Name: Crime Of Justice by Key Fragment in Way Of Synth
Duration: 5 min 42 s
Description: When corrupted judge betray your case, what you gonna do? You sign-off from your motel, you throw your badge to the garbage and with an illegal gun full of death you go unleash hell against the cartel ruling the city. You become an angel of revenge, one last redemption for your murdered love. This night, come what may...

It's wonderful. The light electric piano phrases have a strength that does not tolerate crime. As the Earth ascends to a higher dimension, the truth that has been buried in darkness will be revealed. I want to believe that lies and crimes will no longer be allowed to go unchecked.

Great appropriate sound design. I love the 80s vibe.

Incredibly good sound design. And awesome writing and arrangement, too, love the build as the song progresses. Really great track.

Love this combination of that 80ies piano and the modern space sound 👍🏻

This is so good. Lovely musical score. Calming. Soothing.

A strange hobby of mine, to mess with synthesizers. This one is pure meditation and escapism to me, free careless creativity and improvisation. There is nothing better than to close your eyes release fingers on a keyboard and let the music come in, without thinking or making any decisions. Without judging. Come what may.

Way Of Synth

Sometimes it is necessary to make a happy tune. Or you will drown in all that big sounds and epicness. Besides, it is a nice training to do something completely different...

Coloring Audible Synapsis

Will human kind ever leave Earth to outer space? If so, how will it work? As a bunch of frozen bodies in cryogenic capsules or are we going to convert ourselves into a software running in some spaceship supercomputer? Will anybody stay back on Earth? And why? What will be the songs of those leaving and those staying?

Cosmic Diaspora

This is part of the soundtrack I was writing many years ago for our videogame Cardhalia. Dwundur was a main city in the game. We were making the game with friends as kids, unfortunately it was never released. I have written the first 40 seconds of this piece when I was 16yo and then couldn't figure out how to continue with it. It was a nice challenge to return to this piece and "finish" it after almost 30 years later. With nowadays tools it is so much easier, with proper DAW and instrument libraries (and skills and experience). This is Spitfire Symphony Orchestra and PianoTeq. I mean, I'm no master, just a plain amateur, but it is such a fun to play with all the instruments of the full orchestra!

Trumpets of Dwundur

Paul Amlehn - Text, vocal, music, editing, mixing, production
Paul Freeman - Vocal, electronic erosions, choir oxidation
Alice Dupree - Vocal
The Hamina Choir - Voices
Brian Eno and Paul Schmidt - Oblique Strategies
Hugo Simberg - Painting

Lyrics:

We do the strangest things
To each other.
We do the strangest things
To each other.

Now
Feel the absence.
Now 
Taste the damage.

I have learned to enjoy
Hurting you
I learned this from you.

You get a sexual thrill
From making me suffer.

Your nervous system
Lights up
Like a pinball machine
When you abuse me.

Now 
Taste the damage.

It hurt.
And because it hurt, it meant something.
And because it meant something, it was beautiful.
And because it was beautiful, it was holy.
And because it was holy, the angels spoke of it.

Wounded Angels

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Credits and Copyright Notice

Credits regard the entire fragmenta project and not individual content.

Project Direction: Yokai
Project 2D Illustrator: Azure
Project 2D Graphic Designer: Yokai
Project 2D Motion Designer: Yokai
Project 3D Motion Designer: GoFox
Project Music Vocalist: SaKy
Project Music Lyricist: SaKy
Project Music Composer: Yokai, Sadao E
Project Music Production: Yokai, Sadao E
Project Music Vocal Engineer: CK
Project Music Mixing Engineer: CK
Project Music Mastering Engineer: CK
Project Music Quality Control: Daniel
Project Management: Fenja M
Project Marketing Manager: Fenja M
Special Thanks: Funkel

Nocturne Studios A: Production, Composition, and Engineering
Nocturne Studios B: Management, Marketing, Direction, Motion and Graphic Design
DocMaKlang Studios: Quality Control

UPC: 199348110424

© [2025] Nocturne.
All rights reserved.

Yokai - blue diamonds 💎 | (Album - 「fragmenta/フラグメント」)

"The Cure" was written by Dorothy K Haynes in 1969. She was an accomplished Scottish writer of horror stories, often included in compendiums. I read this recently in a collection re-printed by the British Library. Yes, it's another dark offering. The story is tragic, horrifying but, ultimately, hopeful - well worth a read. 

I used a Fender Jazz Bass, through a modern amp, to join the lead synth.

The Cure

When corrupted judge betray your case, what you gonna do? You sign-off from your motel, you throw your badge to the garbage and with an illegal gun full of death you go unleash hell against the cartel ruling the city. You become an angel of revenge, one last redemption for your murdered love. This night, come what may...

Crime Of Justice

“PLUVIORIS” falls like a rain-dream, delicate droplets of lo-fi warmth merging with cinematic haze. Flowing at ~74 BPM in A#, the track drifts between soft beats and airy harmonics, its 32 dB dynamic range allowing every element to breathe. The balanced stereo image places subtle textures in motion, while the -17 LUFS loudness captures an intimate yet expansive feel, as if sound itself is raining down in velvet layers.

It’s the perfect companion for rainy nights, deep study sessions, or quiet reflection. Jazz and neo-soul undertones ripple beneath atmospheric textures, while experimental edges keep the piece alive and evolving. “PLUVIORIS” is not just a track, it’s the spirit of rain turned into sound.

Technical Details:

Genre / Style Primary: Lo-Fi Chill / Ambient
Genre / Style Secondary: Cinematic Ambient / Jazz Influence
BPM: ~74
Key / Tonality: A#
Loudness (LUFS): –17.4
Peak Level: –3.9 dBFS
Crest Factor: 13.5 dB
Stereo Image: Balanced stereo field
Fusion Breakdown (%): 40 Lo-Fi Chill / 25 Cinematic Ambient / 15 Jazz / 10 Neo-Soul / 10 Experimental

PLUVIORIS

In the dusty attic of his grandfather’s old house, Dan, who suffers from insomnia, finds a yellowed parchment in the middle of the night. Part of the old eccentric’s legacy? Long ago, he had roamed dark forests, crossed deserts, and explored inaccessible mountains.

The parchment shows, though only faintly, a location in El Caramar — the legendary place his grandfather had told so many stories about. Without delay, Dan sets out in search of further clues. The route leads across the storm-lashed Horka Sea, inhabited by dark creatures. Upstream, through narrow gorges, he must face the natives who guarded the entrance to El Caramar and the secret it conceals.

Watch the video: https://youtu.be/Q4sya2M4UdQ

This purely orchestral music draws on the clichés of film scores from the 1980s to the 2000s. Instead of a clearly recognizable theme or leitmotif, I tried to express rapidly shifting moods through specific instrumentation.

A gentle melody with harp arpeggios immediately transitions into a menacing rhythmic section with chromatic harmony, followed by a tension-filled passage with a strong element of aleatoric writing. The now accelerating tempo leads to the main motif but shifts directly into an action-packed part with string staccatos.

The motif is then varied and played at half speed by solo strings, taking on a very sorrowful tone. But then the mood turns serious. Low brass and a string ostinato lead to the climax of the piece, another variation of the theme in which the choir joins in at full volume.

Call of Adventure

MixTape forever :)

Written, performed, mixed & mastered by
André "pixelorb" Brandes © 2025

Image: pexels.com (CC0 Creative Commons)

Instruments:
- U-he Repro-1
- U-he Diva
- TAL U-NO-LX
- Synapse "The Legend"
- Synapse Dune 3
- Toontrack EZ-drummer 2
- AAS Strum GS-2
- Full Bucket FB-7999

MixTape

A result of one of my exploration expeditions thru Diva The VST Analog Synthesizer. No intention to create next hit here, more like a study of sound capabilities of this wonderful software instrument. So far I used it only occasionally as a layer or two in my electronic tracks, but never gave it a chance as a main thing. This track is built only from sounds produced by U-HE Diva. I love its thick wet sound without being all glitchy or overtuned or lost-in-8-bit-buzzer-emulators. Any combination of its devices works like magic. It is really very well done piece of technology.

Diva The Analog Troublemaker

'Shadows In Fallen Clouds' Chemtrails are covering our skies worldwide daily. These chemtrails contain a mixture of chemicals and heavy metals. Most of the worlds population appear to think that these chemtrails are clouds or contrails and some are even oblivious to their very existence. However I am not and am well aware that what is being sprayed artificially in the upper atmosphere, won't stay there for long and will soon succumb to gravity. So then these chemtrails start to fall to earth, with their pollutant toxins. We are then breathing these in and eating the food produced from the contaminated ground and drinking the water. 
My track then 'Shadows In Fallen Clouds' is my protest to this assault on the earth and every living thing on it.
Alan

CON-FUSION

Shadows In Fallen Clouds

Twice As Bright

It would be a night shift like all the others, bad coffee to keep your dusty police budge awake, but you're called to a murder case. After arrival to the place, your partner tells you to stay calm. Why? Why is everybody starring at you? And then you see ... her. Lying on a cold dirty street, blood washing away by rain and tears. The world has stopped, you cannot unsee the horrible truth. They took her away from you, your only love, your only reason to live. This must be just another nightmare! Breathing seems to be strangely obsolete now. 

Crime of Justice is track I released few weeks ago, and I loved working on it. The vibe kinda stood with me and I would like to make a whole series from it - to tell the whole story of this nameless detective...

Crime of Justice: The Horrible Truth

Zeleph and Mavis is Love OST 5 (Remade - Fairy Tail Story)

Music is the greatest human invention, the only language that speaks to us all. It would be a shame not to share my share. Just for fun, just for mere survival of one man's mind. Thank you for listening!

Crime Of Justice

Key Fragment

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