Arturo Stàlteri is a Roman pianist and composer who graduated at the Consevatory of L'Aquila and later studied with Vera Gobbi Belcredi, Aldo Ciccolini, Vincenzo Vitale and Konstantin Bogino 
His research, as intepreter and author, has always aimed at highlighting the post-modern sensibility in 20th century music, and the concept of contemporary music as a meeting place between "serious" music and "borderline" music. 
Though he was classically trained, Stàlteri began to be known by the large public with the group Pierrot Lunaire, one of the historical progressive rock bands of the Seventies that mediated successfully between the rock world and the classical world. With this band Stalteri recorded two albums: “Pierrot Lunaire” and “Gudrun”. 
As soloist he has released many cds: the last one is called “In Sete Altere-Arturo Stàlteri suona Battiato”. 
With Franco Battiato Stàlteri collaborated also on his TV programme Bitte, Keine Reklame, then he had a role in his film Musikanten, and recently worked with him at the documentary “Attraversando il Bardo”. 
He also appeared, among the others, in works by Rino Gaetano, David Sylvian and Sonja Kristina. 
His music appears in many important compilations. 
Stàlteri composes for cinema, dance and theatre too. 
He is a music critic and radio host for many of Rai Radio Tre, Radio Due and Rai Sat programmes. He is conducting at the moment “Primo Movimento” and “Il Concerto del Mattino” for Rai Radio Tre. 
Ever since the late '80s he has been one of the leading and most rigorous musical experts, particularly in the field of experimental music. 
He is often a member in the jury of national and international competitions. 
Arturo Stàlteri played concerts in Italy, United Kingdom and Swiss. 
Some of his records were also reprinted in Japan.

The native Sicilian Davide Martello plays his DIY grand piano open-air at changing squares and sites to emphasize the surrounding architecture and landscape. Since a few years he travels around the world and takes his self-composed music to unusal places. The «Klavierkunst» describes the idea of modern piano music in changing architecture. Davide Martello plays at sights of many different cities and turns public squares, historic buildings or footbridges into concert halls - but also construction sites on motorways, traffic islands, horse coaches, &ellipses;

This unusual piano play surprises. It let coincidental passers-by escape from their everyday life and let them simply – stop. On that score Davide Martello deliberately opt against the studies of classic composition and set himself the goal to play in every capital of the world!

Klavierkunst is following