Forever Young, for two baritone saxophones and two digital delays

Recomposer. Music Reproducer. Remedia artist. Rerussia.

Keith Moore uses the fields of acoustics and psychoacoustics to compose expressive and conceptually rich instrumental works that compel listeners to consider the beauty and breadth of perception itself.

Moore completed his D.M.A. at Columbia University studying with Fred Lerdahl, Tristan Murail and George Lewis. His teachers also include Sir Harrison Birtwistle (M.M., King’s College), Alvin Lucier, Anthony Braxton, Neely Bruce (M.A., Wesleyan University) and the storied composition faculty of the University of Illinois (B.M.). He has participated in extended courses with David Tudor, Joan Tower, James Tenney, Pauline Oliveros, Brian Ferneyhough and Martin Bresnick.

A composer of modern music and piano pedagogue with compositional emphasis on serial and twelve tone techniques and pedagogical literature based on the Renaissance thru 20th century genres.

Earlier studies include industrial electricity, applied voice, drama and music theater, ballet and modern dance.

Starosta's compositions have been shaped and influenced by blues, heavy metal, and classical music along with the sounds of industrial cacophony and nature.

Forever Young, for two baritone saxophones and two digital delays

Keith Moore, Composer