20 Fucking Years Of Planet E: We Ain't Dead Yet

Full Clip

Shaker

Buy full EP: orcd.co/dreamuniverse

Gudu Records label continues a 2023 for the books with Dream Universe, a new four-track EP by Italian duo Hiver.

Based in Milan, Giuseppe Albrizio and Sergio Caio have spent the last decade honing a very special take on electro and machine funk, driven by the duo’s trademark basslines, glossy strings that drip with emotion and an overall utopian nature.

On Dream Universe, a “tribute to early ‘90s house and trance”, built around trance elements, acid bass and Detroit-inspired rhythms made on iconic synthesizers like the Alpha Juno, Juno 106 and the Roland 303, 909 and D-550, they pack more energy and emotion into their music than ever before, from the high-emotional vocal that defines the EP’s title track, to the raw bass hits that drive ‘Lodash’.

At this point, Hiver’s sound is so distinctive that you know one of their tracks the minute you hear it, but Dream Universe feels like the high water mark of their work to date; a duo in complete control of their craft.

Tracklist:
01. Dream Universe (Vocal Mix)
02. Purple Phaze
03. Lodash
04. Higher Space

Hiver - Purple Phaze

Out 16th March via @ausmusic

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Smoke Stained Ivories

Guilty Measures

Applaundub-Frame  [Mutant Rebels]

Truss [Minimal Groove Concept]

Haiti Appeal Project

Doiicie A

Virton Upgraded (Ben Klock Remixes)

Virton Upgraded

Checkmate

Checkmate (Steve Rachmad Remix)

Kp54 Masters

Way Down

Tom Trago's new 12", the album sampler to the upcoming album The Light Fantastic. Featuring the dancefloor stomper "Two Together" which was co-produced by Steffi, "True Friends" featuring Breach on the vocals and the non-album track "Avenido". Big TIp! 

Tom Trago is back, giddily dancing out of the studio into the dizzying light of a European summer. Tucked under his arm are the masters for his third album, The Light Fantastic.

Since his most recent appearance on Rush Hour last autumn, Trago has spent most of his time in the studio. Over four memorable months, he constantly jammed, recorded, tweaked and produced tracks, until he had enough strong material to put together what might just be his best full-length to date. 

Along the way, he was joined by an impressive guest list of guests and collaborators from Amsterdam and beyond, all of who were roped in after “popping into the studio to hang out”. 

You’ll have to wait to hear the album, but the good news is that there’s an enticing teaser of what’s to come in the shape of this formidable three-track taster. One of the tracks, the chiming, loose-limbed, bass-heavy workout “Avenido”, is exclusive to this 12”.

When he sat down to make The Light Fantastic, Trago was keen to recapture the essence of his early work, and particularly the melodic warmth, kaleidoscopic chords and robust grooves that characterized his 2009 debut album, Voyage Direct. This time, though, he wanted to rely less on samples and apply the lessons learnt from four years of largely acclaimed production work. As a result, The Light Fantastic oozes a gleeful sense of fun, whilst retaining the depth and definition that has always been a hallmark of Trago’s work.

The two album tracks featured on this sampler confirm the rich dividends that this new approach brought. “True Friends”, featuring the combined talents of Brit-in-Amsterdam Ben Westbeech and local hero San Proper, bristles with loved-up positivity, all bubbling electronic melodies, fuzzy vocoder vocals and jaunty, bottom-end bounce.

From the Rush Hour site: 
Then there’s the small matter of “Two Together”, an extra large helping of the kind of loopy, feel-good deep house funk with which he made his name. Expertly teased, tweaked and produced, it sees nagging hooks, darting synths, jazz keys and disco stabs riding a relentless, full-throttle groove. Co-produced with Berlin-based Dutch producer Steffi, it’s nothing less than a wide-eyed late night rush. If it doesn’t have you tripping The Light Fantastic, nothing will.

Two Together feat. Steffi

Widely considered to be one of the chief innovators in the genre of electronic dance music known as deep house, Kerri Chandler has carved out a unique musical vision brought to life in marathon sets known to go on for 6 hours or more, he infuses elements of soul, jazz, funk, and practically any other dance rhythms to create the vivid sound tapestry unique to him. That has earned this world-class DJ, producer the affectionate nickname the Stevie Wonder of House music.

As a skilled multi-instrumentalist and Dolby Atmos certified recording engineer with a propensity for tinkering under the hood, Chandler strives to understand every aspect of sound recording and amplification. Kerri is constantly pushing the boundaries of recording technology and live-performance sound systems. When this talented DJ, and producer is behind the decks at notable venues as diverse as Printworks in London and Sub Club in Glasgow, you are guaranteed to be awash in quality music that reflects his experience as a global performer. You can never anticipate what you’re going to experience. Seamlessly transitioning from live DJing to live jam session complete with keyboards, live vocals, and loops or perhaps merging mid- 20th century studio grade reel to reels as a mixing source combined with state-of-the-art custom projection mapping design, newly developed by Panasonic to create immersive 3D environments, complete with tracks Chandler blends together while simultaneously interacting with holograms of legendary vocalists that Kerri has collaborated with though out his career.

With a discography spanning three decades, Kerri's first release Super Lover/ Get It Off on Atlantic Records in 1991 set the stage for what was to become a signature sound. His creations launched a wave of admirers and imitators of his deep lush chords and soulful grooves that stir emotions and movement. In his continuous search to inspire and nurture new talent, he forged MadTech Records and the eclectic Kaoz Theory imprints soon followed becoming the flashpoint for such artists as the Martinez Brothers, Seth Troxler, and Tony Lionni.

Kerri having just released his latest album the 24-track homage to international nightlife “Spaces and Places”, jumps headlong into the world of spatial audio with Dolby Atmos This new immersive sound format allows sounds to travel through a space not merely backward and forwards but circles in all directions. With the international support of club owners and engineers, a total of 24 iconic night spots were transformed into recording studios infusing each track with the full sound characteristics of the rooms they were recorded in. Spaces diverse as London's Ministry of Sound, Paris Rex, Berlin’s Watergate, Barcelona’s Razzmatazz, or New York's Knockdown Center creating a whole new layer of complexity and accuracy. “If I wasn’t working doing the stuff I love doing, I’d probably work at Dolby,” Chandler says. “My job became my hobby, and my hobby became my job.”

Kerri's latest series of dates brings all of this time and attention full circle combining the meticulous attention to sound, atmosphere, and craft that ensures that you will be taken on a musical adventure second to none.

Management - Donal@purplewall.com 

Bookings Worldwide (excluding territories listed below): 
dave@arcade-talent.com

Italy / Portugal / Spain: 
maurizioclemente@mac.com