Throughout human history more than 500,000,000 military men and women, fathers and mothers, sons and daughters have died from the direct results of battle and wartime actions.  This does not include the war-induced consequences of epidemics, famines, atrocities, and genocide.
     What is it we’re waiting for?… 
       Until there are none left to fight?

Composed and Performed by Kluane Takhini and featuring:
James Hill (trumpet)
Ivanov Basso (orchestration)

PLEASE WATCH THE VIDEO FOR MAXIMUM IMPACT!
YOUTUBE: https://youtu.be/_Hxew7OZx2Y

And Then There Were None

Music for everyone, music for others. A life against the current. No genre in music! It is too simplistic to give a genre to everything!! Music is an expression of human emotions and it is necessary to learn to understand humanity in its complexity.

Marcel Gruhn from Germany started out as Hobby-Composer in January 2022.

With a lot of inspiration from Artists like Hans Zimmer, Two Steps From Hell and Audiomachine his goal is to capture and inspire his audience by creating beautiful and epic music which opens the path to other imaginary worlds and to tell a story words can't tell.


Have a nice day :)

This is a genre called Talking Rock. I love '70s West Coast American music. It's the music that inspires me. I also like Ennio Morricone's style. Then I mix it all up. I play electric, classical, acoustic, and 12-chord guitar. I also play bass.
YouTube Channel: https://www.youtube.com/channel/UCeCBZ4l-tqzB1iYK4sdhYzw

You know music ? Then you know my wife.(please listen to her carefully =)

mythmakerprod@gmail.com

ps: thanks for all support! Love you guys !Take care.

Composer/Producer from the Netherlands with a great love for synths, jazz and filmscores.
Always looking to combine these things in my productions.

Big inspirations are:
Ennio Morricone, James Jamerson, Herbie Hancock, Nine Inch Nails, Paul McCartney, Bernard Herrmann, John Williams, James Newton Howard, Edward Elgar, igor stravinsky, Brian Eno, Kraftwerk, David Bowie

Virga is a singer/bassist/songwriter based in Rome, Italy. On my SoundCloud you can find much of my music. My home Is your home. You're welcome 🎶

Thank you for listening and for your comments.
Music is Magic:)
Thank you soundcloud 20.08.13. for SCOTD http://soundcloud.tumblr.com/post/58744738434/soundclouder-of-the-day-oddrun-eikli-if-theres 
.....................................................................
Biografi
Oddrun Eikli is the singer in Loops and Bridges. A project headed by Oddrun Eikli and Arne Hiorth. Oddrun Eikli sings, composes the melodies and writes the lyrics , Arne Hiorth does the arranging trumpet work and studio engineering.
Loops and Bridges released their debut album in jan 2010 (mtgmusic)
http://www.mtgmusic.no/artist/73/Arne-Hiorth-og-Oddrun-Eikli
Doors And Windows released september 2014.



New cd out mai 2013:
SPIRALI
massimo berizzi: trumpet & electronics 
oddrun eikli: vocals & lyrics
alessandro monti: bass

 CD RELEASES AUTUMN 2012:
"ENDRING" WITH Raphaelgtr and
 THE INTERNATIONAL  JAZZ CD  "FLOW"

"FLOW":
http://www.youtube.com/watch?v=DtaKeETfQ4g
The musicians on the "FLOW" album are:
Cheryl Pyle (New York City) - flute, Oddrun Eikli (Oslo) - vocals, Arne Hiorth (Oslo) - trumpet, Stanislav Zaslavsky (Kamensk) - piano), Sean O'Bryan Smith (Nashville) - bass, and Axel Weiss (Obernbreit) on guitars and art.

"ENDRING":
Raphaelgtr & Oddrun Eikli
http://www.youtube.com/watch?v=ghdVeFgfPIA

ODDRUNS COLLABS. AT SOUNDCLOUD:
you can find my collabs. in these sets:



with Arne Hiorth:
https://soundcloud.com/oddrun-eikli/sets/oddrun-eikli-and-arne-hiorth
with Axel Weiss
http://soundcloud.com/axelweis/sets/oddrun-and-axel/
with Vicente bueso:
https://soundcloud.com/oddrun-eikli/sets/vicente-bueso-and-oddrun-eikli
with Raphael GTR and Massimo Berizzi
https://soundcloud.com/oddrun-eikli/sets/raphael-gtr-and-oddrun-eikli
a set with many of my souncloud-collabs:
http://soundcloud.com/oddrun-eikli/sets/collabs-with-my-sc-friends/

Thank you. :) Thank you to you all !:)

I have played and recorded in international settings, a multitude of percussion instruments, guitar, bass, harmonica, some flutes, keyboard, and if you push me - a very fine jaw harp.

In fact, if I break it down.... I just love to offer-up music, in a living room, a bar, a concert hall or an intercontinental, interactive satellite coordinated concert. 
  
I became fascinated with percussive sounds from around the world… especially African and Latin American rhythms. I fanatically traveled the world collecting anything that you could bang, scrape or hit.
What I learned? Border customs people really don’t appreciate the true value of handmade African caxixi shakers or a Brazilian berimbau. They just want the serial number.
More importantly, a single clicking or ringing sound in a song can make or break that song.
  
I toured Canada, USA and Europe and recorded many “world music” albums (before it was called that), with my late, musical soul mate, Dario Domingues. We played in grand churches, the water reservoirs under Munich, on an island where 100,000 doves were released at the climax of our performance, the first-ever “simulcast”, live satellite, intercontinental concert and then, the humbling experience of being involved in Berlin, in front of 500,000 people, for a series of anti-apartheid concerts featuring ‘Sting’.  For our 'world music' efforts, we were awarded the Deutscher Schallplattenpreisan (1983) accolade by the Deutsche Phono-Akademie, an association of recording companies of Germany that recognizes outstanding achievement in the music industry.  
What I learned? Music is truly a universal language. Around the world people are drawn to music. Of course, different strokes for different folks! 
Whether you play in front of a half-million people in a field, or 10 people in a bar, your role as a musician never changes.  
 
“Dream of the Drum” – I was commissioned to compose and conduct a score for 40+ percussionists from all corners of the world... Jamaican fire dancers, Trinidadian steel drummers, Japanese kodo drummers, African djembe players, military drummers,... the list goes on.
What I learned? The language of music respects no geographic borders. 
Also, never start your outdoor concert, with a lone Native Elder's rain drum song. The drum's magic works!
 
I helped build three innovative recording studios plus, my current production studio. I academically taught musical acoustics and production for several years.
What I learned? All the mathematics and physics in the world can’t replace a good ear.
 
As a producer, I've had the wonderful opportunity to work in great studios in NYC and Nashville with amazing session musicians such as: Eric "Roscoe" Ambel - best known as lead guitarist of Steve Earle’s band the Dukes; Dan Baird of the chart-topping 'Georgia Satellites'; guitarist extraordinaire, Warner E. Hodges, founding member of 'Jason and the Scorchers'.
What I learned? Great musicians tend to be humble but they sure have opinions! In Nashville, I was bluntly told -"No, I won't raise the tom level - in country music, we use toms for holding our bourbon glass." I never did get the toms louder.
 
I spent many years as President of the Ottawa International Jazz Festival and met some of the greatest musical geniuses in the world.
What I learned? "Man, if you have to ask what jazz is, you'll never know."
 
Music for jingles on radio and TV. Documentaries.
My personal favourite was coming up with suitable music for the mating rituals of pigs or, how to create 60 minutes of Arctic wind sounds for the movie 'Never Cry Wolf'.  
What I learned?  You can tell an entire story in a 29.5 second radio jingle and music is the glue that holds a great video together.