house

A playlist converted by Soundiiz from another music platform ! http://soundiiz.com

4/10/18 10:19pm

New Cat

Techno Bunker

Special K

http://www.beatport.com/release/electric-train/1244288

We hope you like our remix for the beautiful @Bebetta.


Bebetta - Do Kraja (Tonarmee Remix)

Pasadena(Amtrac Remix) and Liar (Jerome LOL Remix) available exclusively on vinyl digital download here:
http://buy.noshame.com/products/12948064-pompeya-real-vinyl

Real x Night (The Remixes)

Pasadena

Purchase Vinyl

Pompeya - Pasadena (Amtrac Remix)

Following on from the success of Capriati’s album Self Portrait, 4 tracks have been hand selected by some of techno’s hottest producers. Dubfire, Coyu, Julian Jeweil, Luigi Madonna have each incorporated the same feeling that Joseph laid out in his original productions, but have added a unique twist that breathes a new lease of life into the tracks.

Joseph Capriati - Awake (Julian Jeweil Remix) - Drumcode - DC148

All remixes since the beginning (Vitalic, Dima & The Silures)

A Number of Name - Shari Vari (The Hacker & Vitalic Remix)

Feels Like Home

The Long Way Home

Faded (The Remixes)

Faded (TÂCHES Remix)

Faded (Amtrac Remix)

Envision (Ame Remix) (Dixon Edit)

Working For It

GENERATIONWHY

One Minute to Midnight

Generationwhy

In the Morning (Remixes)

In the Morning (vourtsanis Remix)

Automatic (Remixes)

Automatic (Kasbo Remix)

GET IT HERE: https://SensoSounds.lnk.to/senso020

Long-time executive producer for label boss Oliver Huntemann and other artists, André Winter is also the man behind a number of prolific underground projects and releases sind 1995. Most recently André focusses on releases under his real name and now he drops his third tough-as-nails EP on Senso Sounds - both tracks primed for serious mainroom detonation.
'Argo' builds the tension expertly, before whipping us into delirium via deep synth bass tones that will shake club systems worldwide. The sound design is exceptional, provi- ding plenty of space in the mix amongst the groove. 'Norse' increases the BPM a notch or two, and delivers a hypnotic, loopy groove built around tightly programmed drums and an infectious melodic line. Once the huge lead synth lands, you can see why this is destined to melt some minds on discerning dancefloors this year.

More Infos:
https://soundcloud.com/andrewinter
www.facebook.com/AndreWinter808
www.facebook.com/sensosounds

GET IT HERE

André Winter - Argo

Dennis Cruz - Bodyflow (Original Mix) [Suara]

Dennis Cruz - We make the music (Original Mix)

Dennis Cruz - Get Freaky (Original Mix)[Stereo Productions]

History Elevate Remixed

Rock to the Beat (Christian Smith & John Selway Remix)

Storyteller

Church Bells

A Jem Be (Original Mix) - Riva Starr & Dennis Cruz (SNIP)SNATCH089 02

@PaulaCazenave / @CombineAudio / @Gayle-San

http://deathtechno.com/2017/07/12/dtp-paula-cazenave-crickets-on-crack/

Paula Cazenave is one of Spain’s leading ladies, jet setting around the world and gracing line-ups with the likes of Carl Cox, Ben Sims, Dave Clarke, Chris Liebing, Jeff Mills, The Advent and Oscar Mulero, that is just simply scratching the surface.

Paula together with the iconic Gayle San, who has released on her own ‘GSR’ to Phobiq, Naked Lunch and Cari Lekebusch’s H-Productions, have launched their new project and collaboration known as Combine Audio.

The launch release begins with a back to back original track selection that sums up the ethos of the label and what is expected to come in the near future with following releases.

The track we selected for this DT:Premiere is from Paula called “Crickets On Crack” that begins with one of the chunkiest beats this side of the hemisphere. Pure groove fuel for any DJ looking to light up faces on the dancefloor, the edgy, acid-licked lead synths lash the track into shape and seal the deal as this monster grows larger and larger with every listen.

LABEL: Combine Audio

CAT#: COMBINE001
ARTIST: Gayle San / Paula Cazenave
TITLE: Fuse ON EP

FORMAT: Digital

RELEASED: 17 July 2017

01. Gayle San – Deploy
02. Paula Cazenave – Crickets On Crack

Fuse ON EP

DT:Premiere

DT:Premiere | Paula Cazenave - Crickets On Crack [Combine Audio]

Lift Your Hands And Praise With Me!!

Donate @ paypal.me/Rapsodist. Tell me your favorite song(s), along with your email address, and I will email It to you for FREE.

Praise With Me: New Christian Praise and Worship Rap Music

The Champion

The Champion (feat. Ludacris)

I am happy to welcome these two new great producers Matt Sassari and Patrik Berg on board at Terminal M! Get some funky bassy acid techno groovers (Monika Kruse)

Patrik Berg Feat. Matt Sassari - Discovery

Cry Pretty

Track 118
Created with MAGIX Music Maker 17

You Got To Show Me Love (Remix By Electon Vibe)

Ponderous

The record label Muggsy is not related to Muggsy Spanier, the legendary jazz
cornettist. Nor is it connected to the tiny terror of the NBA, Muggsy Bogues.
Neither, for that matter, is it linked to Cypress Hill DJ and producer DJ Muggs.
Nope. It is, however, entirely related to the Brooklyn house firmament, Henry
Street.
The man behind Henry Street is Johnny De Mairo, known among New York
industry heads simply as Johnny D; ergo he is also the chap responsible for
Muggsy, which is why we are here.
For those of you who are not familiar with the oeuvre of Johnny D – and where
ya been if not? – let’s step to one side for the moment and run through the CV.
Born and bred in Brooklyn (and proud of that fact), Johnny D has been a DJ,
record and autograph collector from the moment he had some spare cash. He
got his first break in the music industry working for Vince Pellegrino’s S.I.N.,
before moving on to work for Atlantic Records, with whom he was associated for
many years. 
Among the many projects he’s been involved with there (and there
really are too many to mention) were the Bucketheads, with his longtime friend
and associate Kenny ‘Dope’ Gonzalez, the remix for Tori Amos’ ‘Professional
Widow’ which wound up at number one in the UK pop charts, and the remix and
campaign for Everything But The Girl’s ‘Missing’, which he took from indie nohopers
to the upper echelons of the Billboard Hot 100. “Johnny D spotted the
potential of this record early,” writes Tracey Thorn of ‘Missing’ in Disco Bedsit
Queen, “and refused to give up on it long after it might have seemed reasonable
to admit defeat. He made us realize that the song was taking off in a big way.”
As well as his major label manoeuvres, Johnny also had his ear to the ground at
street level. He first launched Henry Street in 1993, followed a few years later by
Muggsy. “I was looking at the house market and thinking a lot of the labels were
hitting a wall. I felt as a record fan and a collector, I wasn’t interested in a lot of
the shit that was out. I’d go to Vinylmania and around and I wasn’t interested.
I’d find myself tilting towards imports and I thought, you know, ‘I know how to
make records, I should start my own label’. Masters at Work was just starting
to kill things and Wednesday was their night at Sound Factory Bar night, which
is where we all were. One night, I said to Tommy Musto, who was one of my
close friends, I was thinking about doing a label. He said, “Well listen, I got all my
distribution through Northcott, if you wanna do it, we’ll do all the pressing and
distribution and you do the A&R.”
Henry Street became known for a sound deeply rooted in the disco that Johnny
De Mairo loves and collects while still taking care of dancefloor business. 
Muggsy was his chance to branch out into other areas. “After years of Henry Street music being predominantly a soulful house label, I wanted to have another outlet to
release different types of records,” recalls Johnny. “Initially, I had intended for
Muggsy to be the harder more ‘tribal-type’ label and keep the soulful stuff for
Henry Street. So when Chris ‘TKC’ Staropoli came to me with ‘Back Jack’ I figured
that was the best time for Muggsy to begin as it was a bit tribal but, more than
that, pushed the envelope a bit more than my regular releases on Henry Street.”
With a collection of like-minds gathered around the De Mairo table recording
for the label, some of them New York cohorts (Kenny Dope, Brutal Bill), with
Chicago’s Ralphi Rosario, Robbie Rivera from Puerto Rico and Miami’s Mike ‘Da
Mooch’ Mucci, Muggsy released a string of tracks that ploughed a different
furrow to big daddy Henry Street. But the Muggsy groove still retained the
sample-based ethos (and disco roots) of its proprietor Johnny D (who also found
time to released tracks under the Sopranos pseudonym with studio partner
Nicky Palermo).
“After Chris’s TKC, I was getting some tracks that were more in the pop/rock
category than the soulful/black style that pretty much was the Henry
Street Music sound,” remembers Johnny. “So Muggsy went from initially a harder
sound, to more of a rocky feel added to the tribal sound. But it still had its own
sound and the roster was a good extension of Henry Street Music in the way that
the name and brand power was there with artists like Brutal Bill, Kenny Dope
and others.”
The Muggsy Story is a document of a special time in New York history, before the
gentrification of New York made party-throwing a guerilla activity, rather than
the core of its musical soul. Muggsy, we salute you.



Various - The Muggsy Story - 10 - You Used To Hold Me -Salsa Mix-

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Moguai & Sebajck  Feat. Ce Ce Peniston - We Finally Want Your Soul  (Dani Veiga Bootleg)

Listen to Melodica now: https://found.ee/EDancer-Melodica

Bookings: ed@arcade-talent.com 
Management: phil@onehouse.com

Platinum-selling recording artist, label boss, festival promoter, true innovator in the pantheon of popular music, cultural champion, cracking DJ: there’s a lot to be said about Kevin Saunderson.

His influence runs deep, through both adopted hometown of Detroit, and music culture as a whole: as one of the Belleville Three, the high school trio which also includes Juan Atkins and Derrick May, he irreparably changed the face of electronic music; with Inner City, he gave it some of its most memorable tunes. 

The genesis of today’s enormous techno scene can be retraced straight to Kevin, Derrick and Juan, as their formative experiments on rudimentary hardware sketched a blueprint for a genre that was yet to exist. By absorbing Kraftwerk, cutting-edge funk, local radio stalwart The Electrifying Mojo’s electicism, and all manner of new synthesiser and drum machine-led pop music, the Belleville Three broke new ground as musicians and DJs in the 80s. 

Saunderson’s comparatively late start as a producer – kicking off in ’87 under the moniker of Kreem, with E-Dancer and Reese two of the more well-known names to follow – inadvertently gifted him a headstart. With the eruption of house music a few hours down the I-94 in Chicago, Saunderson married Detroit’s raw sound to more tactile, pop-leaning sensibilities. Inner City was born, and global success followed.

Between “Big Fun”, “Good Life”, debut album Paradise and a number of follow-up singles, Inner City (Saunderson and vocalist Paris Grey) amassed 12 UK top 40 hits and over six million records sold worldwide during their peak. A dancefloor-dominating remix by Luciano in 2008, and a globetrotting reunion tour in 2012, underscores the longevity of Inner City’s classic sound. 

His nickname of ‘The Elevator’ is apt: for his role in transporting Detroit’s new sound to a wider audience; as anyone who has seen him perform live can attest, his high-energy, high-spirit and high-impact DJ sets; and for spending the past 35 years of his life progressing the culture he helped create. 

Operating in tandem to his golden run as a producer in the late 80s and early 90s, Saunderson’s own KMS record label – a remarkable 30 years strong in 2017 – has chronicled the early footsteps of R-Tyme, Blake Baxter, MK, Chez Damier, Derrick Carter, Bicep and even Saunderson’s son and regular DJ partner Dantiez more recently. 

A special 12” series in 2008 called History Elevate, released in tandem with fellow polymath Carl Craig’s Planet E label, brought contemporary names like Mathew Jonson, Simian Mobile Disco and Loco Dice into the fold, proving his nous for fostering relationships with each new wave to come through techno’s gates. 25th anniversary compilations and numerous reissues have followed suit. 

Saunderson has a behind-the-scenes role to play, too: he is intertwined with the history of Detroit’s flagship Movement (formerly Detroit Electronic Music Festival / Fuse-In). Having produced the event in the mid-2000s, the last handful of years have seen repeated invites from Movement to display his ORIGINS showcase at the festival, bringing acts like Delano Smith, Phuture and DJ Minx under his curatorial umbrella. 

And of course, with a stacked international touring schedule over the decades, playing in nearly every country and at nearly every festival or club worth mention, he has not stopped pushing the feeling of techno on and on. 

The Groove That Won’t Stop, indeed.