Bedouin Records | Pale Blue Dot | VEYL | Afterlife | Life & Death
instagram @vaal_____


Bookings: maxie@encodetalent.com
           NA ryan@liaisonartists.com

For remixing / licensing / live requests, please email info@nervemanagement.com

booking, info | booking@habagency.com  

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Hito – A Japanese DJ Captivating the World

Originally from Himeji, Japan, Hito is a techno and tech house DJ based in Naples, Italy, known for blending the elegance and precision of Japanese culture into her music, resulting in a refined and modern sound. Her performances stand out for their sophisticated atmosphere, complemented by Hito’s uplifting presence and sensibility, effortlessly winning over audiences across the globe.

Throughout her career, she has played at some of the world’s most iconic clubs and leading international festivals—she made her international breakthrough as a resident DJ for Richie Hawtin’s ENTER. in Ibiza, also playing festivals such as Coachella, Awakenings, Movement and Tomorrowland, sharing the stage with some of the most respected names in electronic music. Her sound, driven by deep grooves and flawless selection, takes listeners on an immersive musical journey. 

Recognized for her elegant style and strong connection with the dancefloor, Hito continues to evolve, moving seamlessly from vinyl to digital, while constantly pushing boundaries and bringing her musical vision to stages around the world. Don’t miss out on her collaborative tracks with emerging Italian artists!

https://instabio.cc/Hitolinks

Inimitably, Hempress Sativa is rightly regarded as a prolific Singer/Songwriter to nascent from her Generation of ‘Conscious Roots” purveyors. An anomalous talent, whose expressive writing skills with sharpened delivery commands the attention of her audience in each performance; with an uncanny ability to keep all listening as if in a trance, absorbing her every word, every rhyme. 
​
Born Kerida Johnson to Ras Tafari parents Doris Ray Ricketts and Albert ‘Ilawi Malawi’ Johnson, Legendary Selector (Originally of Jah Love Muzik), Drummer, Producer and Singer/Songwriter who would become her greatest influence. 
 
Her father would summon almost 4 years old Sativa and older siblings to the ‘Control tower” which was a room he create to host his sound system equipments and Vinyl records. Located in the Ghetto of Mona Common, Papine, this 2 bedroom board house was the meeting grounds for the family and community to be entertained. Routinely, for his upcoming session he would methodically create an “Orthodox” selection which MYSTICALLY resonated with the Hearts of the masses who ventured near and far to hear Ilawi play. He would confidently hand the Mic to the offspring who dared to go first and it was there that Sativa would succumb to these encounters and began to develop her extraordinary talent.
 
Hempress Sativa has graced the Covers of magazines such as Backayard, Hotbox, Irie mag, Riddim and Abana Magazine yet remains a humilitant soul whose moral fibres are strongly govern and deeply rooted in her Ras Tafari Livity that is consistently conveyed in the contents of her songs.
 
She has been a popular name on the Jamaican scene for years performing at Rebel Salute, Reggae Sumfest and Digicel’s “Bob Marley” sponsored events.
 
Hempress Sativa has completed tours South of the US including Louisiana, Atlanta, Texas, and Miami. Conquering uncharted territory in Minneapolis whilst supporting Hopeton “Scientist” Brown at the Red Bull Sound Select, who introduced her sounds to a sold out venue receiving great reviews and new fans.
 
She’s broken grounds with appearances in Mexico, Mapping through California for Sierra Nevada World Music Festival, High Times Reggae on The River, Beloved Festival, Austin Reggae Festival, Northwest World Reggae Festival, and Bob Marley Celebration in San Diego at the World Beat Center to mention.
 
In 2017 Hempress Sativa released her debut album “UnconqueRebel” independently produced by label Conquering Lion Records with collaborated efforts from Ranking Joe on the track title “Natty Dread” and Anthemic songs such as “Rock it In a dance” and  “Wah Dada Deng” mixed by Paolo Baldini yielding 11 million views and counting on Youtube.
 
Embarking on her first tour of Europe spanning throughout Belgium, France, Spain, Italy and England. With an impressive set at Reggae Geel expertly backed by her band UnconqueRebels. At Rototom Hempress dominated the Main stage as a first timer with an remarkable noteworthy performance manumitting her single “No retreat” which samples the late Junior Murvin which was an instant favourite with the audience. To the delight of the crowd, Hempress Sativa displayed strong hegemony over the Vina Rock Festival stage in Villarrobledo, Spain with an remarkable set.   
 
Hempress Sativa is a multifaceted talent, propelling Jamaican music into the future maintaining a strong foundation that makes her music Timeless amidst procuring the Vinyl culture.
 
Hempress remains a staple on the Jamaican soil with her installment of Hempress Sativa Live which is geared at showcasing the most promising and the best on the Island.

north america booking: team@clewisgroup.com
international booking: scott.mantell@unitedtalent.com 
management: milan@russmgmt.com

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The tale of Danny Tenaglia's love affair with music, and the world's subsequent romance with him, is one of the critical veins in the body of dance music. He is every dancer's secret discovery; a random purchase at the record store, a reluctant night out that unexpectedly turned magic. Explosive success came not behind a major label release, or a world tour, or a radio hit remix: It happened when enough people had the private Tenaglia experience for themselves.

The momentum started building in early '70s New York, when a barely 10-year-old Danny first got the feel of vinyl in his hands. Enthralled by the music of artists like Philly Soul's The Trammps, Motown's Marvin Gaye, African trumpeter Hugh Masekela, and disco producer Giorgio Moroder, he started to collect records, plumbing the depths of each one, and frequently finding that he preferred the B-side to the A. It was 1979 when he discovered legendary nightclub Paradise Garage, where DJ Larry Levan's rich, genre-less blend of music seemed to mirror his own "no boundaries" policy. It was here where Danny found the club model he would one day emulate: Levan's bold style, the venue's plain décor, and the party's warmth and inclusiveness.

Danny left New York in 1985 and launched a successful DJ-ing career in Miami as a resident at Cheers nightclub. There he schooled the locals in classic New York and Chicago house, but five years later he returned home, tired of only playing other people's music. He started to assemble an impressive roster of remixes, including Right Said Fred's "I'm Too Sexy" (1991), Jamiroquai's "Emergency on Planet Earth" (1993), and Madonna's "Human Nature" (1994). But his first epic was The Daou's "Surrender Yourself" (1993): With the kick in the bass and the underlying rhythm as the foundation, Tenaglia blanketed Vanessa Daou's wispy vocal with grand, thick chords, a combination of classic groove and modern club-ready depth that was, at the time, entirely new. The title of his 1995 debut artist album on New York's Tribal Records described it perfectly: Hard & Soul. But even if the cocktail was his own, Tenaglia never hesitated to declare how heavily his influences weighed in his productions - everyone from Patti LaBelle to Kraftwerk, with countless lesser-known Soul, R&B, Latin, Samba, and Disco artists in between.

In 1996, after a brief stint at New York superclub Roxy, Danny landed a Saturday night residency at white-hot Twilo, a position that upped his profile but didn't satisfy his expanding artistry as a DJ and producer. While New York swooned for big-room diva anthems, Danny was turning his ear toward the more minimal, tech-y grooves originating in European production studios. This period produced solid remixes like Grace's "Not Over Yet" (1996) and Janet Jackson's "The Pleasure Principle" (1996), but by the time he moved to Tunnel in 1998, Danny had already created "Elements," an instant classic that caused the dance scene's collective jaw to drop. With his own warped voice providing the narration, "Elements" (one track off full-length Tourism) walked the listener through the different components of a dance track in real time, going from kick to drum loop to snare hit, letting each layer over the other until the track exploded with dark, drum-heavy energy. Next to ostentatious radio anthems, its simplicity was a revelation. 

It was around this time that the murmurs started to get louder: Who is this Danny Tenaglia, and just what does he do to people? Clubbers reported seemingly inhuman mixing capabilities, booth-to-floor telepathy, and the grittiest "modern yet classic" grooves they had ever heard come out of a speaker. A trio of label compilations - Mix This Pussy (1994) and Can Your Pussy Do The Dog? (1995) for Tribal, and Gag Me With A Tune (1996) for Maxi - were the first Tenaglia sets clued-in clubbers could take home to dissect, but the release of his first installment in the UK-based Global Underground series of DJ mixes, titled Athens (2000), lit the international fire. Athens (meant to reflect the set he played at the Greek capital's club King Size) remains one of the darkest, strangest, sexiest sets ever released, and its tame cover photo of a gentle-looking man in a Yankee cap just didn't seem to fit. DJ dates across Europe dispelled the mystery and started the spread of the infectious Tenaglia fever.

Back in New York, Tenaglia was tiring of the cavernous gloom of Tunnel and longed for a weekly home that better resembled where the DJ bug first bit him - the Paradise Garage. He landed at Vinyl, a black-walled, single-environment, no-liquor club about one-quarter the size of Tunnel. He named the night "Be Yourself," after the self-affirming, heavy-bottomed vocal track he had recently recorded with Chicago's Celeda. And he took the name to heart: Without the pressure of bar minimums or an expectant crowd, Tenaglia spread his DJ wings. Next to new tracks by young producers like Rui Da Silva, Peace Division, and Saeed & Palash, he played the artists of his youth, with nary a beat dropped. If he wanted to launch into a two-hour set of straight-up techno, he did. If he wanted to play old Michael Jackson records, he did. If he wanted to get on the mic and tell the crowd the name of the sound he was about to play, or who next week's guest opening DJ would be, or just give everyone a "verbal handshake" to welcome them to the club, he did. And a city tired of drama embraced the barebones, music-centered night. 

The world caught up to Tenaglia in 2000. His annual party during Miami's Winter Music Conference outgrew its home at the cramped Groovejet and moved to just-opened superclub Space. DJ giants like Carl Cox danced on top of the speakers with the Deep Dish boys, Fatboy Slim mingled on the patio, and for a day the ego inherent to DJ culture evaporated: Tenaglia was hailed as the undisputed king, the "DJ's DJ." His roof-raising revamp of Green Velvet's "Flash" won "Best Remix" at the UK's Muzik Awards, where he was also awarded the "Best International DJ" prize. 

In the two years that followed, Tenaglia released another Global Underground installment (London); toured the world, took the party island of Ibiza by storm, remixed Billy Nichols' "Give Your Body Up To The Music" (a Garage anthem); got nominated for a Grammy (for his remix of Depeche Mode's "I Feel Loved," also nominated for Best Dance Song); returned to Twilo for two special gigs - a President's Day marathon with Carl Cox that shattered all its attendance records, and the club's sixth anniversary party with John Digweed, which turned out to be even more meaningful than it seemed at the time (Twilo was shut down permanently a week later); graced the cover of every major dance music magazine; and won a Dancestar Lifetime Achievement award... all while keeping Be Yourself buzzing every Friday. 

In 2003, Danny came full circle with the release of Choice: A Collection Of Classics, a two-CD mixed compilation that let him pay direct tribute to many of the artists who had influenced his sound and style. It featured everyone from Blaze to Adeva to Imagination, as well as hefty liner notes explaining the significance of each track, penned by the man himself. He also remixed another Garage classic (Yoko Ono's "Walking On Thin Ice," which became her first Billboard number one ever), opened another Space during Winter Music Conference (the new location down the block), and took another Dancestar award, this time "Best Party" for Be Yourself. 

Be Yourself took the same honor again in 2004, but this time the win was bittersweet. At the time of the ceremony, Vinyl, now called Arc, had already been sold to developers. Danny closed the classic club on Sunday, April 25, 2004, with an emotional set that lasted well into Monday afternoon, and culminated with his mix of Kings Of Tomorrow's paean to unending love, "Finally."

And as in every year since his DJ odyssey began, all across the globe, from Acapulco to Tokyo, more people experienced their first night with Danny Tenaglia, that clubber rite-of-passage that forever changes how you listen to music, go out to nightclubs, and think about DJs. 


MANAGEMENT / GENERAL REQUESTS
silvi@chaosinorder.de

BOOKING REQUESTS 
amelielens@WMEAgency.com

BOOKING REQUESTS North/South America
ferry.rais@CAA.com

NEWS:
https://linktr.ee/amelie.lens

Amelie Lens has taken the techno scene to another level, with her unrelenting passion for the genre, with a strong message that she always was, and always will be a raver at heart.

Amelie‘s debut release in 2016 marked the beginning of her distinguished career. Since then, she has released music on many of the industry‘s leading labels and contributed to the prestigious Global Underground City mix series. Amelie is a regular headliner at major festivals such as Awakenings, Sonar, Timewarp, and Tomorrowland’s mainstage. Additionally, she performs at renowned club venues across the globe.

Fast forward to 2024 and Amelie is heading her labels Lenske and EXHALE Records, running her party series EXHALE, holds down an extensive touring schedule and hosts her own radio show. The show now streams online and broadcasts on 34 radio stations across the globe, reaching nearly 5 million listeners with every episode.

Amelie has been focused on her signature sound, emphasised by the use of her own vocals. She wants to capture audiences that may not always be there for techno but feel connected after discovering something new.

Kill Sanity is following