terrifying and so fucking powerful u are a god

Pre-Order 12" LP & DL

Have We Recovered, From Our Dreaming?

Emerging DJ and producer Happy New Tears is independently releasing her new single ''Where The Willow Weeps'', marking a new chapter for the Rotterdam-via-Berlin producer as she takes a bold step forward as a performing artist.

Blending sci-fi sonics with infectious & ethereal vocal melodies, ''Where The Willow Weeps" is a meditation on in-vain attempts to repress emotions that can't be resisted and the cathartic release that can come from accepting these unavoidable feelings. “The Latin derivative of the word ‘emotion’ literally stands for ‘energy in motion’. This song is my attempt to articulate this sensation of an emotional purge that occurs within you and the release you feel as it happens” Happy New Tears adds.

''Where The Willow Weeps'' comes complete with a mix and master by Amnesia Scanner-collaborating artist Sin Maldita and a visceral music video by Ouroboros, the director-duo consisting of Jeremy Carne & Nikolas Kasinos. The striking video frames Happy New Tears within breath-taking natural landscapes, metaphorically emulating the powerful emotions the song alludes to.

Produced, written, performed by Happy New Tears
Co-produced by Ludwig Wandinger
Mixed and mastered by Sin Maldita

Where The Willow Weeps

Happy New Tears - Where The Willow Weeps

HORAS fue compuesto y producido en 2020. Reúne 9 piezas intuitivas que funcionan como cápsulas de recuerdos sonoros de una vuelta a la casa de la infancia, creadas durante 9 meses. Partiendo de pequeños bocetos improvisados, se generan cortes de menos de 2 minutos, concentrados y construidos como miniaturas frágiles que nunca llegan a desarrollarse completamente. HORAS es un diario de espera y a la vez un homenaje al hogar.

Este EP está dedicado a mi madre Lúcia, a su hija Sara y a su hija Lucía.

HORAS was composed and produced in 2020. It brings together 9 intuitive pieces that function as capsules of sound memories of returning to the childhood home, created over 9 months. Starting with improvised small sketches, cuts of less than 2 minutes are generated, concentrated, and built as fragile miniatures that never fully develop. HORAS is a diary of the waiting yet at the same time a tribute to home.

This EP is dedicated to my mom Lúcia, her daughter Sara and her daughter Lucía.
credits
releases April 13, 2022

composed and produced by DA ROCHA at home, Vigo 2020
mixed by DA ROCHA and Helio Reguera
mastered by Helio Reguera
photo by DA ROCHA
graphic design by Gloria Salvat

self-released

ojos otros ft. akazie

With contributions of @marcohenri, Johan Silvy, @neutrogris, きらきら, @usofusofusofusof & @neszdc.

Composed by @cconnttacctto. 
Mastered by Lorenzo Targhetta. 
Artwork by Samy Boudol. 
Graphic design by Théo Poyer.

https://youtu.be/DPQMO9jk_MU

Contacto - out of frame (feat. Marco Henri, Johan Silvy, Neutro Gris, きらきら & usof)

Privacy Angels

Years Of Silence (feat. City)

We are glad to share with you Liminal Spaces, our next compilation release (digital only). This V.A. is a collective effort from 8 artists, all invited to explore the concept of grey-area in a way that it would relate to their personal and/or creative realm. A grey-area is very linked to what is known as a liminal space : a transitional location, or a state being, in between two others, often empty, abandoned, that feels cold, nostalgic and slightly unsettling, but also familiar to our minds.

Liminal Space goes into a wide sonic spectrum range. Disturbing spoken words, emotional pop anthems, deconstructed club and disquieting ambient are merged all together here for an unsteady listening experience.

The creative process began just before the war in Ukraine - when we learnt that we were working on a concept so close to such an event, we decided that all proceeds will go to Helping To Leave, a NGO helping people evacuate from areas affected by the Ukrainian war.

Ryong - Heartbreaker

To Mirka

Nuclear decay occurs when the nucleus of an atom is unstable and spontaneously emits energy in the form of radiation. The result is that the nucleus changes into the nucleus of one or more other elements. These daughter nuclei have a lower mass and are more stable (lower in energy) than the parent nucleus.

“Ábris Gryllus is a cross-disciplinary media artist and musician based in Budapest. He is well-known for several projects, collaborations and performative works with choreographers, sculptors, dancers and other musicians. As a tireless artist always open to new possibilities, Gryllus has worked on dance pieces, educational workshops and installations; he is one-half of the beat-oriented group FOR., and not least of all, he produces immersive electronic music under his own name. His solo materials include the frantic vocal-based ‘Canon’ (The Death of Rave) and two releases on Farbwechsel (‘Post_’, ‘A.D.’) that feature a rather focused, slowly forming approach to composition.

‘Nucleus of the Decay’ shares the fundamental, carefully sculpting method that is prominent on the aforementioned Farbwechsel releases. This two-track EP is a conceptual piece that reflects on life-changing events, biological or chemical processes and the overall bipolarity that is encoded into the course of a lifetime. Both pieces of the album embody the duality of a living, organic texture and its transience: at times, it can be graceful and splendid, at other times it can be distressing and overwhelming.

‘Parent I (with Thea Soti)’ is a gradually building opening track, starting with only a handful of audio channels of scratches, hisses and a high-pitched tone. In a smooth and subtle manner, the vocals of Soti then fade into the dense fabric of sounds that unfold, engaging in a plethora of expressions, supported by a bass progression resembling a chorale-like structure. ‘Parent II’ is centered around an instrumental piece, a string-like leitmotif surrounded by whispers and echoes that are bright and piercing, as well as light and cumbersome at the same time.

‘Nucleus of the Decay’ offers a sonic world that admits the struggle and joy of reflecting on one’s presence, and sees the captivating yet eerie nature of the inevitable future. Working with both purely synthesized sounds and real-life voices, Gryllus’ first solo EP at EXILES invites us to a place that is warm and harsh all at once, dragging us into a swirling torrent of ethereal whitewater.”

—Nemerov

music by Ábris Gryllus @abrisgryllus
digital mastering by Roland Nagy @fausto_mercier
vinyl mastering by Stefan Betke (pole)
vinyl distribution by Rubadub
artwork by Renáta Szabó

scapemastering.com
rubadub.co.uk
www.instagram.com/rnszab

Digital / 12” Vinyl

Ábris Gryllus – Parent II

Like thunder rolling over darkened open fields, this mix by Karoliina Pärnänen is an ode to lower-level frictions and frequencies. Delve into this masterful selection just in time for the weekend. 

Cover photo courtesy of Karoliina Pärnänen 
Lay out by Oliva Rawlings

Valley Radio 098 - Karoliina Pärnänen

Well (https://soundcloud.com/user-370942421-686440500) - original track "Siren"
FaceOnFigure - guitars, keys, drums, mix, lunacy

My gift is madness -- Siren by Well, reimagined by FoF

When you let your guard down who knows what will happen!

Giving In

From a series of (almost) daily ocean glimpses. The music is composed to a video of the sea (photons captured fresh every day). You can experience the full video version: https://youtu.be/NHVi8mJZGsE

Glimpse 1535 (Dec 15 2025)

Miserable Electronics.

Bookings/Contact:
kinndread@gmail.com

Have We Recovered, From Our Dreaming?

Kinn

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