In nearly 15 years of utilizing dance as a healing modality, Scott Houston has come to believe in the inherent wisdom of the body and the power of sound to move it. Scott produces & facilitates events that are an open path to healing through a communion with the embodied self.

Scott is classically-trained musician & trumpet player of 35+ years, accredited 5Rhythms teacher, devoted Husband & Father, performance artist, as well as Co-Founder, Director, & Resident DJ of Sol Dance in Atlanta.

Musically, Scott boasts a uniquely diverse range that spans across all musical genres, masterfully being able to weave any dance-floor from a point of stillness to climax & all the way back down into the deepest states of bliss + contemplation. Because of this skillset, Scott is known regionally as a go-to sonic-curator for intentional movement-spaces of all kinds as well as truly unique, high-vibrational community experiences.

As an Atlanta based artist & DJ – Scott is known for his collaborative mindset & appearances at regional festivals, as well as local events, parties, rooftops, warehouses, and gatherings all over the city - specifically through his residency with the chic underground music collective Project B. As such, Scott has had the privilege of vibe-setting for a variety of artists including: Acid Pauli, Mihigh, Gescu, Arapu, Viken Arman, Varhat, Janaret, Bobi Stevkovski & Yoko0. Most recently having joined Tambor Party & Stan Zeff on Afro-House adventures around ATL & abroad in Egypt.

Additionally, through collaborative efforts with Reciprocity Music, Scott has had the pleasure to perform alongside Porangui, Mose, Deya Dova, Liquid Bloom, & Savej.

Soul Singer and songwriter with LA and Atlanta roots. Navigating the ups and downs of pain and joy through song.

Amani Will, Wa Ama & the Lion Truth, Wa Ama Ni Um, i.Ameni the Beatman, iamani i.ameni, Anansi, Be Do, The G.ourney, and the Many many, many many more. 
 

Anyway, They bring us a tender vocalist whose heart is heard in every note, a lyrical wizard concocting potions for a new tomorrow, a BeatMan merging bass heavy rhythmic trance with ancient future sounds, and a beaming man who skillfully journeys us to ourselves, Amani Will and that Ascen-Dance Music is music for the Evolution!!!

They, are the Beat behind favorites from Los Rakas, Rakaa Iriscience, Living Legends, Ise Lyfe, The Attik, Brwn Bflo, Coco Peila, Jennifer Johns, Bambu and more. They keep us on our toes with an eclectic resume of their own works from folk-hop to thoughtful oakland scrapper music. 

They have shared stages with E-40, Krs-one, Goapele, Dead Prez, Hamsa Lila, Brett Dennen, Jonah Matranga and more. Their performance, more ceremony than show; is informed by years of grassroots organizing, indigenous ritual and consciousness, and many lineages of resilience. Raised by the social justice and inner evolutionary movements of Oakland and Berkeley, their music is marinated in calls to justice, love and personal inquiry. 


#iammany1
#theLionTruth

Fakery, Poser Composer
https://open.spotify.com/artist/2BRYohTaHqjdZMuSmj8DKm?si=HI-tqHATT6yy61v0LVjPSg

New Single "Hot Brown" OUT NOW!
Listen--> https://tauk.ffm.to/hotbrown

Full length album 'Somewhere Between Here And There' Out September 5th!
Presave--> https://tauk.ffm.to/somewhere

TAUK has been painting with sound for nearly a decade now, pushing boundaries and reinventing themselves every chance they get. Founded by Dolan, Jalbert, and Carter, who began playing together as middle schoolers on Long Island, the band landed on its present incarnation in 2012, when college pal Teel joined full time.

Since then, the quartet has gone on to tour with the likes of Umphrey’s McGee, Widespread Panic, and Lettuce, landed festival slots everywhere from Bonnaroo to Electric Forest, racked up millions of streams across platforms, and garnered extensive critical praise with a series of widely lauded studio and live albums. The Washington Post hailed the band’s music as “a hard-charging, often melodic fusion that—thanks to a penchant for improv—offers limitless possibilities,” while Keyboard Magazine declared that their sound “doesn’t adhere to a single genre but, instead, creates its own,” and Relix dubbed them “an incredibly impressive ensemble of talent.”

MGMT: erwin@regimemusicgroup.com

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