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‌تک آهنگ وَجَنات
گروه جت‌پک که پیش از این، بیشتر آثاری با ترانه‌های انگلیسی، در حال و هوای الکترونیک/آلترنیتو و فانک راک منتشر کرده حالا قرار است آلبومی با محوریت ترانه‌های فارسی منتشر کند. وجنات نخستین سینگل از این آلبوم است که با همکاری هنرمند جوانِ هیپ‌هاپ یعنی شریار ساخته شده است. به زودی تک آهنگ دوم در همکاری با یک خواننده دیگر منتشر می‌شود.

Jetpack ft. Sharyar - Vajanat

Songwriter: golsa
Produce & guitar: taha mazaheri
Bass: hamed hamidzadeh
Keys: aria mousavi
Drums: sina partovi

Sargashteh

Black and Blue
by Ali Eskandarian

There was a time to be right but that time has gone away
There was someone I called me but he has gone away...
Fighting and fighting along the coastal plane
Senseless and tired it is such a shame

Black and blue on the inside, just sitting there
Why wont you say that this time it wont be the same
running and fighting on the same old track 
i say what not feel the pain?

pain, pain, 

There was a time to be right but that time has gone away, 
There was someone I called me but he has gone away...
Fighting and fighting along the coastal plane
fighting oh it is such a shame

shame, shame

Ali Eskandarian - Black & Blue

Jayi Baraye Hamishe

from 'Nomad Frequencies' [CD|2xLP|DIGITAL]
Denovali Records · den237
available in September on all formats at [http://denovali.com/johnlemke]

An ardent moulder of sound, John Lemke began carving out a very unique music blend on his debut album 'People Do' (2013) and its follow up EP 'Walizka' (2014). Informed by his work as a sound designer & composer for documentary films and his natural inclination towards fusing rhythm with rich textures and emotive melodies, he set out on a musical path that had been long in the making and is ever evolving.

The quest for unusual, inspiring sound sources has always been at the heart of John's process, however the genesis of his second album 'Nomad Frequencies' was rooted in much more inadvertent circumstances. In the summer of 2014, forced to indefinitely evacuate his Glasgow flat and studio due to structural damage from one hour to the next, with nothing more than a laptop and a bag of clothes, John embarked on a six month odyssey of soul searching, couch surfing and spending an extended period of time in his old hometown of Berlin for the first time in years - it was to be an odyssey that would help ferment and distill the ideas of his second album on which work had just begun. 

A year of particular global turmoil and upheaval, combined with John's personal, albeit very minor, 'displacement', caused a lot of questioning, frustration and anger, which somehow found its way onto the new material: a more confrontational, at times aggressive sound, paired on the other hand with a yearning for harmony, balance and space. Other influences came less from the world of music, but rather in visual form, through the densely textural art of Anselm Kiefer and the political, yet poetic musings of film maker Adam Curtis.

Intent on refining his sound toward a more minimal, bolder style, John set out to limit his sonic palate to a handful of carefully chosen elements. At the centre of this new direction remains the muted piano already introduced on his debut, but in a much more purified and raw form. This organic base is adorned by the warm fuzzing and wavering of analogue synthesisers, tape echoes, meditative tuning forks, field recordings from John's 'exile' period and percussion based on his rigid approach to sampling, which started developing on 'Walizka'. The guiding principle of his orthodox style of recording and sampling is to only use home-made sounds by utilising his own field recordings, applying contact microphones or hydrophones to objects and instruments, running them through different kinds of speakers and re-recording the sounds to arrive at a 'lived in' quality, often misunderstood as plainly 'lo-fi'. Touches of viola and woodwinds parts (Kim Moore of WOLF and Andrew Baker respectively) provide melody fragments and subtle details throughout the journey.

With John's healthy disregard for genre boundaries, the array of influences on 'Nomad Frequencies' is vast, but never over-powering. From the meditative tuning fork that starts proceedings on 'Of Elsewhere', the dub echoes to the hints of minimalism, free jazz explosions to the Lynchian atmospherics, all elements serve nothing more than the album's narrative journey between friction and harmony, best appreciated in its entirety. A rhythmic backbone collides with rich ambience and melody, often infectious and jarring at the same time, forging a soulful whole which most likely only reveals its true self after multiple spins.

Nomad Frequencies

John Lemke - The Unwinding

Pre-order the 12"/DL here: www.erasedtapes.com/store/index/ERATP082
or from iTunes here: http://snip.ftpromo.net/transition

'Transition', the collaborative release of Immix Ensemble and Vessel focuses on the theme of technology. Musical instruments are a somewhat technological anomaly in that they are rarely updated after their conception, often only receiving minor tweaks over the course of hundreds of years. As such, each instrument provides us with a snapshot of the cutting edge technologies of a particular time and place – in this sense, the instrumentation used by Immix provides us with snapshots of technologies that can be traced back as far as 1500BC. 

Taking these snapshots as a starting point, each movement in 'Transition' features one or two instruments, and, thematically, explores a significant invention or discovery that took place at around the same time as the invention and development of these instruments. Collaborating with Vessel updates this technological chronology by including the tools of the digital age.

Immix is lead by Australian-born composer and sax player Daniel Thorne. The now Liverpool-based artist has a genuine passion for exploring and creating music in a diverse range of forms; composed and improvised, acoustic and electronic, and the various shades in-between. Founded in 2014, the idea behind Immix has been to galvanise the innovative musical voices from across the country.

With the addition of Vessel, the moniker of Bristolian electronic composer Sebastian Gainsborough, Immix found a valuable first partner in exploring forward-thinking composition that slips between the cracks of traditional and contemporary styles. A stalwart of the UK experimental electronica community, Vessel's solo work has received critical acclaim for it’s post-industrial, visceral tone, using a sonic palette derived from the creation of home-made instruments, aiding in the creation of his signature nonreplicable sound.

As the first in this series, March 18, 2016 will see the release of 'Transition' on 12" vinyl and download, followed by a string of live performances by the collaborators. Future episodes will bring further collaborations by Daniel Thorne’s ensemble with other forward-thinking artists and ensure Immix continues to evolve and expand.

TRACK LISTING:  	

A1. What Hath God Wrought?
A2. De Revolutionibus
B1. Scope
B2. Battle Cry

ABOUT THE ARTWORK:  

The artwork was created by Liverpool-based visual artist Sam Wiehl and includes images taken from the Immix Ensemble & Vessel live AV show.

WEBSITES: 

www.immixensemble.co.uk · www.twitter.com/immix_ens · www.erasedtapes.com

Transition

What Hath God Wrought?

Buy 12"/DL

Immix Ensemble & Vessel - What Hath God Wrought?

A way to escape part 1

6 - Bihoode

Paeiiz

Hope - Le Rouge ft. FAR (bijan moosavi rework)

Close Your Eyes

CLOSE YOUR EYES

Downloads available at http://www.b-bandmusic.com 

Available for purchase online at iTunes,CD Baby,Amazon and other music stores on the web.

This track is from the album Can't Hear Your Voice (Nemishnavam Sedato) and is available for purchase on CD Baby here: http://www.cdbaby.com/cd/bband

Yechizi Bede Be Man | یه چیزی بده به من

Copenhagen based Techno/IDM/Ambient producer and DJ
Rune Bagge is one of the true heavyweights of Copenhagen techno! Tough as nails mixing skills, with a both bleak and melancholic feel to his sound. His first EP on Ectotherm was immensely well received and played by djs worldwide, and his debut album has just been released on Northern Electronics and EP on Ownlife, fitting right into the labels notorious reputations

SC: https://soundcloud.com/runebaggecph
RA: https://www.residentadvisor.net/dj/runebagge
FB: https://www.facebook.com/deservenothing
IG: https://www.instagram.com/runebagge666/

Closercast #029 - RUNE BAGGE

The Brvtalist is pleased to premiere a new track by Magnum Opus on D.Clock Records, a new Colombian label focused on dark and experimental electronic music. "Like A Knife" comes off D.Clock's debut release "Re-start", a V.A that features artists from all over Colombia. This compilation is a combination of dark, rhythmic & cinematic EBM, Breakbeat, Techno, and Electro, solidly showing the variety of sounds coming from Colombia.

The release is out on October 31st digitally on Bandcamp: https://dclockrecords.bandcamp.com/

@magnum-opus-opus
@dclock-records

Magnum Opus - Like A Knife (DCR001)

برف

مادر اگر بیشتر از آه داشتم، یک قصر از نور 
می‌ساختم؛ برای صرف چای بی‌چیز عصرمون
اگر خیابان از صدای ما با مهر گذر می‌کرد
اگر یک روز کمی امید داشتم به کمی بهتر
اگر نگاهم به سنگینی قدم‌های بابا شد 
اگه چهل سالم شد و نپرید شب، از این بالکن


من رو دنبالم کن من نمی‌میرم از این خونه
اگر سپیده تاریکه روییده بر آفتاب لاله 
(دوبار)

آسمان تپید و خاکسترش را بر ما بارید
خاک لای کفن سفیدش، آرام خوابید
سگ کی بود ترس؛ فریاد می‌زنم
این پسر می‌ایستد بسان کودکی برای برف

در هر لحظه که زهر بود، بهترینم بودم
به جای هر که رفت هر که نبود، موندنی بودم
(دوبار)

Barf

Raam is an Iranian musician. He started his musical career as the singer/songwriter/founder of Hypernova. Between touring with his band and performing his solo theater piece "Departure," Raam has also started a podcast (in Persian) called Masty o Rasty.

Ali Eskandarian - Black & Blue

King Raam

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