Made this quick edit for a new mix and thought I'd upload. The groove in the original only lasts for a minute and I needed more of it.

Genshu Hanayagi & Mickie Yoshino Group - 燃焼そして昇華 (Mark Wayward Edit)

The second single to be taken from a much anticipated second volume of ‘É Soul Cultura’, curated by Luke Unabomber. The compilation follows on from where Vol.1 left off, at times venturing into the deeper, spiritual, soulful, downtempo, experimental aspects of his tastes. New, old, rare and under-discovered music from around the world, woven together in Luke’s unique style.

Showing Luke’s sweeter side, this beautiful slice of super-rare soul has been on many collector’s wants list for years. It is a sublime cover of Minnie Riperton’s ‘Baby, This Love I Have’ and was recorded very shortly after Minnie’s passing. Avis gathered together some of the finest musicians in the Dallas/Ft. Worth area, including the late great bass player Rick Rigsby, and put her unique stamp on a soul classic. 

The double vinyl LP comes in a gatefold sleeve, Obi strip, and includes a limited edition fanzine written by Luke. Also available on CD and digital.

Released on 09th June / available to pre-order now.

Avis - Baby, This Love I Have

A softer, more candlelit iteration of Aaliyah's 4 Page Letter.  I found this on a compilation by AFTA-1 and GAS'D (stylistically portrayed as AFTA-1 X GAS'D), called Love is Real Vol. 4. It's a free compilation; I see no reason why you shouldn't grab the whole series right now.

AFTA-1 & ESP - (A Four Page Suite)

Perfect Timing 

Deeper Waters feat. Joe Dukie [2009]

Dimensions Recordings’ fifth release sees the label step into the world of the longplayer with Istanbul native, KEREM AKDAG’s self titled debut album.

Kerem has already been winning fans of the ilk of Gilles Peterson through his output of dusty house and tripped out beats in the last few years, and of course via his Getdownsoclose offering on Dimensions’ debut release. His debut album however, sees Kerem deliver a mature piece of work, bright and timeless, equally effective in the club as it is at home and brimming with ideas, hooks and must have songs.

Across eight tracks Kerem demonstrates a breadth of skills that most artists would work a lifetime to achieve. From the stepping beats of When I Think Of You to his subtle vocal layers on Isolated and from the woozy beach vibes of Sultan to the rasping synths of Unite it’s clear that there’s very little that’s outside of Kerem’s arsenal. The album rounds out fittingly with Drums Please, which perfectly displays Kerem’s jazz tendencies, a slow grooving track whose crescendo of stabs and drums create a song that’s more powerful than its parts.

Kerem Akdag’s debut album clearly sets out the stall for a man who has a lot to say and has the capability to say it loud!

B2 Kerem Akdag - Bossa Nueva

Taken from 'Mt Glorious' EP 
listen to full EP here: https://AWAL.lnk.to/sampologyep 
buy vinyl here: https://sampology.bandcamp.com/
℗&© Middle Name Records 2018

My Place ft Jordan Rakei

available for DL: https://monk-one.bandcamp.com/album/the-rikers-beats-vol-1

Monk-One Beats

Stormy Beat

The lead single and title track from Rio based musical trailblazer Antonio Neves' forthcoming album A Pegada Agora é Essa (The Sway Now).

Antonio Neves - A Pegada Agora é Essa (Feat. Esguleba)

Beyond their highly sought after 1978 album Festa Para Um Novo Rei - home to the mystical jazz-funk classic ‘Vidigal’ and released on Philips’ iconic Musica Popular Brasileira Contemporanea series (MPBC) - little is known about Marcos Resende & Index, even to aficionados of rare Brazilian music. Far Out Recordings is immensely proud to present their previously unreleased self-titled debut album from 1976, contributing a crucial missing work from the glory days of progressive Brazilian instrumental music.

A prodigious child, Marcos Resende learned to play the accordion at the age of two, and taught himself the piano at six. In spite of his immense potential to become a musician he travelled to Lisbon in the 60s to study medicine, though he continued to explore his musical passion on the side, forming a trio which ended up opening for Dexter Gordon at the Cascais Jazz Festival in 1971. From here he formed the electronic oriented prog-jazz group Status, who opened shows for the likes of Elton John, Phil Woods, Stan Getz, Art Blakey & The Jazz Messengers, but in spite of their relative live success they have no known recordings.

Now established as a highly regarded keyboardist, composer, and innovative electronic musician, Resende returned home to Brazil following Portugal’s Revolução dos Cravos in 1974.  Inspired and invigorated by US jazz and British progressive rock he’d experienced while residing in Europe, Resende went all out acquiring a keyboard arsenal to be reckoned with, which included the Prophet 5, Yamaha CP-708 and Mini Moog. Determined to integrate his newfound inspirations with Brazilian rhythms and jazz traditions, he formed a new quartet with Rubão Sabino (bass), Claudio Caribé (drums) and the late great Oberdan Magalhães, of Banda Black Rio and Cry Babies fame. Marcos Resende & Index recorded their self-titled debut at Sonoviso Studios with the legendary sound engineer Toninho Barbosa, known as the ‘Brazilian Rudy Van Gelder’ whose impressive resumé includes the era defining classics Light As A Feather by Azymuth, Previsão Do Tempo by Marcos Valle, and Quem É Quem by João Donato. Marcos Resende & Index fits perfectly amongst these masterpieces, sharing both the timeless ethereal qualities as well as the progressive and futuristic ideals of Light As A Feather in particular.

Though he wasn’t short of offers to release the album, Resende felt record companies were de-valuing the time and effort he spent absorbing his influences while establishing a career in Europe, and perfecting his sound with his Brazilian bandmates, as well as the magnitude of the recording they achieved. As time passed, Resende become one of the most revered session keyboardists in Brazil, and played on records by Gilberto Gil, Chico Buarque, Edu Lobo, Carlos Dafé and Gal Costa, among many others; as a result his career as a bandleader took a backseat, and this remarkable recording has stayed below the surface til now.

Thankfully Marcos kept the tapes from the Sonoviso sessions safe and presented them to Far Out’s Joe Davis at his home in Lisbon in 2018. Now the time is finally right for the album to see the light of day. Marcos Resende & Index will be available on vinyl, CD and digital formats from 29th January 2021.

Marcos Resende & Index - Nergal

lord echo-Wang East

“The most important reason for going from one place to another is to see what's in between.” 
― Norton Juster, The Phantom Tollbooth

AFTA-1 & ESP - (A Four Page Suite)

Wandering*Star

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