Name: could be us but i;m emotionally unavailable by Keta Gözlüm
Duration: 2 min 51 s
Description: imma be working on a less messy version when i feel like it featuring @xiaoquanxiaoquanxiaoquan

From the LP Pieces Of Driftwood, released 7 October 2022 on Disciples
https://disciples.ffm.to/piecesofdriftwood

Maxine Funke - South Dunedin

Matt Evans - Percussion
Henry Fraser - Double Bass
Lucia Stavros - Harp
Lester St. Louis - Cello 

Composition + electronics by Lea Bertucci, 2021

Of Shadow And Substance (Excerpt)

Floating

Création sonore réalisée pour l'installation "Galb’Achalay" d'Abdessamad El Montassir en collaboration avec Matthieu Guillin, compositeur.
Composée originellement sur un système 5.1.
Compositeur: Matthieu Guillin
Poésies/poetry : Badi Wel M'hamed Salem
Voix/voice : Wel Sidi


Galb’Achalay puise dans les formes architecturales du Sahara et ses ruines afin de retracer et raviver ses micro-histoires. Composée à partir de poésies du Sahara, Galb’Achalay emprunte aux chants et récits méconnus de ce territoire pour ouvrir un interstice inédit qui laisse émerger et se déployer une histoire dominée. Galb’Achalay est réalisée en étroite complicité par Abdessamad El Montassir et Matthieu Guillin. 

Visuel – légendes et crédit © Abdessamad El Montassir - ADAGP
Dans le cadre du  "Dispositif de compositeur et compositrice associé(e) dans les scènes pluridisciplinaires" DRAC
Coproduction Maison Salvan, La Biennale – Festival international des arts vivants Toulouse Occitanie 
Résidence de création au studio eOle
Un immense merci à Paul de Sorbier, Wel Sidi et Franck Loiret.

Galb'achalay (5.1 to binaural, only for headphone)

Photosynthesis bubbles

Maxpatch by Noxin
https://soundcloud.com/nnoxinn

Paalmax

All the original files are courtesy of :zoviet*france: (2021). Thanks to Ben Ponton and Mark Warren. Still-video available at https://youtu.be/_UInufDbUUg 

Check out these links for more: 
• https://linktr.ee/roevlaiofficial 
• https://soundcloud.com/zoviet-france 
• https://www.facebook.com/zovietfrance 
• https://zovietfrance.podbean.com 
• https://twitter.com/zoviet_france 
• https://www.mixcloud.com/zoviet_france

"Hidden-by-the-wall" remix project

:zoviet*france: • "Hidden-by-the-wall [Roev Lai remix]"

Blue Chemise documents the hermetic soundworld of Australia’s Mark Gomes. “Daughters of Time” follows 2017’s brilliant full-length “Influence on Dusk,” released in micro-edition on Gomes’ own Greedy Ventilator imprint. It is an elegiac set of vignettes recorded straight to dictaphone with minimal post-production. For me these pieces function in a manner akin to Loren Connor’s evocative “airs,” conjuring poignant, intangible senses of longing and nostalgia then disappearing well before overstaying their welcome. Regarding their genesis, Gomes points to a quote from Australian artist Robert Hunter: "It's like I'm external to them. They develop their own assertion and character; their becoming finished is a thing they decide themselves. It's unexplainable." LP/Digital available 9/7/2018 via studentsofdecay.com

Daughters of Time

Isla

imma be working on a less messy version when i feel like it featuring @xiaoquanxiaoquanxiaoquan

could be us but i;m emotionally unavailable

Une voix parcourt le Rhône - I
Cette œuvre de Julie Rousse est le fruit d'une recherche qui a commencé en 2019, travail au long cours donnant corps à la voix du fleuve Rhône. Field recordings, procédés expérimentaux et création sonore.

Une voix parcourt le RhÃ´ne

III - Coeur de Fleuve

BUY VINYL:  https://grouprhoda.bandcamp.com/album/passing-shades
Group Rhoda, the solo project of Mara Barenbaum, returns to Dark Entries with ‘Passing Shades’. An integral member of the Oakland electronic music scene, Barenbaum has been writing, performing, and plunging into oneiric depths as Group Rhoda since 2009. This is the project’s fourth LP, and the third time Barenbaum has collaborated with Dark Entries; previously on the Max & Mara LP ‘Less Ness’ in 2013 and the Group Rhoda LP ‘Wilderless’ in 2017.
	Passing Shades is an investigation of the metaphysics of loss and the transitory nature of the material world. But it is not a grim collection; over 8 songs, Group Rhoda diverges through synthesizer-laden symphonics, four-to-the-floor inflections, and cosmic musings. Barenbaum’s striking voice and singular songcraft guide us through this labyrinth. Arpeggiated waltz “Flow” channels wisdom sought through martial arts; “Earthly Ark” sets a Margaret Atwood poem from the God Gardener’s Hymn Book to somber electronics. The vocoded canticle “Nevermore” is dedicated to the memory of a beloved cat. ‘Passing Shades’ is both mystifying and revelatory. Folk forms are echoed only to detour into the alien. Each song functions as both a fragment of a larger puzzle and a koan unto itself.
	‘Passing Shades’ was mastered by George Horn at Fantasy Studios. The sleeve was designed by Eloise Leigh, and features a hazy, clouded sky. The back cover uses a photograph by Harry Crofton. A postcard featuring a poem by Barenbaum is included, as well as a digital download.

Passing Shades

Group Rhoda - Passing Shades SNIPS

“Somebody else’s idea of somebody else’s world is not my idea of things as they are. Somebody else’s idea of things to come, need not be the only way to vision the future.

What seems to be, need not be; What be, had to be; For what was, is only because of an adopted source of things. Some chosen source as was, need not be the only pattern to build a world on.” — Sun Ra




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