For his long-overdue Fact mix Pariah chases a jaw-swinging, grin-inducing, eyelid-fluttering vibe that fluctuates between sparseness and intensity, depth and release.

https://www.factmag.com/2022/07/04/fact-mix-866-pariah/

Fact Mixes

Fact Mix 866: Pariah (Jul '22)

@rhyw's take on electronic music is full throttle and high definition. The Welsh-Greek DJ and producer co-runs the Fever Am label with Mor Elian, where he releases alien club sounds with sci-fi details, industrial textures, cyborg vocals and syncopated beats. His densely detailed output has also come on the likes of Avian and Seilscheibenpfeiler where it goes from minimal to broken beat to electro, but always with plenty of sonic surprises. His "desire to sound different" has really come to the fore since his live Cassegrain project alongside Hüseyin Evirgen went on pause, and he proved that most recently with a new EP on Blawan and Pariah’s Voam label. 

All of this play out over a kinetic 65-minute mix served up for us this week. It's a lithe and lively workout with sleek sound designs and a future feel from start to finish. Each track brims with exquisite detail while the contrast of heavy drums and light-emitting synths brings a real sense of space. The whole thing adds up to artful body music with natural emotional intelligence.

Dekmantel Podcast

Tracklist

Dekmantel Podcast 406 - Rhyw

Recording of Batu's set at Dekmantel Festival 2022

TASCAM DR-40X

Batu at Dekmantel Festival 2022

@reptant_the_lizard special tech house alias, Ulo S. returns for a live set at melbourne/ naarm's best after-hours party, the tech world season II finale @ miscellania, 19th march 2023 8-9pm

<3

ani/live Twelve: Ulo S. @ Techworld Season II Finale

This is the recording of my closing set at FOLD, London, on April 14th, 2023. I'd put together the lineup for Transmissions and DJed after Shackleton, CCL and mi-el, and had a really special time playing in a zone I’ve been hugely enjoying this year – fast, headsy, frenetic, tunnelling, kind of psychedelic (but not like explicitly psy), twisting and turning in different directions, all over the place genre-wise but tightly bound in a specific mood and propulsive energy.

Decided to re-record a few transitions on this one and tidy it up a little – it’s more editing than I’d usually do but I wanted to release the best mix I could which would exemplify where my head's been at this year. :)

If you enjoyed this, I'm back at FOLD on Saturday 2nd December 2023 for an all-day set – tickets available here. :) https://ra.co/events/1778251

Tracklist:

Asa Tone – IIII
Surgeon, James Ruskin – Sound Pressure, Pt. 2
EDO8 – Satellite Mirco
FULL EFX – HEADRUSH
Mary Lake – Autumnal
DJ Shufflemaster – Onto The Body
Tomás Urquieta – 32 Balas (Rhyw's Double Dribble remix)
Nicolò – All Night Heat
Archetype – The Keep
Exquisite Corpse – Traditional Ties With Dreaming
Moderat – Rusty Nails (T++ Remix)
Burnt Friedman – Hexenschuss (Extended Version)
FLXK1 – Going Deep
Elemental – Blob
Piezo – jRj
Kemet Records – Breakage #1
Underground Resistance – Bang
Microthol x Second Storey – Dissonanz
Ø [Phase] – PorteNoir
Mez x Skream & Scratchclart – X Rated
Dave Quam – Duplex Device
Batu – For Spirits
Wishmountain – Headrush
MC Yallah X Debmaster – Sikwebela
Mystic Letter K – See Her Weaving
Pinch – Elements
Oris Jay – To The Fly
Cleyra – Uninvited
nisennenmondai – B-1 (You Ishihara mix)
Uwalmassa – Rantas
Stereolab & Nurse With Wound – Simple Headphone Mind
D.A.F. – Der Mussolini
R-Zac – Speaker Burn
hanali – 100th Century
Double Dutch – Surface On Fire
Alex Jann – Psy Culture
DJ Girl – So Hot
Forest Drive West – Creeper
Goliath – Vault Of The Adepts (Re-Definition)
scarecrow – hülimbįn
Obi, Charlie Hall – Labanba
Kreggo – Note Tool
DJ Rashad – Drop Juke Out
Marco Bernardi – Morpheusis
Setaoc Mass – Pain
Priori – Pareidolia
SNKLS – Wasp
Xen Model – Face Forward
Simo Cell – Cassdédi Au Meta
Glimmerman – One Hundred & Sixty Times
Tony G – Robotomy (DJ GIRL Remix)
Ed Rush, Nico – Proton
The Black Cat Premier Crew – A2 - Untitled
RP Boo – Red Hot!
Donato Dozzy – Tao
loopdrive – sujoisen
Il Quadro di Troisi – Sfere di Qi

DJ set at FOLD, London, 14.04.2023

The supremely talented DJ Plead launches us into a mind warping world of percussive pleasures and dexterous genre bending, with his trademark agile club rhythms and pacy low end palpitations on full display in episode 303!

@1djplead

Q. What inspiration did you draw upon when planning this mix, and what type of listening environment could you imagine it being easily enjoyed in? 

A. I actually looked through my rekordbox history from a recent Animalia night I played in Naarm and drew some inspiration from that. When listening back to the mix I can imagine it being played for a semi-casual game of Futsal or something like that. I feel like there are some light-footed tracks in there that would be useful to some nimble futsal players. 

Q. Are there any songs in the mix that are especially close to your heart, and what is it about these cuts that resonate with you so much?

A. Mata by Nidia & Valentina

It's taken off  a truly sublime Album that I draw lots of inspiration from. It's simultaneously organic and loose and club-playable, which is a tough one to get right. It's something I’m constantly trying to achieve but they seem to have done it effortlessly. 

Dotted by Cliques

I actually tried to google to see if I’ve ever put this tune in another guest mix before. I probably have, so I’ll apologise for that now. Cliques has always had a big influence on me since I started producing music. They’ve since stopped producing themselves which is a shame but I always play their old tunes out if I can. RIP Cliques..

Q. One of the things I’ve been fascinated with in your DJ sets (the Sustain-Release set for example) is your mixing of polyrhythms to seamlessly bridge tempos throughout a set. How did you first get inspired to experiment with this style and what are some of otherwise conflicting genres/sounds that have blended nicely?

A. My DJing style is at times an extension of my music production. I think this might be a good example of that. The sustain release transition from 150 to 100 is using a tune that I produced years ago in a 3/4 time signature. I’ve produced a few tunes over the past few years that are able to do that. It just allows me at times to bounce around to different worlds and stops me from feeling stuck in a tempo-range. I haven’t done it so much recently but I’d like to get back into doing it. It can create a really strange feeling for the audience. At Sustain-Release, a lot of the audience were on hallucinogens so it felt appropriate to get trippy in that way. It's harder to pull off in a nightclub environment.

I’m no longer sure what the original inspiration for experimenting with this style was. Playing a lot of tunes that have a polyrhythm in them can often make you feel like you have the option to dance at two different tempos.

MDC.303 DJ Plead

While traversing a realm of appearances many truths are heard and not seen. An audio representation of a moment in time captured and preserved - a sonic photograph. This recording is one such artifact, one that for me illustrates a fine line bordering cosmos and chaos. Something that can not be duplicated during a controlled studio session which is absent of collective effervescence. So far from a quiet game of solitaire, but more a test of faith where reckless abandon embraces instantaneous risk. The evening was a spiritual conversation that embraced us all through the magical forces of music set beneath a canopy of trees, sprouting from the grounds of an enchanted forest. Evidence of the artist’s hand and thought process is unforgivingly present while creating a range of possibilities for spontaneous storytelling surrounded by an atmosphere of ecstatic energy. This memory will live with me forever.

- Justin Aulis Long

Justin Aulis Long at Draaimolen Festival 2024

It was my first Draaimolen and no one knew it which was great. 
It was also my first encounter with Addit Audio and their sound system installed for the first time in its full glory. I can't recall being brought to tears during one soundcheck.
So there were no news, no algorithms, no expectations to be disappointed. The pit was not announced. It felt like a curious manifestation of something paranormal.
Wonderful sound system, records and sweetest weather.  
Those who found us in the small pit in the middle of the forest most likely didn't know what was going on. 
For the most part of the first 5 hours I figured out that it would be great to play for and with the sound guy, playing right and wrong records and figuring out which one sound good. Research and development mission for Addit Audio.
After 5 hours ISAbella joined for a brief back to back session. Everything can happen in the realm of paranormal. Luckily she stayed and we played together for the next 3 hours until the last song, the one for the deceased. Probably as close as it gets to transcendence. 

Thank you all. You know who you are. 

Vladimir Ivkovic

Vladimir Ivkovic at Draaimolen Festival 2024

pi pi pi curator deep creep steps up for a guest curation on the Rhythmic Culture mix series, shining a light on two standout artists from New York City and offering a glimpse into the sounds shaping the city’s forward-thinking musical landscape. First up is Connor Wrong.

deep creep: "Sometimes it feels like I’m swimming in a sea of new releases coming from every direction—but Connor Wright’s latest EP, Chlorine, is a refreshing plunge into the world of focused, modern euphoric breaks.

I first heard it during a b2b with adobeprincess at Public Records and have been obsessed ever since. As someone who loves letting a long track ride out, “Post Namen” still leaves you wanting more. I’m genuinely excited to see what’s ahead for them this year."

@connorwrong

RC:151 Connor Wrong

Racing Will Be Hard (Original Mix)

robotculture

Adventures in machine music built to make subs rattle and feet wiggle; a convoluted mess of elektrology and teknology, 3-step, bass-core, post windmill, proto-minimal wankstep, gondola, shithouse, acid wonk, ambient gabber, no more, no less.

BOOKING
chris@unfoldartists.com (ROW)
joe@surefireagency.com (NA)
a.montes@cuatroveinte.tv (LATAM)

DJ set at FOLD, London, 14.04.2023

Objekt