Exclusive track taken from the upcoming album 'There Can Be No True Beauty Without Decay' released through Hibernate Recordings.

Full review:

www.fluid-radio.co.uk/2013/09/antonymes-there-can-be-no-true-beauty-without-decay

Pre-order:

www.hibernaterecordings.bandcamp.com/album/there-can-be-no-true-beauty-without-decay-2

Info:

Ian M Hazeldine records under the alias Antonymes, hailing from Hawarden, a small village in North Wales, whose most famous inhabitant was William Ewart Gladstone. He creates atmospheric melodies, using various pianos, celesta, strings, church organ and field recordings, and has had releases on Soundcolours, Cathedral Transmissions, Hidden Shoal, Time Released Sound and Rural Colours.

With a long standing interest in music making and active listening, Hazeldine works with any influences, from his surrounding landscape to the artists he has worked with. His compositions often take on a semi-improvised structure with accidental atmospheres used as a starting point. As well as his own projects, Hazeldine also works with Marconi Union's Richard Talbot, under the name Prospector. He also works as a graphic designer, film maker and photographer, having art directed many of the Hibernate releases including our critically acclaimed vinyl series, and has worked with many other artists and labels including Facture, Field Rotation and Olan Mill.

In late 2009 Antonymes released 'Beauty Becomes the Enemy of the Future' on Cathedral Transmissions of which the CD is now unavailable. Since then he has revisited the album, which has culminated a new release, 'There Can Be No True Beauty Without Decay'. Hazeldine's own reworkings are intertwined with those of friends Ian Hawgood, Isnaj Dui, Offthesky, Field Rotation, Wil Bolton, Spheruleus and James Banbury to create an album of captivating melancholy and beauty. The guest reworkings venture into other, darker territories, where one might be harder pressed to identify the original material.

The sleeve features beautiful images of the North Wales landscape by Richard Outram, fitting the music perfectly.


Releases 31 October 2013
Mastered by Jason Corder (offthesky.com)
Photography by Richard Outram and Ian M Hazeldine
Art Direction by Ian M Hazeldine 

Antonymes - The End Of Everything -ii-

"Amber" is a track recorded for SEQUENCE8 compilation by @futuresequence label/magazine.

"Amber crackles like the surface of a quietly waking volcano, a rising melting-heat of ambient melody gathers momentum before fading and giving way to a wonderful piano refrain."

Free download here:
https://futuresequence.bandcamp.com/album/sequence8

Brief info on artists here:
http://www.futuresequence.com/sequence8/ 

Amber

Cradlesong

watch the video at https://vimeo.com/91175635

Anna Rose Carter & Alex Kozobolis - To Move

Drooping

Artist : Tim Linghaus
Track : Memories
Bonus track from "Vhoir" recording sessions.

Teaser video: https://vimeo.com/192981790

Bandcamp : modernarecords.bandcamp.com/album/vhoir
Itunes : itunes.apple.com/au/album/vhoir-ep/id1170469161
Spotify : open.spotify.com/album/37qtqXpRJGZoNBq4nmsHbg

Written and mixed by Tim Linghaus
Mastered by Emil Thomsen at ET Mastering

Vhoir

Tim Linghaus - Memories

Ulrich Schnauss & Jonas Munk: "Passage" out now on CD/LP (via Azure Vista Records) and digital (via Pedigree Cuts)!

Order here: www.azurevistarecords.bandcamp.com

Info:

Following the release of ‘No Further Ahead Than Today’ last November Ulrich Schnauss (now a member of Tangerine Dream) wastes little time in bringing us the long awaited sequel to his 2011 eponymous collaboration with Jonas Munk.

There's a prismatic, multi-dimensional quality to these 11 tracks, most likely stemming from the fact that these two producers have each worked with a wide range of styles and musicians throughout their 15+ year careers: Ulrich cut his teeth as a drum and bass producer in Berlin, before releasing a string of highly influential neo-shoegaze records on labels such as Domino and City Centre Offices. Since moving to London in 2006 he's been a member of the bands Engineers and Longview, remixed many artists (from Depeche Mode and Pet Shop Boys to Mojave 3) and since 2013, been a member of legendary band Tangerine Dream.

While Jonas initially became known to the electronica community via his Manual albums on Morr Music and Darla Records, he also has a career as a noted producer on the European psych scene, as well as working on film soundtracks and experimental minimalism.

Fans of the first album’s euphoric and blissful moments will find much to love here, but also themes that gradually unfurl into crisp, symphonic soundscapes. The album is perfectly titled - it certainly has the feel of a journey but not in a literal sense. It feels like an ‘emotional passage’ or one that plays out via a series of dreams.

Opener ‘Amaris’ has many of the Schnauss hallmarks that we’ve come to enjoy from his many shoegaze collaborations and Munk is the perfect foil for this side to his oeuvre - the track chimes and sways beautifully before one of his trademark melodies hits and leaves you breathless. Munk introduces a more progressive aspect to the release than previously heard by the pair on 'genau wie damals', which recalls several 70’s guitar based giants, though in 2016 this is somehow a natural diversion for a record bearing Ulrich’s name.
Mst’ is certainly one for those yearning for the open armed rush of the first album will surely embrace - 80’s guitars and electro drums set the scene for some of the most gorgeous sequencing and melodic synth work on the album. In truth though, there’s no shortage of highlights. The retro futurism of ‘Spellbreaker’ is awesomely addictive and modest standout ‘Caffeine blues’ combines tasteful guitar strokes with a standard of Berlin school sequencing that surely only a member of one of the scene’s key exponents could summon.

Ulrich Schnauss & Jonas Munk: "Ao Hinode"

Lost Souls.
Download: https://sensitize.bandcamp.com/track/lost-souls
Spotify Playlist: http://bit.ly/AmbientSpotify

Sensitize
https://soundcloud.com/sensitize
https://sensitize.bandcamp.com
https://www.facebook.com/sensitize.music
https://open.spotify.com/artist/3RYffRRH9S4qobyeznyd9P
https://www.instagram.com/sensitize.music

Picture by Søren Astrup Jørgensen
https://unsplash.com/photos/a8vZ5zyuOTw
https://unsplash.com/@sorenastrup664

Follow AmbientMusicalGenre
https://soundcloud.com/ambientmusicalgenre
https://youtube.com/AmbientMusicalGenre
https://facebook.com/AmbientMusicalGenre
https://vk.com/ambientmusicalgenre
https://plus.google.com/+AmbientMusicalGenre/posts
https://ambientmusicalgenre.bandcamp.com/
https://twitter.com/AmbiiMG

Support AMG Records (AmbientMusicalGenre channel)
https://ambientmusicalgenre.bandcamp.com

All music on AmbientMusicalGenre channel used for promotional reasons only.
If any artist, producer or label has an issue with any of the uploads (images also included) please get in contact with me and I will delete it.
(ambientmusicalgenre@gmail.com)

Download

Sensitize - Lost Souls

Follow Ryan Taubert:

Instagram: www.instagram.com/ryantaubert/?hl=en
Twitter: twitter.com/taubertryan
Facebook: www.facebook.com/ryangtaubert
Spotify: open.spotify.com/artist/79jExF7jUg31BFtXAmru1k
Soundcloud: @ryantaubert
Website: www.ryantaubert.com

Sam And Esther

Goldmund - The End

Photo "Lost in Paradise" by Muhamad Rizal Firmansyah on Unsplash.

To Be

Latest:
Helios - Espera: https://ghostly.ffm.to/helios-espera
Hollie Kenniff - The Quiet Drift: https://ampl.ink/5Y9Rw
Mint Julep - In a Deep and Dreamless Sleep: https://ampl.ink/omKoq
Goldmund - The Time it Takes: smarturl.it/ibfvzw

I write music for film and record as Helios, Mint Julep, Goldmund.

For licensing inquiries please visit: http://www.unseen-music.com/licensing

Goldmund - The End

Keith Kenniff