Name: Big Booty Scooty by Kiss the Tiger
Duration: 2 min 15 s
Description: "Big Booty Scooty" is an upbeat pop-rock bop that pays homage to the vocal stylings of 50's crooners while firmly rooting itself in rock 'n' roll through it's forward drive and guitar driven hooks. It's fun, a little silly, and highly danceable!

"Big Booty Scooty" is an upbeat pop-rock bop that pays homage to the vocal stylings of 50's crooners while firmly rooting itself in rock 'n' roll through it's forward drive and guitar driven hooks. It's fun, a little silly, and highly danceable!

Big Booty Scooty

'See More' is about the loneliness that often settles in when you've been with a romantic partner for a long period of time. Their body becomes a warning instead of a warm welcome, you begin to feel lost in your self because you've given so much of it over to the other person. But it's also about coming back to the self by stepping back from this enmeshment in order to see that other person more clearly. It's ultimately about leaning into the gift of time as something beautiful, not burdensome. The middle section of the song was greatly influenced by Pink Floyd. We wanted to create an open and expansive sonic movement to illustrate seeking and discovery for the song's protagonist.

See More

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Let Me Bleed is the second full length release from Kiss the Tiger.

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Our new album "Infinite Love" is out September 12th, 2025.

At a time when the world seems intent on pushing us further inward and further apart, Kiss the Tiger are here to rattle our bones and bust us out of our cocoons with some good old fashioned rock and roll.
Fronted by the magnetic and disarming Meghan Kreidler, who draws on her background in theater to break the fourth wall between audience and band with her righteous fist pumps and high kicks, this is a band that doesn’t just play. They combust. And watching them set the stage ablaze, it’s hard not to feel that tension that’s been built up in all of us these past few years slowly release, too, like a collective exhale set to ratcheting guitars, buoyant bass lines and Kreidler’s perfectly pitched screams. Theirs is a clean- burning fire. Hell, you might even call it healing.
“We want to give the audience an experience that is visceral and jolts them awake— creating community in that moment,” Kreidler notes. “I think that’s a really nice gift you can give people: Just let go.”
Their sets are often accompanied by sing-alongs to regional hits like the hard-knocking “Motel Room,” their ode to pandemic loneliness, “I Miss You,” or their pleading anthem “Hold On to Love,” all of which have become instantly recognizable to locals thanks to regular airplay on the tastemaking public radio station 89.3 The Current. (“Hold On to Love,” specifically, spent a whopping nine weeks at No. 1 on The Current’s Chart Show and was inducted into the Chart Show Hall of Fame.)
Their latest album, Vicious Kid, is a tour de force through the band’s increasingly sophisticated songwriting, which is handled jointly by Kreidler and rhythm-guitarist Michael Anderson. There are plenty of moments where they embody the spirit of late ‘70s new wave punk, like in the ridiculously fun “Who Does Her Hair?” But they have started weaving in softer textures, too, like the crooning and feminist alt-country ballad “Grown Ass Woman” or the skeletal and simmering “Out of My Mind.”

Big Booty Scooty

Kiss the Tiger

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