SoundCloud Weekly

Daniel Stefanik
"Signs"
[COR12119 Cocoon 119]
Release Date: 04.08.2014

[COR12119] Daniel Stefanik - A1 - Signs

Absolute bomb by the one and only Josh Wink

Josh Wink - Talking To You

🌅 A New Melodic House Journey 🌅

Drift into a world where emotion meets rhythm.
This Melodic House album blends warm basslines, uplifting synths, and atmospheric textures to create a sound that feels cinematic, deep, and beautifully human. Each track carries its own story — from euphoric sunrise moments to reflective late-night grooves.

Designed for dreamers, dancers, and anyone who feels music on a deeper level, this album captures the essence of Melodic House, Progressive House, and Organic Electronic. Perfect for night drives, chilled sessions, or sunrise sets.

🎧 Press play and let the journey unfold - ffm.to/jason_still

#JasonStill #MelodicHouse #ProgressiveHouse #DeepHouse #OrganicHouse #MelodicTechno #EmotionalHouse #ChillMelodic #DreamyHouse #ElectronicMusic #CinematicHouse #SunsetVibes #SunriseSessions #DeepGroove #EuphoricBeats #AtmosphericHouse #FestivalVibes #IbizaVibes #UndergroundHouse #Soundscape #HouseNation #BeatportReleases #NewMusic #DeepMood #MelodicJourney

Fade into Black

Endless Night

ASCEND

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Synapse

We continue this new version of Deeply Rooted’s releases with a 4 tracks Techno ep by Redspecs.

The EP starts with the dark and haunting vibe of 1309S, followed up by Absent: a great Techno groover that builds and builds. 
On the B side Atanol develops a relentless groove while Interstellaire is more hypnotic.

We hope you’ll like those tracks produced by our own French prodigy Roman Poncet!

A2. Redspecs - Absent [DRH049]

Virton Upgraded (Ben Klock Remixes)

Virton Upgraded

Out now on vinyl & digital release - lnk.to/REKIDS132

UK techno legend Mark Broom returns to Rekids in February to release four uplifting cuts in the form of his ‘Break 97’ EP.

Mark Broom’s musical career is certainly something to behold – with over 150 releases over the past 25 years, on top of regular gigs across the world’s most renowned institutions, there’s no doubting his work ethic and his influence upon the scene. A prolific artist and true pioneer in the techno world, having worked with revered labels such as Warp, R&S, Ifach and Soma, and in more recent times Blueprint, EPM Music, Red Sonja Records and his own Beard Man Records, his ‘Break 97’ EP kick-starts 2019 for Radio Slave’s Rekids as the imprint adds yet another outstanding name to its roster following the likes of DJ Deep, Sebo K, DJ Spider and more.

‘Break 97’ sets the tone of the EP with a fusion of techno and disco, delicately blending funk-infused chords and resonating kicks amongst groove-filled vocals, before ‘Heart’ delivers inspiriting disco samples, punchy low end and elevating strings to reveal an effervescent aesthetic throughout. ‘EFB’ takes things up a notch, offering a dancefloor focused cut balancing rattling highs, vibrant synth flutters and a muffled vocal line, until ‘G Theme’ rounds out proceedings armed with robust percussion, electrifying vocals and undulating, euphoric keys.

Break 97

Mark Broom - EFB

CP085: Clarian - Angel Eyez EP

2. Angel Eyez


release date: July 15th, 2019 (digital)

digital & vinyl

https://soundcloud.com/clariannorth
https://www.facebook.com/CulpritLA

CP085: Clarian - Angel Eyez

https://sous.lnk.to/6AM

Since bursting onto the scene back in 2009, Markus has stayed faithful to his minimal tech roots, creating mind-altering releases for everyone from Rekids to Figure by way of his own SCKT imprint. An artist at heart, his music is very often made without a dance floor in mind: testament to his studio craft that he’s become such a potent force in the scene.   Lead track, ‘6AM’ is an homage to the early morning groovers, who, blurry-eyed, still inhabit the floor when everyone else has left the club. The true heads who appreciate the ebb and flow of a night and grasp onto the embers with joyous abandon. Reflective and somber, muted chords work against ricochet sonics as Suckut’s hypnotic power takes you over for one last hurrah before the lights come on.

Buy/Stream

Markus Suckut - 6AM

Oombah

Oombah (Kevin Saunderson & Justin Cholewski Remix) [feat. Virus J]

Cocoon Recordings is back in full force with the follow up to last year’s superb vinyl compilation ‘Dots & Pearls’. Providing a tracklisting that is nothing less than the modern interpretation of House, Techno and Tech-House ‘Dots & Pearls II’ eschews monotonous loops and predictable formulas and rather delivers a selection packed with energy and depth. 

Ilario Alicante and Todd Bodine have the honour of opening the record and very much set the tone for the feel of the album. "Modern Apocalypse" gives the impression that the duo wanted to produce a matching track to follow up Ambivalent's "Iwato" in a DJ set. The record has a wonderfully stripped and spacious feel to it, conjuring up an early hours feel with its entrancing effect and stabs plucking at the air around you. Next up we have Subb-an feat. Jacob Phono with "In The Night" a track that explores how the sound and atmosphere of big 90s Techno acts like Underworld can be transferred into our contemporary Minimal and Deep House universe, a task in which they succeeded brilliantly. Resonant beats and percussions, some 808 claps, funky fills and filtered layers match perfectly with the hypnotic vocals and form an impressing overall result that fits into the DJ's set at any time during the night. 
Mark Reeve's contribution "Carry Me" springs from typically Reeve-like UK-influenced House sounds. Softly filtered layers and cool vocal elements provide the right mood, and the long build-up with much patience and even more emotion makes "Carry Me" one of the best and deepest British Tech House tracks in recent times, a certain winner for fans of 20:20 Vision and Global Communication. 
With "Jellied Eels", Marco Effe steps up to try and win the prize of 'the fattest beats on the compilation'. The E-piano chords are a sure fire hit and the warm layers in the breaks loosen the heavily muscled beats a little, but they can't hide the fact that there is an energy packed affair, which erupts in a perfect surrounding and will take any dancefloor beyond the boiling point. It’s easy to hear why this has been sitting in the sets of Sven Väth and Luciano for some time. Danito & Agent! have just recently delivered their Cocoon debut and their mix of deep House elements and big-room Techno citations has already convinced the experts. Their track "Raw Symphony" is no exception here but rather travels further into the realms of cinematic techno. Detroit sends its regards with a fat bass/strings combination and much pathos, based on an elegant House-style beat that never demands too much and leaves enough space for the above mentioned big-room sound. With "Iwato", Minus figurehead Ambivalent contributes a slightly dark but still deep and minimal Techno track that lives on a juicy Chicago bass line and pays tribute to the compilation's motto by using uncommon sounds and effects. The pearls are literally hearable in the arrangement, setting accents in order to prevent the track from sounding too rounded-off. Hypnotic and kicking, but still unpredictably different. Berlin, 07:30 h in the morning – here's the matching soundtrack for a winter sunrise! 
Harvey McKay's "First Strike From Mars" sounds like its title suggests, and Captain McKay doesn't take prisoners. Demanding, massive and equipped with a mighty beat, the tune is reminiscent of recent Slam releases or some of the stronger Santos productions. A peak time production that has only one message: no escape and total madness on the dancefloor, this is a winner that has been getting plays from Sven Väth and Luciano! Sawlin's "Posay" is plumbs the depths of the Techno ocean, with plenty of echo and even more reverb, his remote metallic percussion sounds create an atmosphere that would also be perfect as the soundtrack for a big art installation. "Posay" shows that Techno in the year 2012/2013 does not only mean 'in-your-face', but rather depth and elegance. 

Besides the vinyl edition, ‘Dots & Pearls II’ is also released in a digital version, which contains four extra pearls, in addition to the eight tracks of the vinyl version: With "Sequence Of Moments", Martinez sends the listener back to the high times of that DBX-influenced Detroit sound full of bleeps and blonks, like Daniel Bell or Fred Gianelli perfected at the time. However, he doesn't deliver a retro piece at all, but combines the raw and direct vibe of Bell with modern sounds, layers and pads, and thus moves himself a little towards the Reboot or Johnny D corner. With their contribution "The Gate", Patrick Kunkel & Sascha Barth follow the current sound of now: matching parts of House, Minimal and Techno, in a skilful mix that, on the one hand is reminiscent of the hypnotic-minimal DJ sets of Ricardo Villalobos and on the other hand releases energy galore, in order to make demanding ravers happy. This is definitely one for fans of Pele and Matthias Tanzmann. Next Ross Evana pays tribute to fat Chicago beats and follows Sneak & Co. with his superb production "Cheget". The kick drum pumps, the claps and hi-hats clack heavily and the thick, pitched-down organ stabs in combination with the percussive staccato vocal fragments make the whole thing even more driving. And as if this wasn't enough, Evana adds some industrial sounds and effects that would easily fit in any big Depeche Mode remix, just lacking Dave Gahan's vocals in order to make the crowd freak out. Playing, dancing, partying, you have everything in here. With their track "Still Laughing", Fumihiro Hoshi & Tadac present their unique and different sound and provide a perfect closing opus to this outstanding compilation.

Marco Effe – Jellied Eels

https://www.facebook.com/captaincosmotic

Original Tracks:
Donato Dozzy ft. Anna Caragnano-Parola (Spazio Disponibile)
https://www.beatport.com/track/parola-featuring-anna-caragnano-rework/12251872
& 
bR1-My State(Juan Trujillo Remix) (Techno Vinyls Records)
https://www.beatport.com/track/my-state-juan-trujillo-remix/11899068

Donato Dozzy & BR1 - State Of Parola(Captain Cosmotic Rework)//Free Download

Buy: https://lnk.to/LNOE109

Influential producer, DJ and label owner Sasha continues to expand his prolific output with a new emotive techno single titled ‘Ripcord’, set for release via his own Last Night On Earth imprint. 

Having rinsed 'Ripcord' in various sets and LNOE podcasts this year, Sasha's new track has been in high-demand for fans eagerly awaiting it to surface. It follows his recent remix of SYML's ‘The Bird’ and the wickedly popular collaboration ‘The Lights’ with Kölsch, two cuts getting the treatment on countless dancefloors around the world. Now as Sasha's in the midst of a massive tour schedule, with solo shows as well as collab performances with John Digweed and the upcoming Last Night On Earth show at Tobacco Dock on September 21, ‘Ripcord’ sets the tone for a strong finish to a busy summer. 

‘Ripcord’ is out August 23.

More exclusive music

Premiere: Sasha 'Ripcord'

Out now on Rekids: https://lnk.to/REKIDS159

Radio Slave returns to his Rekids imprint with the explosive ‘Stay Out All Night’.

As the artist behind ‘Grindhouse’, ‘Don’t Stop No Sleep’, ‘Another Club’, and many other timeless cuts, Radio Slave’s knack for crafting Herculean club tracks is unlike any other. ‘Stay Out All Night’ could be one of his biggest yet. With its cleverly arranged breakdowns, it's a high-octane track built on syncopated drums, lively breaks and chopped-up vocals. An absolute bomb. On the flip, ‘Wait A Minute’ thuds onwards with deafening kicks, rattling percussion, and an infectious stuttering vocal exclaiming the track’s title.

Proving to be one of the Berlin-based Brit’s most fertile years, the renowned producer continues to drop a broad range of releases and remixes on Rekids and beyond, including his three-part ‘Radio Silence’ album.

Radio Slave - Wait A Minute

Listen to Melodica now: https://found.ee/EDancer-Melodica

Bookings: ed@arcade-talent.com 
Management: phil@onehouse.com

Platinum-selling recording artist, label boss, festival promoter, true innovator in the pantheon of popular music, cultural champion, cracking DJ: there’s a lot to be said about Kevin Saunderson.

His influence runs deep, through both adopted hometown of Detroit, and music culture as a whole: as one of the Belleville Three, the high school trio which also includes Juan Atkins and Derrick May, he irreparably changed the face of electronic music; with Inner City, he gave it some of its most memorable tunes. 

The genesis of today’s enormous techno scene can be retraced straight to Kevin, Derrick and Juan, as their formative experiments on rudimentary hardware sketched a blueprint for a genre that was yet to exist. By absorbing Kraftwerk, cutting-edge funk, local radio stalwart The Electrifying Mojo’s electicism, and all manner of new synthesiser and drum machine-led pop music, the Belleville Three broke new ground as musicians and DJs in the 80s. 

Saunderson’s comparatively late start as a producer – kicking off in ’87 under the moniker of Kreem, with E-Dancer and Reese two of the more well-known names to follow – inadvertently gifted him a headstart. With the eruption of house music a few hours down the I-94 in Chicago, Saunderson married Detroit’s raw sound to more tactile, pop-leaning sensibilities. Inner City was born, and global success followed.

Between “Big Fun”, “Good Life”, debut album Paradise and a number of follow-up singles, Inner City (Saunderson and vocalist Paris Grey) amassed 12 UK top 40 hits and over six million records sold worldwide during their peak. A dancefloor-dominating remix by Luciano in 2008, and a globetrotting reunion tour in 2012, underscores the longevity of Inner City’s classic sound. 

His nickname of ‘The Elevator’ is apt: for his role in transporting Detroit’s new sound to a wider audience; as anyone who has seen him perform live can attest, his high-energy, high-spirit and high-impact DJ sets; and for spending the past 35 years of his life progressing the culture he helped create. 

Operating in tandem to his golden run as a producer in the late 80s and early 90s, Saunderson’s own KMS record label – a remarkable 30 years strong in 2017 – has chronicled the early footsteps of R-Tyme, Blake Baxter, MK, Chez Damier, Derrick Carter, Bicep and even Saunderson’s son and regular DJ partner Dantiez more recently. 

A special 12” series in 2008 called History Elevate, released in tandem with fellow polymath Carl Craig’s Planet E label, brought contemporary names like Mathew Jonson, Simian Mobile Disco and Loco Dice into the fold, proving his nous for fostering relationships with each new wave to come through techno’s gates. 25th anniversary compilations and numerous reissues have followed suit. 

Saunderson has a behind-the-scenes role to play, too: he is intertwined with the history of Detroit’s flagship Movement (formerly Detroit Electronic Music Festival / Fuse-In). Having produced the event in the mid-2000s, the last handful of years have seen repeated invites from Movement to display his ORIGINS showcase at the festival, bringing acts like Delano Smith, Phuture and DJ Minx under his curatorial umbrella. 

And of course, with a stacked international touring schedule over the decades, playing in nearly every country and at nearly every festival or club worth mention, he has not stopped pushing the feeling of techno on and on. 

The Groove That Won’t Stop, indeed.

It still blows my mind how electronic music connects people like no other. The world dancing to the sound of an 808. Long live dance music in all its beautiful forms!

Oombah (Kevin Saunderson & Justin Cholewski Remix) [feat. Virus J]

Kevin Saunderson

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