Running @FeverAM w/ @MorElian
Bookings –
EU/World: michiel@frameworks-agency.com
N/S America: s@icartists.net

The Field and other music by axel willner


Helena Hauff! Du rufst an, ich leg auf.
Booking:
chloe at annexagency.co.uk
The Americas:
cara at liaisonartists.com

Member of Black Sites
Member of Hypnobeat
Member of children of leir

This is my official soundcloud page every other entry on any social networking site purporting to be me is either a fan page or somebody else pretending to be me!

Worldwide Bookings: cris.hearn@teamwass.com
N & S America Bookings: celinaaoun@teteatetela.com

Promo: fidelesmusic@gmail.com

Born in Brazil, and raised in Boston, MA. Mila Savi fell in love with the electronic scene not too long ago, the passion for the underground scene started roughly 5 years ago. Her eagerness and dedication to bring a different set to the dance floor have been showing when she's on the decks. Her mixture of Progressive House, Melodic Techno, and Afro House will have you dancing to some exotic sounds. Her Techno sets are eccentric, and she brings a mixture of raw techno; and hypnotic techno, with crazy vocals. Mila makes her mission to bring a groove, dancing vibe with her in all her sets.

Final Girl, the Boston-based DJ and producer, has helped spearhead the energetic, hypnotic sound that has made Infra the dominant promoter of underground techno in Boston.
Final Girl began as an Infra Resident in 2019, and has played alongside Katie Rex (Bound NYC), Rhym (Fever AM), Daniela Hensel (Riktus Party) and Marco Shuttle. Promoting at Infra, he has helped platform DJs and producers like Nastia, ANNA, Rebekah, VTSSS, Anetha, Shlømo, Hector Oaks, and many more. Final Girl is known for a lively blend of techno, house, electro, and breaks that brought gay and transsexual club music to Boston’s underground dance scene. He has played venues like Bossa Nova Civic Club, Phoenix Landing, Lower Level, and underground clubs from San Francisco to Boston. He has DJ’d B2B with Daniella Hensel and Infra boss XOCE. Together with XOCE, he makes up the duo Sapera, which regularly headlines with their experimental take on techno.

FLOORPAN "THE MASTER'S PLAN" (CLASSIC MUSIC):
https://cmc.lnk.to/cmcd141d

Before I got into this music I wanted to be an originator ; I wanted to be original".
Founding member of the legendary group Underground Resistance as a 'Minister Of Information' with ‘Mad’ Mike Banks & Jeff Mills, his seminal works on Jeff Mill's Axis and his very own M-Plant imprint paved the way for a wave of stripped-down dancefloor minimalism that directed much of techno's path throughout the late Nineties.
Robert Hood makes minimal Detroit techno with an emphasis on soul and experimentation over flash and popularity. 

"Growing up in Detroit, I grew up with Motown in the house - a lot of Motown and Philadelphia soul, artists like Marvin Gaye of course and Curtis Mayfield. I remember Isaac Hayes, the soundtrack from ‘Shaft’ had come out. My father was a jazz musician; he played piano, trumpet and drums. My mother was in an R’n’B group.
We listened to a lot of Motown - in fact, my grandfather’s first cousin is Berry Gordy.
"I was influenced by my father - I wanted to play trumpet like he did."
Robert's father tragically died when he was just 6. The photo of Robert siting down holding a trumpet is his fathers.
"I had to beg my grandmother to let me borrow the trumpet to take a picture with it"

In the early 90's he began to concentrate on his own production 'Vision EP', the 'Riot EP' and X-102 were big stepping-stones for him as they were the first releases he worked 100% on his own. The X-101 to X-102, were Waveform Transmission projects with Mills for Tresor. He slowly progressed to work more and more on his own, but collaberated on some of the first Axis releases with label owner Jeff Mills as H&M (Hood & Mills) with ‘Tranquilizer EP’ and ‘Drama’.

He soon decided it was time for him to start his own label to focus on what was in his soul musically. M-Plant started in ’94. I had developed this “grey area” sound - what I mean by that is that in Detroit, even when the sun is out, there’s something in the atmosphere. I don’t know if its pollution or whatever, but the sky has that grey haze over it. It’s got to be something from the industrial factories there. I’d never really heard a sound like that before and it came from a Roland Juno - it was a chord sound that really went along with my depiction of what Detroit was at that time. A lot of buildings were abandoned and there was a lot of lifelessness in the city, especially downtown. The M-Plant, in minimalism, kind of reflected that. I remember thinking of Detroit like a museum. You know, like a work of art standing still, suspended in time. There wasn’t a whole lot of activity going on.

Releasing singles such as "Internal Empire,", “The Protein Valve” "Music Data," and "Moveable Parts", "The Pace", more recently "Range", "Alpha" and that isn't even touching his other monikers Floorplan, Monobox, The Vision, etc.
"M-Plant is what I've always wanted to hear: the basic stripped down, raw sound. Just drums, basslines and funky grooves and only what's essential. Only what is essential to make people move. I started to look at it as a science, the art of making people move their butts, speaking to their heart, mind and soul. “It's a heart-felt rhythmic techno sound. M-Plant is just M. minimal. “

Although his desire to remain underground has been replaced by an urge to reach a wider audience, mainly via his housier, disco, gospel moniker Floorplan with his daughter Lyric Hood,   Hood remains fiercely critical of artistic and economic movements destructive to inner-city communities and has combined his musical enterprises with outreach and social activist ends.

A passionate DJ & Producer, Erlon hails from the vibrant city of Belo Horizonte, Brazil. He has been based in the US for over a decade and currently resides in Brooklyn, NY. His unique blend of Brazilian percussion and Organic House sounds with a Balearic flair made him a popular Boston local opening at many of their clubs and events. 

With a passion for music that runs deep, Erlon has been honing his craft for years, constantly pushing the boundaries of what's possible in the studio and on the dancefloor. His releases on renowned labels such as Made In Miami and InHouse Records have gotten him to perform at showcase events such as Amsterdam Dance Event & Elements Music & Arts Festival. 

Erlon's music is a reflection of his Brazilian roots and time spent in Spain as well as his deep love for electronic music. His sets are a seamless blend of infectious rhythms, sultry melodies, and driving basslines that keep the dancefloor moving all night long. Whether he is playing at a small club or a festival stage, Erlon's energy and passion are infectious, and he never fails to deliver an unforgettable experience.

As he continues to explore new sounds and push the boundaries of his craft, Erlon is poised to become a staple in the industry. With his unique style, infectious energy, and unwavering commitment to the music, Erlon is a great asset to any line up big or small!

Sin Sin began his career in music by DJing in several well-known national nightclubs in Germany back in 1999. For several years he held a residency at one of Germany’s most prestigeous underground techno-locations, where he had countless opportunities to play along the sides of most major international techno-acts of the time.

In 2011 Sin Sin set his focus on a specific, individual and dynamic style of techno, which has been brought to the public through a high output of quality releases with continuing success and much support by renowned artists. Sin Sin stays true to his roots by bringing back the atmosphere, density of sound and variety to techno music, combined with his own specific trademark-elements to form his personal definition within this style of music, which claims to be nothing less than the future – techno in its purest shape. His steady flow of productions released by various techno-imprints, as well as his own record-label Sin Sin Records, has led to his international artist-recognition.

Sin Sin’s own label Sin Sin Records publishes selected, straight-forward techno music ever since 2014. Besides well known artists regularly showcasing their tracks, promising newcomers get their equal chance to present their production-skills on this imprint.

Kin is following