History Elevate Remixed

Rock to the Beat (Christian Smith & John Selway Remix)

La musique est le meilleur moyen de digérer le temps.

https://www.karolreber.com/

https://www.artmajeur.com/carol-reber

YOU understand MUSIC when YOU FEEL it❤️‍🔥❤️‍🔥❤️‍🔥When you like what you hear please press ❤️🔁 
I don’t pay for likes or comments !!!
House Music all Life long
Good DJs play tunes you want to hear 
GREAT DJs play tunes you NEED to hear
TANZ DICH GLÜCKLICH 

I love music. ❤️
For me, music is morning coffee.
It‘s mood medicine.
It‘s pure magic.
A good song is like a good meal-
I just want to inhale it
and then share a bit with someone else.

Thanks for listening, commenting and reposting. 

Growing up in Solingen near Cologne and Düsseldorf, I had some fantastic club experiences. 
My great passion is dancing. I started mixing during the pandemic in June 21 and now I play for many radio stations, including Radio Kosmos Berlin, Techneck Techno & Tech House, Profound Radio UK and 365 FM Radio. Guest mix on NDC Radio UK. I love house music in all its genres and of course techno. I express my love of music in my sets, which are always very impulsive and full of energy. The groove just has to be right. I produced my first song with a good friend Hardvalley in 2025. I have my own club series on Sundays in a cultural association here in my city Waldmeister e.V. House meets Techno

Resident of Radio Kosmos 
Club Ellen Noir
MAKU Bar
Roulez Rouge
Radio Corax Female DJ Night Halle an der Saale 
Kunstmuseum Baden / Junkbrunnen 2023
Resident of Novamerica Network Brasil
Resident of Profound Radio
Invictus Physiotherapy
Lieblingssachen Boutique 
Essex Underground Radio Station
Techneck NRG Radio Station
Guest appearance Robinson Club Landskron Austria
Guest appearance Solo Dance Fm
RDC Radio Brazil 🇧🇷
Club RMX Radio
Waldmeister e.V. Solingen House meets Techno
Clubsoundz France Lille Guest appearance
Guest appearance on House Fusion Radio UK lets cook the Music
Resident on 365fmradio
MainStage Dürpelfest 2025 Solingen
Beats & Trödel Solingen 2025
Secret Groove Event Bounce & Hard Groove Waldmeister e.V. Solingen
Waldmeister Festival 8/2025 Waldi wird 18
Klappstuhl Konzert 2025 Kunstmuseum
Funken Party Heavens Langenfeld 11/25

Listen to Melodica now: https://found.ee/EDancer-Melodica

Bookings: ed@arcade-talent.com 
Management: phil@onehouse.com

Platinum-selling recording artist, label boss, festival promoter, true innovator in the pantheon of popular music, cultural champion, cracking DJ: there’s a lot to be said about Kevin Saunderson.

His influence runs deep, through both adopted hometown of Detroit, and music culture as a whole: as one of the Belleville Three, the high school trio which also includes Juan Atkins and Derrick May, he irreparably changed the face of electronic music; with Inner City, he gave it some of its most memorable tunes. 

The genesis of today’s enormous techno scene can be retraced straight to Kevin, Derrick and Juan, as their formative experiments on rudimentary hardware sketched a blueprint for a genre that was yet to exist. By absorbing Kraftwerk, cutting-edge funk, local radio stalwart The Electrifying Mojo’s electicism, and all manner of new synthesiser and drum machine-led pop music, the Belleville Three broke new ground as musicians and DJs in the 80s. 

Saunderson’s comparatively late start as a producer – kicking off in ’87 under the moniker of Kreem, with E-Dancer and Reese two of the more well-known names to follow – inadvertently gifted him a headstart. With the eruption of house music a few hours down the I-94 in Chicago, Saunderson married Detroit’s raw sound to more tactile, pop-leaning sensibilities. Inner City was born, and global success followed.

Between “Big Fun”, “Good Life”, debut album Paradise and a number of follow-up singles, Inner City (Saunderson and vocalist Paris Grey) amassed 12 UK top 40 hits and over six million records sold worldwide during their peak. A dancefloor-dominating remix by Luciano in 2008, and a globetrotting reunion tour in 2012, underscores the longevity of Inner City’s classic sound. 

His nickname of ‘The Elevator’ is apt: for his role in transporting Detroit’s new sound to a wider audience; as anyone who has seen him perform live can attest, his high-energy, high-spirit and high-impact DJ sets; and for spending the past 35 years of his life progressing the culture he helped create. 

Operating in tandem to his golden run as a producer in the late 80s and early 90s, Saunderson’s own KMS record label – a remarkable 30 years strong in 2017 – has chronicled the early footsteps of R-Tyme, Blake Baxter, MK, Chez Damier, Derrick Carter, Bicep and even Saunderson’s son and regular DJ partner Dantiez more recently. 

A special 12” series in 2008 called History Elevate, released in tandem with fellow polymath Carl Craig’s Planet E label, brought contemporary names like Mathew Jonson, Simian Mobile Disco and Loco Dice into the fold, proving his nous for fostering relationships with each new wave to come through techno’s gates. 25th anniversary compilations and numerous reissues have followed suit. 

Saunderson has a behind-the-scenes role to play, too: he is intertwined with the history of Detroit’s flagship Movement (formerly Detroit Electronic Music Festival / Fuse-In). Having produced the event in the mid-2000s, the last handful of years have seen repeated invites from Movement to display his ORIGINS showcase at the festival, bringing acts like Delano Smith, Phuture and DJ Minx under his curatorial umbrella. 

And of course, with a stacked international touring schedule over the decades, playing in nearly every country and at nearly every festival or club worth mention, he has not stopped pushing the feeling of techno on and on. 

The Groove That Won’t Stop, indeed.