How can every single release of someone can be this good?? Stay superior sir!!

Music has the ability to create transcendent experiences. It can make us feel like we’re in touch with something bigger than ourselves, something otherworldly and often spiritual. Being able to experience a shade of that same sensation in a social gathering tunes us in a larger spectrum of people with whom we share the world. Perhaps something that we might need to relearn now.

Noah Lyas is the pseudonym for the ‘amsterdamer electronic music head’ and ceramicist Malii Yorks. Drums, rhythms and the feel of them are for him the most interesting aspects within musical compositions. Malii tells us - ‘Whether it is complex or very simple, rhythms will set things in motion, not necessarily the body when it is dancing, but also your inner self’.

Noah Lyas, read ‘no alias’, is a name that is given to the concept of having an alter-ego but still questioning if you are someone else, or not.
 
You can find him at:
@noahlyas
https://www.instagram.com/studiomalii/

Support his music

.CHPTR031 'I'm a transcendent being' | Noah Lyas

This month’s show was recorded during a heavy snowfall by Grant Aaron—the founder and driving force behind Mysteries of the Deep. His knowledge of and dedication to ambient music is unrivaled, and having him on Bright Patterns has been a highly-anticipated event. His two hour set evokes unconscious dream states and brings warmth to winter’s peak.

https://www.instagram.com/mystofthedeep/

www.thelotradio.com
www.instagram.com/thelotradio
www.facebook.com/thelotradio
www.twitter.com/thelotradio
@thelotradio

Bright Patterns with Grant Aaron @ The Lot Radio 02 - 03 - 2022 - Vicki Siolos

The fourth week of October 2022.
Oslated Special Mix 028 - Aspetuck

Oslated
New York
US

Aspetuck is an American producer & DJ fascinated by groove & rhythm as well as the hypnotic nature of the deeper sides of electronic music. Growing up in sleepy Vermont, without easy access to any inkling of a nightlife scene, the internet was Aspetuck's only form of musical discovery for those formative days. Years later, after living in both Brooklyn and Los Angeles, Aspetuck was very quickly drawn into the robust nightlife cultures of both cities that was so absent in the rural hills of the northeast. He is not only inspired by the current scene but also heavily inspired by genres outside of the contemporary electronic world including but not limited to krautrock, dub, new wave / post-punk, shoegaze, jazz, soul & funk.  Immersing himself in both music production and photography, two creative outlets that seemingly complement & balance each other, he is quietly finding his voice with the help of a broad range of influences to draw from.

Discography
Inanimate Distraction Object [2022 / Oslated]
The Great Divide [2022 / Aspetuck]
Half Light Half Dark Remixes [2022 / Aspetuck]
Half Light Half Dark [2021 / Aspetuck]
Lost The Key [2021 / Lyssna]
The Bees Came Back [2021 / Aspetuck]
Winterruhe [2021 / This Is Our Time]
Doldrums / Itchy [2021 / XLR8R+]
Distant Messenger [2021 / A Friend In Need]
Tonic [2021 / Lagaffe Tales]
Memory Foam [2020 / Cairo Express]
The Time Capsule Experiment [2020 / This Is Our Time]
Unknown Future [2020 / Aspetuck]
Back To The Nest [2020 / Aspetuck]
Treehouse At Yuma Place [2020 / Aspetuck]
Live From Listeria [2020 / Aspetuck]
Snoot [2019 / Lima Express]
Count Dooku [2019 / Aspetuck]
Aspetuck 003 [2019 / Aspetuck]
Aspetuck 002 [2019 / Aspetuck]
Aspetuck 001 [2019 / Aspetuck]

https://soundcloud.com/aspetuck
https://www.facebook.com/aspetuckmusic
https://www.instagram.com/aspetuckmusic

- Artwork by Clément Davout

Oslated.
http://www.oslated.com
https://soundcloud.com/oslated
https://oslated.bandcamp.com
https://formaviva.com/oslated

Oslated Special Mix

Oslated Special Mix 028 - Aspetuck

Jamie McCue (@the-mix-archive) is a DJ and label head who lives a quiet life in the forests of British Columbia, Canada. He was the creative director and label head at @silent-season, a music label influenced by his natural surroundings. Jamie crafts long building sets, allowing the music to become a journey and unfold slowly. His sound explores the deep, psychedelic nature of techno and house, saturated with atmospheric ambience and dub sensibilities.
Stay Rave with #R13!

#153 | Jamie McCue (CA)

UN #47 DeepChord

Wanderwelle (Live) @tresorberlin 22.12.17

We're very pleased to share the recording of our 2.5 hour live set we played in the legendary Tresor, Berlin. It was an amazing experience as it was the first time we performed in a club. 

https://tresorberlin.com/event/tresor-invites-surgeon-dasha-rush-and-dj-pete/

Wanderwelle (Live) @Tresor 22.12.17

Paraffin is back with another special episode of its Podcast series, this time with our most fav ambient artists, Ario from Astral Industries (UK), a well known ambient label which is famous for its quality vinyls with the greatest artists in this game on their catalog. Ario also played at Paraffin Tehran’s 1 year anniversary in Iran, a festival with Iranian acts from all around the world. This mix is the actual recording of Ario’s performance at Experiment Intrinsic London on September 15/2018, Intrinsic is an event organisation which is taking place a at special locations around the world focusing on ambient music, also including a very special visual art treatment at their events.
Hope you enjoy the journey

https://www.residentadvisor.net/dj/ario
https://www.facebook.com/arioastral

Paraffin Podcasts - 006 - Ario

2019년 5월 28일 화요일, 
다섯번 째 꿈 Kkum 에피소드는 도쿄를 중심으로 활동중인 일렉트로닉 아티스트 IORI의 세트와 함께합니다. 섬세하고 매혹적인 IORI의 꿈 이야기가 76분동안 펼쳐집니다.

Tuesday 28th May 2019,
The fifth episode of 꿈 Kkum is mixed by 'IORI' who is an electronic artist based in Tokyo. With his spellbinding details standing out in sharp relief, a story of Iori's dream continues during 76min.

<꿈 Kkum 05 IORI Tracklist>
1 Anthony Child - the space between people and things
2 Hakobune - above the northern skies shone
3 Jon Keliehor - begining of time
4 IORI - zao point 1
5 Rainforest Spiritual Enslavement - homes built over the sea
6 Ryuichi Sakamoto - disintegration
7  Ligovskoï - thessalonians 
8 Tasoko - Untitled 
9 Acronym - the final decision
10 Ligovskoï - fairbbanks
11 Jon Keliehor - per-neter II
12 IORI - a fall of moondust
13 Varanda Culture - palmerston

IORI (@iori927)
일본 오키나와 출신으로 도쿄에서 활동중인 DJ/프로듀서 이오리(IORI)는, 2000년대 뉴욕의 전설적인 파티 The Loft에서 그의 음향적인 멘토였던 David Mancuso의 어시스턴트로 활동하며 섬세하게 소리를 다루는 방법들을 배워나갔다. 이러한 정확한 준비과정을 통해 이오리는 우주적인 공간감의 사운드를 만들기 시작했으며, Phonica, Prologue와 같은 레이블들에서 자신의 작업물을 발표하기 시작했다. 2009년, 이오리는 Basic Channel, Manuel Gottsching의 사운드로부터 영감을 받은 데뷔 EP Galaxy를 발표하였고, 이후 덥으로부터 시작된 자신만의 새로운 사운드를 담대히 발전시켜 나갔다. 그리고 2012년, 이오리는 당시 아시아의 떠오르는 스타 디제이 노부(Nobu)의 레이블 Bitta를 통해 앰비언트 사운드와 최면적인 테크노 사운드가 혼합된 첫 번째 풀-랭스 앨범 ‘Nexus’를 발표하였다.
2010년 즈음부터 2년간 베를린에 머물며 전 유럽을 무대로 활동한 이오리는 이 기간 중 자신의 최면적인 테크노 세트에 대한 확신을 가지게 되었고, 2015년 일본에 돌아온 이후에도 그의 이름은 전 세계적으로 점점 입지를 넓혀 나가게 되었다. 
2016년 이오리는 공상과학을 소재로 한 앰비언트 앨범 ‘Cold Radience’를 발표하였다. 이 앨범은 클럽 지향적인 관점을 벗어나서 이오리의 깊은 사운드에 대한 예술적 관점과 그 가치를 증명해 내었으며, 이는 프로듀서로써 이오리가 오랫동안 지속해왔던 작업들에 대한 자연스러운 결과물이였다. 섬세하고 매혹적인 사운드들로 가득한 이 작품은 이오리가 나아가는 미래에 대한 기대를 한층 더 증폭시키고 있다. (글: 유사쿠 시게야스)

Hailing from Okinawa, now-Tokyo-based producer IORI once cut his teeth as an assistant for David Mancuso’s revered party, The Loft, in New York City, where he learnt a meticulous sonic mentality from his audiophile mentor. This permeates his carefully-handled arrangements, which have helped make his name and define a series of spacey, atmospheric originals and remixes for proponent imprints like Phonica and Prologue to name but a few. Since his striking 2009 debut, Galaxy, which took its cue from Basic Channel and Manuel Gottsching, the Japanese producer has developed an immensely expressive dubbed-out sound in his own right. The first culmination of that is 2012’s excellent Nexus album for Bitta, a label owned by Far Eastern rising star DJ Nobu, seeing his ambient productions sit nicely with his hypnotic dance tunes.
Two year stay in Berlin in early 2010s helped IORI gain a foothold in the international stage. He has since traveled across Europe, validating his characteristic meditative techno set, which is just the tip of his huge musical iceberg that ranges from low-slung house to leftfield oddballs. Despite his return to Japan in 2015, his presence remains strongly felt through frequent European tours. 2016 saw IORI release the Cold Radiance album, where his sci-fi ambient side grew fully- fledged. For an artist that has produced immersive and spacious pieces, it was a logical continuation of his extensive career as a producer. Eschewing the club-orientated perspective, it certainly proved IORI’s expressional depth and does justice to his artistic intention, his acute ears for spellbinding details standing out in sharp relief, which raised expectations of his promising future. (by Yusaku Shigeyasu)

꿈 Kkum05

꿈 Kkum 05 - IORI

For home use only’ is an anti-club social, a chance to get to know someone/something. A series of transmissions purely dedicated to exploring the other side.

So here we are, number 28. All grown up, thinking we know everything and that the world is at our beck and call. Little do we know, that is exactly what we know - little. Consistently hungry for knowledge, we peruse through the audible world looking for spikes in our interest in every way or form. Sometimes knowledge finds us. In this case, it comes in a form of a single human by the name of Chris, or Chris SSG or Chris of the former musical oracle, MNML SSGS aka Minimal Sausages (r.i.p). And it shall be known from this moment forward as, Number 28. 

 
If you’re reading this then you probably have Chris to thank. He was a pivotal influence in my (and probably your) musical upbringing. For five solid years,Chris and PC (the other founding member) consistently flooded the world with incredible mixes and unbiased musical journalism through their blog. Most of the mixes are still very much alive and well to this day, in-fact they’re quite sort after. After the end of SSGS, Chris moved to Tokyo to continue to sooth the world in his own unique way, veering away from the traditional ideals of “dance” music and how it's perceived and listened to. 

 

This mix is a testament to that. Playing ambient music to a club full of people has always been a personal dream of mine (you don’t have to dance to enjoy yourself and at least there’s a chance that people will finally shut up on the dance floor). Strung together perfectly, the journey entails so many beautiful and subtle twists and turns that it perfectly fits every atmosphere. Just over two hours of pure bliss, I liken the mix to a session in an isolation tank, relaxing yet stimulating. Odd soundscapes laced with beautiful folk music all woven together with the cream of what we now know as “ambient music” (until we find a more appropriate term).

 
Chris will be doing his thing at the next ONO party (TIP! some very good friends doing some very good things/ link below). He’s joining some other great thinkers alike in bring forth of what will be an incredible night of music. 

His words >>>

The mistake is in thinking music is about music. Music is about people. The bonds we make, the experiences we share, the conversations we have: this is the meaning and substance of it. This podcast was made possible by Nadine in Germany, Josh and Gregory in Taiwan, Eileen in Singapore, Toss in Japan, Louis in Australia, and all the producers whose music I used. It was recorded at ‘Soft Landing’, the first ambient event hosted by The Council in Singapore in July 2019. The recording reflects that context and moment, but hopefully carries to wherever you are. This is the way I play ambient. Thank you for listening. Chris SSG

--

His sounds >>>

@thecouncilsg

@mnml-ssgs


ONO party / Sept 6th
https://www.facebook.com/events/490539465013487/


So long, and thanks for all the ssgs

FHUO # 28 // Chris SSG

@ligovskoi is an immersive audio-visual project founded in 2010 by Nikolaï Azonov and Valerio Selig. The pair invite the listener into a deep meditative state through their ambient, experimental and drone-focused productions and live performances. With releases on Field and Dement3d, among others, they also develop their sound and visual materials into installations. Their Patterns of Perception 57, introduced below in a short text by the duo’s good friend Victoire Kalamarides, is a serene example of the expansive and deeply contemplative atmospheres Ligovskoï creates.

"Ligovskoï’s set offers soundscapes of consciousness. Like a light that sounds through infinite spaces, the luminous property of their sounds sweep across waves of subtle body motions - one’s breathing patterns - and emotions. Shaping patches into a continuous breath, they present a deep session of inspiration. Their set’s movements give direction to a rain of vibrations that fills space into an electronic sound bath. 
Ligovskoï’s contemplative music supports the listener’s engagement to what is given to be heard. This journey’s sonic qualities resonate with the same qualities one possesses: luminosity, profundity - what one hears is what one is. It is as if the territories sounded by their modulations reflect one’s internal sphere; as to better hear that the limits between what exists outside and inside is porous; a constant be-coming. An envelope of resonance that wraps one’s body into rapture.
The listener’s mind navigates through sonic currents to progress from horizontality to verticality. 
Their measure has to do more with space and less with time: an invitation to take the time to carve more space. It is a profound music that has the ability to alleviate us from the weight of gravity; we feel lighter, like light. Through the final elevation we can find a spiritual revelation: a deep state of relaxation.
Ligovskoï’s music breathes us." - Victoire Kalamarides

Links:
@ligovskoi
https://www.ligovskoi.com/
https://www.facebook.com/Ligovskoi
https://www.residentadvisor.net/dj/ligovskoi

Patterns of Perception 57 - Ligovskoï

Download link here: https://yeyo.me/tracks/4Fgs

꿈 Kkum 05 - IORI

꿈 Kkum

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