Oombah

Oombah (Kevin Saunderson & Justin Cholewski Remix) [feat. Virus J]

Pheromone Nights CBD  www.kiwiland.com Kiwiland The Hemp Dispensary CBD KIWILAND THE HEMP DISPENSARY AMSTERDAM XXX  Powered CBD byA2D2 Arthur Detour /  Pheromone Nights ,Amazonian Project, Resident Collective /,Penny F, Powerdress , Chemical Surf , Vijay and Sofia Zlatko , Make It , Tanzamt ,Legendary Your Life Amsterdam Most Wanted  Powered by Arthur Detour /  In the beginning,there was Jack,and Jack had a groove.
And from this groove came the groove of all grooves.
And While one day viciously throwing down on his box,Jack boldy declared,
"""Let There be HOUSE!""
and house music was born.
""i am,you see,
I am
the creator,and this is my house!
And,in my house there is ONLY house music.
But,I am not so selfish because once you enter my house it becomes Our house and Our house Music!!
And ,you see,no one man ons House because house music is a Universol Language,spoken and understood by all.
You see,house is a Feeling that no one can understand really Unless you""re Deep into theVibe of House.
House is an uncontrolable desire to jack your body.
And,as I told you before,this is our house and our house music.
And in every house,you understand is a keeper.
And,in this house the keeper is jack.
Now some of you might wonder,
""Who is Jack,and what is it that jack does?
Jack is the one who gives you the power to jack your body!
Jack is the one who gives you the power to do the snake.
Jack is the one who gives you the key to wiggly worm.
Jack is the one who learns you How to Walk Your Body.
Jack is the one that can bring Nations of all Jackes together under one House.
YOU may be Black ,you may be White; you may be Jew or Gentile,It don``t make difference in OUR HOUSE.
And This is Fresh.


For Contact  Arthur Detour send private message on soudcloud

Music fan and amateur producer. 

Dance, electronic, 90s, classics, house, deep house, trance, drum and bass, grime, rap, rnb.

Feel good vibes

Listen to Melodica now: https://found.ee/EDancer-Melodica

Bookings: ed@arcade-talent.com 
Management: phil@onehouse.com

Platinum-selling recording artist, label boss, festival promoter, true innovator in the pantheon of popular music, cultural champion, cracking DJ: there’s a lot to be said about Kevin Saunderson.

His influence runs deep, through both adopted hometown of Detroit, and music culture as a whole: as one of the Belleville Three, the high school trio which also includes Juan Atkins and Derrick May, he irreparably changed the face of electronic music; with Inner City, he gave it some of its most memorable tunes. 

The genesis of today’s enormous techno scene can be retraced straight to Kevin, Derrick and Juan, as their formative experiments on rudimentary hardware sketched a blueprint for a genre that was yet to exist. By absorbing Kraftwerk, cutting-edge funk, local radio stalwart The Electrifying Mojo’s electicism, and all manner of new synthesiser and drum machine-led pop music, the Belleville Three broke new ground as musicians and DJs in the 80s. 

Saunderson’s comparatively late start as a producer – kicking off in ’87 under the moniker of Kreem, with E-Dancer and Reese two of the more well-known names to follow – inadvertently gifted him a headstart. With the eruption of house music a few hours down the I-94 in Chicago, Saunderson married Detroit’s raw sound to more tactile, pop-leaning sensibilities. Inner City was born, and global success followed.

Between “Big Fun”, “Good Life”, debut album Paradise and a number of follow-up singles, Inner City (Saunderson and vocalist Paris Grey) amassed 12 UK top 40 hits and over six million records sold worldwide during their peak. A dancefloor-dominating remix by Luciano in 2008, and a globetrotting reunion tour in 2012, underscores the longevity of Inner City’s classic sound. 

His nickname of ‘The Elevator’ is apt: for his role in transporting Detroit’s new sound to a wider audience; as anyone who has seen him perform live can attest, his high-energy, high-spirit and high-impact DJ sets; and for spending the past 35 years of his life progressing the culture he helped create. 

Operating in tandem to his golden run as a producer in the late 80s and early 90s, Saunderson’s own KMS record label – a remarkable 30 years strong in 2017 – has chronicled the early footsteps of R-Tyme, Blake Baxter, MK, Chez Damier, Derrick Carter, Bicep and even Saunderson’s son and regular DJ partner Dantiez more recently. 

A special 12” series in 2008 called History Elevate, released in tandem with fellow polymath Carl Craig’s Planet E label, brought contemporary names like Mathew Jonson, Simian Mobile Disco and Loco Dice into the fold, proving his nous for fostering relationships with each new wave to come through techno’s gates. 25th anniversary compilations and numerous reissues have followed suit. 

Saunderson has a behind-the-scenes role to play, too: he is intertwined with the history of Detroit’s flagship Movement (formerly Detroit Electronic Music Festival / Fuse-In). Having produced the event in the mid-2000s, the last handful of years have seen repeated invites from Movement to display his ORIGINS showcase at the festival, bringing acts like Delano Smith, Phuture and DJ Minx under his curatorial umbrella. 

And of course, with a stacked international touring schedule over the decades, playing in nearly every country and at nearly every festival or club worth mention, he has not stopped pushing the feeling of techno on and on. 

The Groove That Won’t Stop, indeed.