ALEX CORTEX has been releasing electronic music of all kinds since 1996 on labels like Source Records, Kanzleramt, Klang Elektronik, Pomelo, Platzhirsch and many more. For us he is one of the true souls of German techno. Always looking for new ways in his productions, always challenging, always good.
But he is not just a good producer, but also a good dj. Check this mix and you will know what we are talking about! 
Crossing over all these styles and still keeping everything in the flow is not that common nowadays, is it?

Tracklist:

01) flying lotus - intro//a cosmic drama [2010]
02) terrence dixon - emergency [2008]
03) snuff crew - domo [2011]
04) alex cortex - oh yeah [2012]
05) sandbenders - defekt [1998]
06) subvoice - vampirella (dbx insanelikecoltranemix remix) [1996]
07) aardvarck - yogya [2012]
08) bill youngman - trilogy [2011]
09) drexciya - unknown journey I [2011]
10) jared wilson - challenging shadows [2012]
11) alex cortex - live at monox (B-side) [2012]
12) dj slip - nuclear family [2006]
13) alex cortex - kihon (A2) [2011]
14) alex cortex - mem [forthcoming]
15) the carbon boys - back to big funk (B-side) [1995]
16) synapse - bubble [1995]
17) d-man - more extended versions (A2) [1997]
18) silicon & tizoc - elastic lfo's [1996]
19) alex cortex - live at monox (A2) [2012]
20) alex cortex - future acid [forthcoming]
21) bad cop bad cop - schaschlik [forthcoming]
22) dj rx-5 - acid house [1997]
23) regis - lapal [1996]
24) like a tim - boldhead [1992]
25) jon templeman - four point one seven eternal (A1) [1997]
26) cristian vogel - seed dogs [2012]
27) fred giannelli - fox hunt [1994]
28) dj slip - outsider sweet outlander [2006]
29) alex cortex - gravity brane [forthcoming]
30) stingray313 - sphere of influence [2010]
31) kemetrix - the hunger [2011]
32) rancho relaxo allstars - stretch [2006]

KILLEKILL PODCAST #08: ALEX CORTEX

running @animalia-label & @cirruslabel / 
co-running un:send festival (?) :) 
living on wurundjeri land in naarm/melbourne /
touring northern hemisphere.. a lot 
resident at @nowadaysnyc and @climate-of-fear

bookings/ connect@disconnect.li 
usa/canada / s@icartists.net
au/nz / glyn@watartists.com

Brain dance :)  

Bercer et désorienter 

booking@purpleuniverse.org

Koma Kurt, 33 yo 
[Bloody Ear Crew]

Mannheim, Germany

Florian K., known in the world of electronic music as Koma Kurt, is an artist with a deep and enduring passion for the transformative power of sound. His journey began at the tender age of 14 when he fell under the captivating spell of breakbeats, jungle, and drum and bass. Since then, he has never looked back.

Koma Kurt’s music is a psychedelic fusion of techno, electro, IDM, braindance, drill and bass, and breakcore—a blend designed to take his audience on a sensory journey through space and time. His setup, defined by two Technics 1210 turntables he acquired at 15, is a clear commitment to vinyl culture and the authentic art of DJing.

Inspired by the mystical aura of the Stammheim sound, the rebellious energy of the No Future & Brighton Techno movement, and the innovative sounds of artists like Aphex Twin, Luke Vibert, and Cristian Vogel, Koma Kurt has carved out a unique style that redefines the boundaries of electronic music.

With 17 years of rave experience, Koma Kurt brings a maturity and depth to his performances that are unparalleled. His sets are constructed like epic narratives, with a clear beginning, climax, and end, maintaining the tension and energy on the dance floor. His music is consistently psychedelic, hypnotic, quirky, and emotional, with an emphasis on the perfect track selection at the crucial moment.

Rephlex Records, Planet-Mu, Warp Records, and many others have played a decisive role in his musical development, and today Koma Kurt is not just a guardian of the underground culture but also an ambassador for the deep, psychedelic, and boundary-pushing sounds that are at the heart of the scene.

“My music means everything to me; it’s a part of my identity. I fight to preserve the underground and to keep electronic music from becoming overly commercialized. For those who know.” – Koma Kurt