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That Techno Shit

Regal - Pulzar

Cherry Moon Trax - The Club The People The Music

Support the label, buy it here:
http://lobstertheremin.com/album/it-n...

Artist: nthng
Title: It Never Ends
Label: Lobster Theremin
Catalogue: LT029
Genre: Electronic
Style: Techno
Format: 12", digital
Release date: 24 February 2017

Tracklist:

nthng - Touches 
nthng - Galaxy
nthng - It Never Ends 
nthng - Soms
nthng - Unity
nthng - In My Dreams
nthng - Abyss
nthng - Eternal
nthng - Last

nthng finally follows up his four stunning EPs with a full album proper, arriving in a whopping 3xLP pack. 

Arriving a good 6 months after the LT029.5 album sampler which debuted both Soms and In My Dreams, nthng adds another seven hazy, hooded techno bangers to those to make up a pretty dazzling body of work. 

Opener 'Touches' is true ambient bliss, with shrouded, blissful synths fuzzing into view and cut through by a soft low distant sunlight. 

Both Galaxy and Eternal thump into view with a hi-paced drums colliding and clashing with syncopated stabs and smooth dusty baselines, recalling the tender techno-trance precipice danced by Dutch producers at the start of the 90's. 

The huge mysterious fan favourite and title track It Never Ends gets it's pride of place with 9 mins of deep, cavernous techno, all rippling with epic string-synths and washes of mountainous reverb. 

Even deeper numbers are extracted from the hard-drive, including the pensively, digitally-bubbling computer jam Unity sitting tidily alongside the super deep and subtle rolls of Abyss. 

Rounding the album out is the appropriately-titled Last. A dark, shimmering, almost emotionless number that cements a different idea of the future. A hard, pounding, yelping, depth-charged technoid closer. 

For us, the album feels like a real masterpiece, conjuring a spectrum of intimate and emotive moods, feelings and nostalgia-tinged memories that float into the mind, like the settling fog in the valley on a crisp winters morning.

Nthng - It Never Ends [LT029]

’Phases’ Out Now -
Counter / Stream / Download: https://howling.lnk.to/phasesSO

Taken from ’Phases’ released 8th March 2017 via Counter Records.

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Phases

Vinyl & Digital
"Requiem of Desolation" composed by I Hate Models
"Requiem of The Haunted Warehouse" composed by Umwelt
Mastering by Mathis Kolkoz
Artwork by Chris Nexus 6

Rave Or Die celebrates its tenth outputs to date since 2012 with a 100% fren-chie split release! DJ & producer I Hate Models (Artscore, VOITAX, Monnom Black) invests A side with irresistible “Requiem Of Desolation”, a blessing dancefloor mash up of untouchable Acid Trance flights and old school sorori-ties . Very different from what we used to hear from this infamous and long time Techno activist. This is what we call “Modern Rave”.
On the flipside, ROD mastermind Umwelt unleashes Bass and acidic tones on killing “Requiem Of Haunted Warehouse”. Haunting horrific melodies enhan-ced by hammering kicks turn the track into a monster dancefloor track.
Warning Rave Anthem

I Hate Models & Umwelt / Rave Or Die 10

Tracklist:

A1 I Hate Models - Requiem Of Desolation
B1 Umwelt - Requiem Of Haunted Warehouse

Available in coloured vinyl 10" and digital

Composed by I Hate Models and Umwelt 
Designed by Nexus 6 
Mastered by Mathis Kolkoz
Edited by RAVE OR DIE, New Flesh Records sublabel

A1. I Hate Models - Requiem Of Desolation

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Jay Lumen - Asteroid

Get it here: http://smarturl.it/AL016

The third Realm Of Consciousness compilation on Tale Of Us’ Afterlife Recordings is the label’s most complete statement so far.

The four-vinyl opus opens with Tale Of Us’ now anthemic ‘Nova’, a high-impact and well-loved staple of their sets this year. Agents Of Time continue with the percussive rattle of ‘Paradigm’, before the first released collaboration between luminaries Recondite and Henrik Schwarz shines with understated melody.

Amongst Mind Against’s eerie masterpiece ‘Portal’ and impressive first appearances on Afterlife from Scuba (as SCB) and Steve Rachmad (as Sterac) are ethereal contributions from Fideles, Ovend and Øostil. UK techno veteran Edit Select channels the darker, hypnotic spirit of Afterlife with ‘Phase In’, setting up the sprawling, 14-minute epic from Luigi Tozzi and Antonio Ruscito.

To begin the compilation’s fourth disc, Konstantin Sibold & Kosme’s ‘Cyclone’ lifts the tone, leading into a more introspective sound from Hunter/Game on ‘Changing Weather’. Upcoming German talent Kevin De Vries follows with his infectious cut ‘Mágoa’ and Tone Depth ends the odyssey in mesmerising style with ‘Ibn Sina’.

The full spectrum of Tale Of Us’ Afterlife label is on display here, as they continue to push the envelope with a high-quality and diverse selection of artists.

Various Artists - Realm Of Consciousness Pt. III (AL016)
A1 Tale Of Us - Nova
A2 Agents Of Time - Paradigm
B1 Recondite & Henrik Schwarz - Motion
B2 Ovend - Nuits Fauves

C1 Mind Against - Portal
C2 Fideles - Lotus
D1 SCB - Tide Slide
D2 Øostil - Quantic

E1 Sterac - Universum
E2 Edit Select - Phase In
F1 Luigi Tozzi & Antonio Ruscito - Subterrel + Ex Funzione

G1 Konstantin Sibold & Kosme - Cyclone
G2 Hunter/Game - Changing Weather
H1 Kevin de Vries - Mágoa
H2 Tone Depth - Ibn Sina

Available on 4x12” vinyl and digital from June 29, 2018.

Tone Depth - Ibn Sina

Julian Jeweil - MARS 

This live cut Julian Jeweil - MARS.
Hoping Julian Jeweil is dropping this brilliant work soon, here you can get a first insight, enjoy! All rights go to Julian Jeweil.

Peace

Julian Jeweil - MARS [UNRELEASED] [CUT]

Tone Depth already released a series of great and unique productions in 2018. When he sent this new track as a demo for fryhide originally, HOSH was completely blown away by it and couldn´t wait to play it out. On the plane, on the way to play a very important gig for him, he listened to the track while preparing and all of a sudden it made click and out of nowhere HOSH heard the „I Am Free” vocal from Johannes Brecht & Fetsum in his mind on top of the Tone Depth track. So he edited it right away, it became the highlight of his set and people started asking for it. A perfect match! After exchanging music with Solomun who fell in love with it as well he encouraged to release the „Free” version of the track on Diynamic with the vocal on top.

A chain of circumstances and everyone pulling together made this track possible and led to this very special version. Everyone involved is very emotionally attached to it, just as emotional as the track itself is.

Tone Depth Feat. Johannes Brecht Fetsum - Free (HOSH Edit)

“The Beat” - Earning the title quickly and with abandon, this track instantly creates an immersive experience that is as catchy as it is powerful, surrounding the listener in an intensity that all but possesses the body to move and the mind to delight in the prowess of the pure talent behind every note.

The Beat

LR075 - Stiv Hey, Dhes - The Beat (Original Mix)- PREMIERE

Charlotte de Witte at KNTXT Sportpaleis (November 2019)

Suara

Buy On Beatport

Coyu - My First Pill feat. The Horrorist (Original Mix)

ARTSCORE005

Any Given Name

Amsterdam based Keith Carnal has in recent years become seen as somewhat of a tastemaker in today’s world of techno. It might not then come as a big surprise to you that he has also become a favoured producer among many who are seen as “techno mainstay”, gaining support from numerous of his own musical inspirations and champions. Carnal, who grew up in a very musical home in the northern part of Holland, found techno at an early age when he began sourcing and selecting on his own. Techno was, and very much is, the first music that made a deep impression on Keith. This feeling only went on to become more cemented after a few years of composing on his own. It simply became clearer and clearer that Carnal is exactly where he belongs.

Keith’s own style of techno always has a strong emphasis on melodies and groove - it is made for dancing no doubt. Often the melody creates a rather ominous feeling for the listener, but with a certain melancholy to it. This is weighed up expertly with Keith focusing on the tracks being driven forward by strong percussion elements. His compositions contain a fresh vibe that immerses his audience as much as it does with his fellow producer and DJ colleagues. 

Carnal’s own productions very much goes hand in hand with the selections he makes as a DJ. A set of Keith’s always focuses on keeping the tempo and the groove up and going. Classic productions are mixed confidently with more current ones. His sets flourish with tracks that are atmospheric and contain strong melodic segments - tracks where percussion and bass play a major part in why being selected. For Keith Carnal creating the right groove is the main target. This year will see Keith releasing several strong productions as well as continuing his extensive international touring schedule, where he is headlining many of the major festivals and clubs. Keith Carnal is a fresh wind in today’s techno climate.