Epithets (2015) is a 12-channel, 44-minute electronic work composed for Tony Myatt & Oli Larkin's "The Morning Line;" a 53-channel hybrid sculpture / acousmatic space currently installed in front of ZKM in Karlsruhe, Germany. The premiere was made as part of Insonic festival on the 24th of November & the piece was entered into the regular circulation of the sculpture, enjoying nightly performances from the 26th on. To describe the piece:

"'Epithets' was created specifically for the Morning Line. It is based around a generative, self-automating Hybrid Analogue-Digital Modular Synthesizer patch that applies principles of Werner Heisenberg's research on "Turbulent Flows" into a series of sub-dividable motor-rhythm arcs that freely wander across the internal soundfields of the sculpture. While structurally similar to early Minimalism, the piece incorporates gradual, almost subliminal shifts between modal & nonlinear tonalities that only become apparent over the piece's complete duration."

Epithets (excerpt)

With over two decades actively searching for music and with a bunch of legendary dj sets behind his back, [d.y] is one of the most experienced and significant figures of Hungarian electronic underground. To date he is a restless selector, and makes no compromise when it comes to style – his sets are characterized by musical versatility and unmached mixing skills.


Két évtizednyi aktív zenegyűjtéssel és legendás fellépésekkel a háta mögött [d.y] a hazai színtér egyik legelőremutatóbb és legtapasztaltabb alakja. Mindmáig megalkuvás nélkül, fáradhatatlanul kutatja a zenét, szettjeit a sokszínűség és a csalhatatlan mixeléstechnikai rutin jellemzi.


https://www.instagram.com/jjjhhgguiikj?igsh=bW9mYTF1bXQ5eXVx

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Epithets (excerpt)

Keith Fullerton Whitman