SoundCloud Weekly

New Jersey's finest returns to Ovum alias free. Having been contractually locked down in 2011Harry Romero's previous Philly outing came under his secretive Vaggio pseudonym. The air of mystery surrounding the artist frustrated and excited in equal measure and yet refreshingly freed the EP of any preconceptions. This was after all a debut release, right? The response was overwhelming and lit the touchpaper for what was soon to be Harry's return to his beloved raw house beats.

Those trademark drums were in full effect again at the tale end of last year with the release of 'The Butcher' on Circus Recordings. Meaty by name and nature the ep confirmed that Harry had lost none of his trademark Latin-infused swing. A trait also at the forefront of his 'You Get Deep' EP. 

The new tracks serve up a full Romero menu with Get Deep displaying a groove-heavy swing and a spritely arpeggiated synth that dances throughout. 

Harry Romero - Get Deep

Oliver Schories - Kysh

Out now: https://orcd.co/REKIDS242

Tal Fussman’s first EP for Rekids, ‘Definition’, kicks off with ‘Freedom Defines House’ - a contemporary reimagining of the classic NY house cut. Big, drummy and complete with a House-focused spoken vocal, the track channels classic Tenaglia and Vasquez sounds, just with added mix-down punch and flair.

On ’The Royal’, Survival Tactics label-boss Fussman runs with the expansive sound design and power percussion that feature across the whole ‘Definition’ EP but delves into Techno-influences with a soaring set of staccato strings and stabs. ‘Pace’ builds on ’The Royal’s Techno references but contrasts the captivating leads with a tunnelling, heads-down vibe created by rhythmic filtered hits. The closing track, ‘Even Rome Wasn’t Built in a Day’, wraps up the ‘Definition’ EP neatly with a light but driving tone punctuated with yet more anthemic string sections.

Having released on Laurent Garnier’s COD3QR, Innvervisions, Drumpoet, and Dyinamic, Tal Fussman has already established himself as an artist to watch, but this memorable love letter to Detroit and debut for Radio Slave’s evergreen Rekids label sees him take things to the next level.

Tal Fussman - Freedom Defines House

Tal Fussman - Even Rome Wasn't Built In A Day

"Round Triangle reached the milestone of 200 releases. For celebrating this we decided to make the new remixes on the track from one of our biggest artists in the past - Alex O'Rion. His "Electrifying Love" initially was released on Round Triangle 10 years back, in August of 2015. The single included also Alex's own downtempo mix, and the breakbeat remix by Nikolay Mikryukov. The original version of "Electrifying Love" was received the support from the likes of Armin van Buuren, Markus Schulz, Judge Jules, and many others, as well as licensed to the Black Hole Recordings' (Songbird) famous mix-compilation CD series 'In Search Of Sunrise 13.5: Amsterdam' compiled and mixed by Richard Durand with BT.

In August of 2025 as Round Triangle's jubilee 200th release we present you two fresh versions of "Electrifying Love" - the progressive house remixes by some of this our label's current finest artists - Seraphin, and Mistol Team."

Alex O'Rion - Electrifying Love (Seraphin Remix)

Vinnie Ace - Despair (Extended Mix)

Buy BEATPORT

AudioFire - I Believe (radio edit).

Beatport: https://pro.beatport.com/artist/yotam...
Traxsource: http://www.traxsource.com/title/51646...
Juno Download: http://www.junodownload.com/…/yotam-avni-this-i…/2881510-02/
iTunes https://itun.es/us/ZGgU9

Israeli producer Yotam Avni is back with a fresh cut of uplifting, inspirational dance-floor music, along the same lines as some of the killer cuts he's produced for the likes of Robsoul, Be As One and Osunlade's Yoruba records imprint. Weaving elements of Detroit techno, jacking Chicago house and deep atmospheres, Yotam Avni's productions - either under his own name or pseudonyms - Avadon and Jersey Real Estate - are guaranteed to keep the midnight oil burning, no matter the crowd. It's with this reputation that Ovum Recordings welcomes the passionate producer to it's ever-swelling ranks.

Yotam's debut for Ovum Recordings is of the same quality and ilk that weve come to expect. The title track's original mix is proud and uptight, bursting in with a clipped but swollen kick drum, fat around the edges and deep in it's descent, before a vocal snippet chimes in through a mesh of bass gradually stomping its way into earshot with a gentle canter before those bass tones become a full on wobble and the driving rhythm to the track is notched up on the break, mixing Yotam's trademark uplifting house with galvanized, toughened techno beats. 

On the remix we welcome the Dutch bastion of techno Mr. Steve Rachmad, who delivers a superb rework under his darker and deeper Sterac alias. Jacking, rolling and pumping, his remix focuses on the filters. Dry flanges, acid stabs and filtered analogue synths sit atop a frenetic hi hat for a bass-less but high impact smasher. 

Closing the EP is the intriguingly titled Bbbooy Skat, that runs with a hypnotic, wavering acid synth lines and muted, clipped kick drums - reminiscent of his live looping techniques when Djing - before igniting into progressively building techno roller, adding elements of percussion atmosphere and melody, never once shifting focus from that hypno-top line. A subdued but effective midnight roller that offers an endless conclusion to another triumphant set from the Ovum Recordings crew. 

Huge Support from: Marcel Dettmann, Dubfire, Martinez Brothers, Mano Le Tough, Adam Beyer, Kolsch, B Traits,Danny Tenaglia, Rolando, Doc Martin, Blawan, and more!!!!


Yotam Avni - This Is How (Original Mix)

Taken from  Redlight Visions 3 on Redlight Music ,out November 27th
Best #MondayMood  track to start your week
http://dubiks.com/2017/11/20/premierebryan-matthz-fly-over-the-woods/

@redlight-music
@bryan-matthz

Redlight Visions 3 EP

Premiere : Bryan Matthz - Fly Over The Woods

Guy Gerber - Stoppage Time

CP085: Clarian - Angel Eyez EP

2. Angel Eyez


release date: July 15th, 2019 (digital)

digital & vinyl

https://soundcloud.com/clariannorth
https://www.facebook.com/CulpritLA

CP085: Clarian - Angel Eyez

https://sous.lnk.to/6AM

Since bursting onto the scene back in 2009, Markus has stayed faithful to his minimal tech roots, creating mind-altering releases for everyone from Rekids to Figure by way of his own SCKT imprint. An artist at heart, his music is very often made without a dance floor in mind: testament to his studio craft that he’s become such a potent force in the scene.   Lead track, ‘6AM’ is an homage to the early morning groovers, who, blurry-eyed, still inhabit the floor when everyone else has left the club. The true heads who appreciate the ebb and flow of a night and grasp onto the embers with joyous abandon. Reflective and somber, muted chords work against ricochet sonics as Suckut’s hypnotic power takes you over for one last hurrah before the lights come on.

Buy/Stream

Markus Suckut - 6AM

Oombah

Oombah (Kevin Saunderson & Justin Cholewski Remix) [feat. Virus J]

https://www.facebook.com/captaincosmotic

Original Tracks:
Donato Dozzy ft. Anna Caragnano-Parola (Spazio Disponibile)
https://www.beatport.com/track/parola-featuring-anna-caragnano-rework/12251872
& 
bR1-My State(Juan Trujillo Remix) (Techno Vinyls Records)
https://www.beatport.com/track/my-state-juan-trujillo-remix/11899068

Donato Dozzy & BR1 - State Of Parola(Captain Cosmotic Rework)//Free Download

Buy: https://lnk.to/LNOE109

Influential producer, DJ and label owner Sasha continues to expand his prolific output with a new emotive techno single titled ‘Ripcord’, set for release via his own Last Night On Earth imprint. 

Having rinsed 'Ripcord' in various sets and LNOE podcasts this year, Sasha's new track has been in high-demand for fans eagerly awaiting it to surface. It follows his recent remix of SYML's ‘The Bird’ and the wickedly popular collaboration ‘The Lights’ with Kölsch, two cuts getting the treatment on countless dancefloors around the world. Now as Sasha's in the midst of a massive tour schedule, with solo shows as well as collab performances with John Digweed and the upcoming Last Night On Earth show at Tobacco Dock on September 21, ‘Ripcord’ sets the tone for a strong finish to a busy summer. 

‘Ripcord’ is out August 23.

More exclusive music

Premiere: Sasha 'Ripcord'

Listen to Melodica now: https://found.ee/EDancer-Melodica

Bookings: ed@arcade-talent.com 
Management: phil@onehouse.com

Platinum-selling recording artist, label boss, festival promoter, true innovator in the pantheon of popular music, cultural champion, cracking DJ: there’s a lot to be said about Kevin Saunderson.

His influence runs deep, through both adopted hometown of Detroit, and music culture as a whole: as one of the Belleville Three, the high school trio which also includes Juan Atkins and Derrick May, he irreparably changed the face of electronic music; with Inner City, he gave it some of its most memorable tunes. 

The genesis of today’s enormous techno scene can be retraced straight to Kevin, Derrick and Juan, as their formative experiments on rudimentary hardware sketched a blueprint for a genre that was yet to exist. By absorbing Kraftwerk, cutting-edge funk, local radio stalwart The Electrifying Mojo’s electicism, and all manner of new synthesiser and drum machine-led pop music, the Belleville Three broke new ground as musicians and DJs in the 80s. 

Saunderson’s comparatively late start as a producer – kicking off in ’87 under the moniker of Kreem, with E-Dancer and Reese two of the more well-known names to follow – inadvertently gifted him a headstart. With the eruption of house music a few hours down the I-94 in Chicago, Saunderson married Detroit’s raw sound to more tactile, pop-leaning sensibilities. Inner City was born, and global success followed.

Between “Big Fun”, “Good Life”, debut album Paradise and a number of follow-up singles, Inner City (Saunderson and vocalist Paris Grey) amassed 12 UK top 40 hits and over six million records sold worldwide during their peak. A dancefloor-dominating remix by Luciano in 2008, and a globetrotting reunion tour in 2012, underscores the longevity of Inner City’s classic sound. 

His nickname of ‘The Elevator’ is apt: for his role in transporting Detroit’s new sound to a wider audience; as anyone who has seen him perform live can attest, his high-energy, high-spirit and high-impact DJ sets; and for spending the past 35 years of his life progressing the culture he helped create. 

Operating in tandem to his golden run as a producer in the late 80s and early 90s, Saunderson’s own KMS record label – a remarkable 30 years strong in 2017 – has chronicled the early footsteps of R-Tyme, Blake Baxter, MK, Chez Damier, Derrick Carter, Bicep and even Saunderson’s son and regular DJ partner Dantiez more recently. 

A special 12” series in 2008 called History Elevate, released in tandem with fellow polymath Carl Craig’s Planet E label, brought contemporary names like Mathew Jonson, Simian Mobile Disco and Loco Dice into the fold, proving his nous for fostering relationships with each new wave to come through techno’s gates. 25th anniversary compilations and numerous reissues have followed suit. 

Saunderson has a behind-the-scenes role to play, too: he is intertwined with the history of Detroit’s flagship Movement (formerly Detroit Electronic Music Festival / Fuse-In). Having produced the event in the mid-2000s, the last handful of years have seen repeated invites from Movement to display his ORIGINS showcase at the festival, bringing acts like Delano Smith, Phuture and DJ Minx under his curatorial umbrella. 

And of course, with a stacked international touring schedule over the decades, playing in nearly every country and at nearly every festival or club worth mention, he has not stopped pushing the feeling of techno on and on. 

The Groove That Won’t Stop, indeed.

It still blows my mind how electronic music connects people like no other. The world dancing to the sound of an 808. Long live dance music in all its beautiful forms!

Oombah (Kevin Saunderson & Justin Cholewski Remix) [feat. Virus J]

Kevin Saunderson

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