"What are the origins of your sound, your influences, and how they shaped your early recordings?"

Nation is home of the recording artist Traxx...
additionally his exclusive dance beyond dance 
label that embraces technology from the past 
and the future which features an array of artists 
that are continuously releasing material based out of Chicago, AnnArbor, Minneapolis, New York City, 
Dresden Germany and Clermont-Ferrand France.

On here you will only be able to listen to tracks associated with artists who are closely tied to the label but also core contemporaries in some cases. 

Each project will be different in content, 
artwork, and musical production.
Snippet/Clips will go up and removed at our discretion.

mixed music segments, dek demonstrations,
rare archives and live recordings also 
appear with limited downloads...

Nation is handled by Distribution in the EU through http://www.rushhour.nl 

For Bookings in the USA contact:
booking@madamxagency.com 

For Bookings in Europe contact:
booking@madamxagency.com

TOO FAR AHEAD TO ASK ‘EM THE TIME
I DON’T THINK ‘BOUT TOMORROW, TOMORROW AIN’T IN SIGHT
BIG SPLIFF TO END THE YEAR RIGHT
TRANSMISSION UNDER SUBSTANCE

mainframe bleeds / codes vomit light / neon spit on broken circuit mics / blood made of wifi / skulls fused with antennas /drag gravity threading through black bugs. 404 child, reason's last glitch, cities burning inside my ribs, each flick a witch. screaming in pixels / sinking through code / a hyperloop prison where thoughts explode. no maps. ghosts of tomorrow, dancin’ in static gust.  spinning spacetime on cracked cassette divisions worldbreakers / spittin’ truth in waves, wired into the bones of dead satellite graves. every frame melts, every clock fakes, every language glitches into mirrors that break. we already gone — no rewind / no pulse / echoes in a dead sun, whispering from the other side.
SUBSTANCE GUIDED AUTOMATIC MODE – THE DECKS DON'T LIE – THE DECKS DON'T LIE – THE DECKS DON'T LIE – THE DECKS DON'T LIE – JZHF LUJZTH LKDEDRHJ BU3Z45JBR6SUBSTANCEGUIDED AUTOMATICMODETHE DECKS DON'T LIEHE DECKS DON'T LIE THE DECKS DON'T LIE THE DECKS DON'T LIE THE DECKS DON'T LIE THE DECKS DON'T LIE THE DECKS DON'T DON'T LIETHE DECKS DON'LIETHE DECKSDON'TYEXRCTV8LIETH IUDEC78G0HDON 'T890LIETHE DECKS DON'T6G7H8JLIETHE DECKS78DON'T00I9ULIE

Listen to Melodica now: https://found.ee/EDancer-Melodica

Bookings: ed@arcade-talent.com 
Management: phil@onehouse.com

Platinum-selling recording artist, label boss, festival promoter, true innovator in the pantheon of popular music, cultural champion, cracking DJ: there’s a lot to be said about Kevin Saunderson.

His influence runs deep, through both adopted hometown of Detroit, and music culture as a whole: as one of the Belleville Three, the high school trio which also includes Juan Atkins and Derrick May, he irreparably changed the face of electronic music; with Inner City, he gave it some of its most memorable tunes. 

The genesis of today’s enormous techno scene can be retraced straight to Kevin, Derrick and Juan, as their formative experiments on rudimentary hardware sketched a blueprint for a genre that was yet to exist. By absorbing Kraftwerk, cutting-edge funk, local radio stalwart The Electrifying Mojo’s electicism, and all manner of new synthesiser and drum machine-led pop music, the Belleville Three broke new ground as musicians and DJs in the 80s. 

Saunderson’s comparatively late start as a producer – kicking off in ’87 under the moniker of Kreem, with E-Dancer and Reese two of the more well-known names to follow – inadvertently gifted him a headstart. With the eruption of house music a few hours down the I-94 in Chicago, Saunderson married Detroit’s raw sound to more tactile, pop-leaning sensibilities. Inner City was born, and global success followed.

Between “Big Fun”, “Good Life”, debut album Paradise and a number of follow-up singles, Inner City (Saunderson and vocalist Paris Grey) amassed 12 UK top 40 hits and over six million records sold worldwide during their peak. A dancefloor-dominating remix by Luciano in 2008, and a globetrotting reunion tour in 2012, underscores the longevity of Inner City’s classic sound. 

His nickname of ‘The Elevator’ is apt: for his role in transporting Detroit’s new sound to a wider audience; as anyone who has seen him perform live can attest, his high-energy, high-spirit and high-impact DJ sets; and for spending the past 35 years of his life progressing the culture he helped create. 

Operating in tandem to his golden run as a producer in the late 80s and early 90s, Saunderson’s own KMS record label – a remarkable 30 years strong in 2017 – has chronicled the early footsteps of R-Tyme, Blake Baxter, MK, Chez Damier, Derrick Carter, Bicep and even Saunderson’s son and regular DJ partner Dantiez more recently. 

A special 12” series in 2008 called History Elevate, released in tandem with fellow polymath Carl Craig’s Planet E label, brought contemporary names like Mathew Jonson, Simian Mobile Disco and Loco Dice into the fold, proving his nous for fostering relationships with each new wave to come through techno’s gates. 25th anniversary compilations and numerous reissues have followed suit. 

Saunderson has a behind-the-scenes role to play, too: he is intertwined with the history of Detroit’s flagship Movement (formerly Detroit Electronic Music Festival / Fuse-In). Having produced the event in the mid-2000s, the last handful of years have seen repeated invites from Movement to display his ORIGINS showcase at the festival, bringing acts like Delano Smith, Phuture and DJ Minx under his curatorial umbrella. 

And of course, with a stacked international touring schedule over the decades, playing in nearly every country and at nearly every festival or club worth mention, he has not stopped pushing the feeling of techno on and on. 

The Groove That Won’t Stop, indeed.

Electronic Music & High Tech Community - Here is our music selection area ! We also surf worldwide web for sharing interesting articles & we show behind the scenes of the events we are working on in our photo albums in order to promote sound & light technology. Check our facebook page https://facebook.com/tv303.net and if you like it follow us

Communauté électronique High Tech depuis le classique Rock 2 the Beat ! Nous parcourons le web pour écouter du bon son et partager des articles sympas sur les technologies audiovisuelles, nous montrons aussi les coulisses des évènements sur lesquels nous travaillons en tant qu’équipe technique sur https://facebook.com/tv303.net 
Si vous aimez ce que l'on partage merci de liker la page et suivez nous <-- - -->