New Jersey's finest returns to Ovum alias free. Having been contractually locked down in 2011Harry Romero's previous Philly outing came under his secretive Vaggio pseudonym. The air of mystery surrounding the artist frustrated and excited in equal measure and yet refreshingly freed the EP of any preconceptions. This was after all a debut release, right? The response was overwhelming and lit the touchpaper for what was soon to be Harry's return to his beloved raw house beats.

Those trademark drums were in full effect again at the tale end of last year with the release of 'The Butcher' on Circus Recordings. Meaty by name and nature the ep confirmed that Harry had lost none of his trademark Latin-infused swing. A trait also at the forefront of his 'You Get Deep' EP. 

The new tracks serve up a full Romero menu with Get Deep displaying a groove-heavy swing and a spritely arpeggiated synth that dances throughout. 

Harry Romero - Get Deep

Oliver Schories - Kysh

Out now: https://orcd.co/REKIDS242

Tal Fussman’s first EP for Rekids, ‘Definition’, kicks off with ‘Freedom Defines House’ - a contemporary reimagining of the classic NY house cut. Big, drummy and complete with a House-focused spoken vocal, the track channels classic Tenaglia and Vasquez sounds, just with added mix-down punch and flair.

On ’The Royal’, Survival Tactics label-boss Fussman runs with the expansive sound design and power percussion that feature across the whole ‘Definition’ EP but delves into Techno-influences with a soaring set of staccato strings and stabs. ‘Pace’ builds on ’The Royal’s Techno references but contrasts the captivating leads with a tunnelling, heads-down vibe created by rhythmic filtered hits. The closing track, ‘Even Rome Wasn’t Built in a Day’, wraps up the ‘Definition’ EP neatly with a light but driving tone punctuated with yet more anthemic string sections.

Having released on Laurent Garnier’s COD3QR, Innvervisions, Drumpoet, and Dyinamic, Tal Fussman has already established himself as an artist to watch, but this memorable love letter to Detroit and debut for Radio Slave’s evergreen Rekids label sees him take things to the next level.

Tal Fussman - Freedom Defines House

Tal Fussman - Even Rome Wasn't Built In A Day

🎶 yes & Megalopolis

The Final Chapter:

After an incredible journey, Cosmic Minds will release their final track Distorted Future on @BlackRoseRec as part of the label’s annual VA. 

Born from late night sessions, shared visions, and a deep love for music, this project has meant the world to us.

To everyone who supported, danced, and connected with us you’ve been part of something truly special.

As one chapter closes, another begins. Thank you for being part of our story.

With love,
Cosmic Minds 
🪐🖤

Cosmic Minds - Distorted Future (Original Mix)

complete version: https://on.soundcloud.com/99GgXsRREPvNNTzwYb

c2025 by MOBest - Martin Oliver Beinersdorf 

Belief in Motion (Radio edit)  for complete version look into the Track Info

Beatport: https://pro.beatport.com/artist/yotam...
Traxsource: http://www.traxsource.com/title/51646...
Juno Download: http://www.junodownload.com/…/yotam-avni-this-i…/2881510-02/
iTunes https://itun.es/us/ZGgU9

Israeli producer Yotam Avni is back with a fresh cut of uplifting, inspirational dance-floor music, along the same lines as some of the killer cuts he's produced for the likes of Robsoul, Be As One and Osunlade's Yoruba records imprint. Weaving elements of Detroit techno, jacking Chicago house and deep atmospheres, Yotam Avni's productions - either under his own name or pseudonyms - Avadon and Jersey Real Estate - are guaranteed to keep the midnight oil burning, no matter the crowd. It's with this reputation that Ovum Recordings welcomes the passionate producer to it's ever-swelling ranks.

Yotam's debut for Ovum Recordings is of the same quality and ilk that weve come to expect. The title track's original mix is proud and uptight, bursting in with a clipped but swollen kick drum, fat around the edges and deep in it's descent, before a vocal snippet chimes in through a mesh of bass gradually stomping its way into earshot with a gentle canter before those bass tones become a full on wobble and the driving rhythm to the track is notched up on the break, mixing Yotam's trademark uplifting house with galvanized, toughened techno beats. 

On the remix we welcome the Dutch bastion of techno Mr. Steve Rachmad, who delivers a superb rework under his darker and deeper Sterac alias. Jacking, rolling and pumping, his remix focuses on the filters. Dry flanges, acid stabs and filtered analogue synths sit atop a frenetic hi hat for a bass-less but high impact smasher. 

Closing the EP is the intriguingly titled Bbbooy Skat, that runs with a hypnotic, wavering acid synth lines and muted, clipped kick drums - reminiscent of his live looping techniques when Djing - before igniting into progressively building techno roller, adding elements of percussion atmosphere and melody, never once shifting focus from that hypno-top line. A subdued but effective midnight roller that offers an endless conclusion to another triumphant set from the Ovum Recordings crew. 

Huge Support from: Marcel Dettmann, Dubfire, Martinez Brothers, Mano Le Tough, Adam Beyer, Kolsch, B Traits,Danny Tenaglia, Rolando, Doc Martin, Blawan, and more!!!!


Yotam Avni - This Is How (Original Mix)

Taken from  Redlight Visions 3 on Redlight Music ,out November 27th
Best #MondayMood  track to start your week
http://dubiks.com/2017/11/20/premierebryan-matthz-fly-over-the-woods/

@redlight-music
@bryan-matthz

Redlight Visions 3 EP

Premiere : Bryan Matthz - Fly Over The Woods

Guy Gerber - Stoppage Time

Oombah

Oombah (Kevin Saunderson & Justin Cholewski Remix) [feat. Virus J]

Listen to Melodica now: https://found.ee/EDancer-Melodica

Bookings: ed@arcade-talent.com 
Management: phil@onehouse.com

Platinum-selling recording artist, label boss, festival promoter, true innovator in the pantheon of popular music, cultural champion, cracking DJ: there’s a lot to be said about Kevin Saunderson.

His influence runs deep, through both adopted hometown of Detroit, and music culture as a whole: as one of the Belleville Three, the high school trio which also includes Juan Atkins and Derrick May, he irreparably changed the face of electronic music; with Inner City, he gave it some of its most memorable tunes. 

The genesis of today’s enormous techno scene can be retraced straight to Kevin, Derrick and Juan, as their formative experiments on rudimentary hardware sketched a blueprint for a genre that was yet to exist. By absorbing Kraftwerk, cutting-edge funk, local radio stalwart The Electrifying Mojo’s electicism, and all manner of new synthesiser and drum machine-led pop music, the Belleville Three broke new ground as musicians and DJs in the 80s. 

Saunderson’s comparatively late start as a producer – kicking off in ’87 under the moniker of Kreem, with E-Dancer and Reese two of the more well-known names to follow – inadvertently gifted him a headstart. With the eruption of house music a few hours down the I-94 in Chicago, Saunderson married Detroit’s raw sound to more tactile, pop-leaning sensibilities. Inner City was born, and global success followed.

Between “Big Fun”, “Good Life”, debut album Paradise and a number of follow-up singles, Inner City (Saunderson and vocalist Paris Grey) amassed 12 UK top 40 hits and over six million records sold worldwide during their peak. A dancefloor-dominating remix by Luciano in 2008, and a globetrotting reunion tour in 2012, underscores the longevity of Inner City’s classic sound. 

His nickname of ‘The Elevator’ is apt: for his role in transporting Detroit’s new sound to a wider audience; as anyone who has seen him perform live can attest, his high-energy, high-spirit and high-impact DJ sets; and for spending the past 35 years of his life progressing the culture he helped create. 

Operating in tandem to his golden run as a producer in the late 80s and early 90s, Saunderson’s own KMS record label – a remarkable 30 years strong in 2017 – has chronicled the early footsteps of R-Tyme, Blake Baxter, MK, Chez Damier, Derrick Carter, Bicep and even Saunderson’s son and regular DJ partner Dantiez more recently. 

A special 12” series in 2008 called History Elevate, released in tandem with fellow polymath Carl Craig’s Planet E label, brought contemporary names like Mathew Jonson, Simian Mobile Disco and Loco Dice into the fold, proving his nous for fostering relationships with each new wave to come through techno’s gates. 25th anniversary compilations and numerous reissues have followed suit. 

Saunderson has a behind-the-scenes role to play, too: he is intertwined with the history of Detroit’s flagship Movement (formerly Detroit Electronic Music Festival / Fuse-In). Having produced the event in the mid-2000s, the last handful of years have seen repeated invites from Movement to display his ORIGINS showcase at the festival, bringing acts like Delano Smith, Phuture and DJ Minx under his curatorial umbrella. 

And of course, with a stacked international touring schedule over the decades, playing in nearly every country and at nearly every festival or club worth mention, he has not stopped pushing the feeling of techno on and on. 

The Groove That Won’t Stop, indeed.