Throughout human history more than 500,000,000 military men and women, fathers and mothers, sons and daughters have died from the direct results of battle and wartime actions.  This does not include the war-induced consequences of epidemics, famines, atrocities, and genocide.
     What is it we’re waiting for?… 
       Until there are none left to fight?

Composed and Performed by Kluane Takhini and featuring:
James Hill (trumpet)
Ivanov Basso (orchestration)

PLEASE WATCH THE VIDEO FOR MAXIMUM IMPACT!
YOUTUBE: https://youtu.be/_Hxew7OZx2Y

And Then There Were None

Marcel Gruhn from Germany started out as Hobby-Composer in January 2022.

With a lot of inspiration from Artists like Hans Zimmer, Two Steps From Hell and Audiomachine his goal is to capture and inspire his audience by creating beautiful and epic music which opens the path to other imaginary worlds and to tell a story words can't tell.


Have a nice day :)

This is a genre called Talking Rock. I love '70s West Coast American music. It's the music that inspires me. I also like Ennio Morricone's style. Then I mix it all up. I play electric, classical, acoustic, and 12-chord guitar. I also play bass.
YouTube Channel: https://www.youtube.com/channel/UCeCBZ4l-tqzB1iYK4sdhYzw

Dear friends,
This is my site for reposting my friends.
You are very welcome to visit my music at my Main Page.
I don`t get notifications from my Main Page when my friends post new music, ( something is wrong, or is this something new?  soundcloud can`t help)so I hope to get your posts when using this new Page.
Music is Magic, 
Much Love
Oddrun

Welcome to the Lab 💀 
Creator sound designer
40 plus years in live sound reinforcement
getting by with some help from friends.

Virga is a singer/bassist/songwriter based in Rome, Italy. On my SoundCloud you can find much of my music. My home Is your home. You're welcome 🎶

Hi all ! I make music, some of it weird, some of it beautiful I transcend over different genres, all from odd time signature, violent metal to beautiful smooth orchestrations, Short handed - I make the music I want. DM if there is something on your mind. And check out my stuff.  :)

I have played and recorded in international settings, a multitude of percussion instruments, guitar, bass, harmonica, some flutes, keyboard, and if you push me - a very fine jaw harp.

In fact, if I break it down.... I just love to offer-up music, in a living room, a bar, a concert hall or an intercontinental, interactive satellite coordinated concert. 
  
I became fascinated with percussive sounds from around the world… especially African and Latin American rhythms. I fanatically traveled the world collecting anything that you could bang, scrape or hit.
What I learned? Border customs people really don’t appreciate the true value of handmade African caxixi shakers or a Brazilian berimbau. They just want the serial number.
More importantly, a single clicking or ringing sound in a song can make or break that song.
  
I toured Canada, USA and Europe and recorded many “world music” albums (before it was called that), with my late, musical soul mate, Dario Domingues. We played in grand churches, the water reservoirs under Munich, on an island where 100,000 doves were released at the climax of our performance, the first-ever “simulcast”, live satellite, intercontinental concert and then, the humbling experience of being involved in Berlin, in front of 500,000 people, for a series of anti-apartheid concerts featuring ‘Sting’.  For our 'world music' efforts, we were awarded the Deutscher Schallplattenpreisan (1983) accolade by the Deutsche Phono-Akademie, an association of recording companies of Germany that recognizes outstanding achievement in the music industry.  
What I learned? Music is truly a universal language. Around the world people are drawn to music. Of course, different strokes for different folks! 
Whether you play in front of a half-million people in a field, or 10 people in a bar, your role as a musician never changes.  
 
“Dream of the Drum” – I was commissioned to compose and conduct a score for 40+ percussionists from all corners of the world... Jamaican fire dancers, Trinidadian steel drummers, Japanese kodo drummers, African djembe players, military drummers,... the list goes on.
What I learned? The language of music respects no geographic borders. 
Also, never start your outdoor concert, with a lone Native Elder's rain drum song. The drum's magic works!
 
I helped build three innovative recording studios plus, my current production studio. I academically taught musical acoustics and production for several years.
What I learned? All the mathematics and physics in the world can’t replace a good ear.
 
As a producer, I've had the wonderful opportunity to work in great studios in NYC and Nashville with amazing session musicians such as: Eric "Roscoe" Ambel - best known as lead guitarist of Steve Earle’s band the Dukes; Dan Baird of the chart-topping 'Georgia Satellites'; guitarist extraordinaire, Warner E. Hodges, founding member of 'Jason and the Scorchers'.
What I learned? Great musicians tend to be humble but they sure have opinions! In Nashville, I was bluntly told -"No, I won't raise the tom level - in country music, we use toms for holding our bourbon glass." I never did get the toms louder.
 
I spent many years as President of the Ottawa International Jazz Festival and met some of the greatest musical geniuses in the world.
What I learned? "Man, if you have to ask what jazz is, you'll never know."
 
Music for jingles on radio and TV. Documentaries.
My personal favourite was coming up with suitable music for the mating rituals of pigs or, how to create 60 minutes of Arctic wind sounds for the movie 'Never Cry Wolf'.  
What I learned?  You can tell an entire story in a 29.5 second radio jingle and music is the glue that holds a great video together.