track 2 from “Nature Relaxing Therapy” by KeepSleep

https://stereoscenic.bandcamp.com/album/nature-relaxing-therapy
https://open.spotify.com/album/5WjvFG2HJ3gg9OkApziXOZ
https://music.apple.com/album/1587622847

Nature Relaxing Therapy

KeepSleep - Relax with the Sea

Electronic musician and pop ambient pioneer Markus Guentner was listening to Karen Vogt's track "Cloud forty-three" precisely at the same time as the church bells in his hometown of Regensburg, Germany, were ringing at 21h. Guentner commented on how well the two sounds work together, and Vogt agreed that he should do a remix using her original vocal loop track and the bell sound. Guentner recorded the bell ringing the next evening and then proceeded to mix the two together.
Original bell recording by Markus Guentner included as a bonus track over on Bandcamp: https://karenvogt.bandcamp.com/album/cloud-forty-three-markus-guentner-21h-rework

Karen Vogt - cloud forty-three (Markus Guentner 21h rework)

Brygga5

https://shimmeringmoodsrecords.bandcamp.com/album/deep-completions

Gentle drones lure the listener in, punctuated by shards of tape hiss and electronic hum. 
Synchronised voices rise and fall, synthesisers exhale, all ushered forward by the pulse of distant static. It’s the sound of a highway at night, the sound of a digital sea, the sound of time passing. 

DEEP COMPLETIONS is a self-titled 8 track album of choral and ambient music, written and recorded in Berlin between 2023 and 2025. Released in the year 2025 on Amsterdam’s Shimmering Moods Records.

releases July 21, 2025 

Written and produced by Deep Completions 
Mastered by Andrea Porcu 
Artwork and video by Andrew Binnie 

SHM 350 
Shimmering Moods Records 2025



Deep Completions - Flutter Rate

To watch the video of this live performance, go here: https://www.youtube.com/watch?v=hTbnc9xRWDQ

Lots more of my music here: http://music.lowercasenoises.com
Or, become a subscriber for exclusive music and more cool stuff: https://lowercasenoises.bandcamp.com/subscribe

Here's a really long B major chord for you. It felt nice to play a little, but also to just sit and listen. Hopefully you'll feel ok sitting and listening for a little bit too.

Here's the pedals I used:
Digitech Whammy 5
Walrus Audio Deep Six
EHX Pog 2
Old Blood Noise Procession
Chase Bliss Warped Vinyl
Smallsound Bigsound Mini
Xotic EP Booster
Chase Bliss Gravitas
Earthquaker Devices Disaster Transport SR
Strymon El Capistan
Line 6 Echo Park
Eventide Space
TC Electronic Ditto X4

The guitar is an Ibanez Super 70's Les Paul. Amp is Guitar Rig 5.

Thanks for listening!

http://lowercasenoises.com
http://instagram.com/lowercasenoises
http://facebook.com/lowercasenoises
http://twitter.com/lowercasenoises

Sketch #44 - Drone in B Major (05.05.16)

Gift of the Caves from the album 'Inward'
https://atmosphare.bandcamp.com/album/inward
Collaboration with @VictorYibril
https://victoryibril.bandcamp.com/

Inward

Gift Of The Caves

Atmøsphäre & VictorYibril - Gift Of The Caves

ASC - The Waves [SSCD22]

01. Seamounts
02. Nautical Depths
03. Echo Location
04. Kelp Forest
05. Endless Blue
06. Marine Layer
07. Hadal Zone
08. Ocean Shadow

- - -

https://shop.silentseason.com/album/the-waves

Available Winter 2019
Traditional Silent Season CD & Digital Formats
Produced and Mastered by James Clements
Photo by Apertism
Silent Season © 2019 [SSCD22]

- - - -

info@silentseason.com
www.silentseason.com

The Waves

Bandcamp

ASC ~ Seamounts [SSCD22]

My album Frozen Passages is now out on my home-label Stereoscenic <3  https://poemme.bandcamp.com/album/frozen-passages

Thank you for listening, and I hope you'll enjoy what you hear! <3

the north wind approaches

Composed and recorded with tape loop of a TR-66 rhythm and Juno-60 with Tubbutec CPU mod.

Effects used: Strymon Volante, Vermona Retroverb Lancet, Alesis Microverb II, Alesis Nanocompressor.

More info about the Tubbutec Juno-66 mod: https://tubbutec.de/juno-66/#usrman

model tx-1500

from 'ΠΟΛΙΣ' [CD|LP|DIGITAL]
Denovali Records · den344
available on all formats at http://denovali.com/subheim

Subheim adds a new chapter to his catalog of shadowy raves with ΠΟΛΙΣ - the fourth long player, arriving in October 2020 on Denovali Records. Pronounced "Polis," the Greek word for "city," ΠΟΛΙΣ doesn't so much evoke the rapid cadences of life in a modern metropolis as it does the unspoken tension between longing to escape and being trapped in some kind of concrete stasis - living together with millions of souls in an expansive emptiness.
 
Subheim uses ΠΟΛΙΣ as a vehicle to depart from traditional songwriting structures, crafting each track as a piece of a larger sonic collage. Songs come out of nowhere, abruptly come to end before they even get a chance to start or introduce new motifs and surprise reprises long after we expect the next track to cue up. These stutter-start forms reflect the four years it took for the record to take shape: a series of failed musical experiments, indecision, balancing an unstoppable creative drive with the unavoidable emotional ebb and flow of life.
 
Though this is clearly Subheim working at a new level, listeners will recognize the sound of ΠΟΛΙΣ instantly as his, with both hints of the IDM/electronica of Approach era and the unmistaken human element that is present in all his work. The natural, off-grid time feel of the record is effortlessly augmented with field recordings and found sounds, this time around with the addition of more grit and power, and with heavier use of analog synthesizers.
 
Despite the album being born out of a feeling of alienation from one's surroundings, it's impossible to ignore the sense of hope that runs through this LP. In ΠΟΛΙΣ, we hear an arrival at a deeper understanding of oneself, an inner peace amidst the decay and a cautious optimism that comes from someone who just happens to feel most at home in darkness.

Subheim - ΠΟΛΙΣ

Subheim - Old Blade

from 'Daear' [CD|LP|DIGITAL]
Denovali Records · den350
available on all formats at http://denovali.com/lto

Based in Bristol, LTO first made waves as part of mysterious electronic collective Old Apparatus. As a solo producer, LTO has since attracted attention with three albums.

LTO's ambition to create ever more ambiguous and far-reaching sonic environments, whilst retaining something of the familiar and physical, have led him to take inspiration from imagined landscapes of the folklore of his Welsh ancestry and of the planet Mars. Both images of enchanted forests battling enraged giants from the underworld and unimaginably hostile planetary events guide this work of great magnitude.

In 'Daear', LTO explores an expansive sound pallet of swelling synths and noise, ambiguous string instruments, thunderous percussion, unearthly voices and his signature sound the piano, mostly processed beyond recognition. The result is a mysterious and deeply textured journey that could be set in both the distant past and uncertain future, on this planet or beyond.

Praise about LTO:

“haunting and comforting in equal measure. 4/5" – MOJO

“like memory preserved in nostalgic aspic” – The Independent

“a beautiful collection that stands tall alongside the work of his contemporaries” – XLR8R

“Blurring the lines between the organic and machine-made... Takes nebulous sounds and crashes them with the clatter of machine rhythms… Brilliant.”  - Hyponik

“An adventurous blend of hues grey and dark...Staggeringly rich.”  - FACT

"Another great album by a real talent hugely deserving of even more attention. Remarkable. 9/10"  - God is in the TV

Daear

LTO - Noachia

Found sounds, chopped and spliced into music, augmented with synthesizers and acoustic percussion.

model tx-1500

kenneth g.