subs rattle and feet wiggle; a convoluted mess of elektrology and teknology, 3-step, bass-core, post windmill, proto-minimal wankstep, gondola, shithouse, acid wonk, ambient gabber, no more, no less.

BOOKING
chris@unfoldartists.com (ROW)
joe@surefireagency.com (NA)
a.montes@cuatroveinte.tv (LATAM)