I am proud to release the album “To Catch Lightning in a Bottle” …a collaboration with the outstanding talent of James Hill on trumpet. James is a constant inspiration.

The music expresses diverse thoughts about the turbulent times we live in. "To Catch Lightning in a Bottle" means to accomplish a nearly impossible task.

To Catch Lightning In A Bottle

This is Ashraful Islam Tuhin. I am a Bangladeshi Musical artist and Digital artist and growing SEO Expert in the world of Digital Advertising and Marketing. Ashraful Islam Tuhin is an influencer, Musical artist, Entrepreneur Author, and Famous Growing Digital search engine optimization professional also. I was born on June 30 in Sylhet, Bangladesh.

falcon....  we are working on developing a new sub genre!  , 'Ambi-Prog'. Each track comes from a session of ideas and feelings that we make up as we go along, then developed accordingly while keeping the energy and feelings of the orignal Jams..

Our concept E.P. 'Slower Things'. Like, Comment and share if the concept behind the tracks takes you to that place where slower things reside...

https://www.instagram.com/marmar0708/
https://soundcloud.com/shinsemia
https://soundcloud.com/romane5
https://pskc7878fcyms.wixsite.com/shinsemia

MULTI INSTRUMENTAL ONE MAN XIUS, WITH FEMME VOCALS COLLABORATION -!! NEVA!!  THANK YOU FOR FOLLOWING US AND SUPPORTING US!!

Industrial dance and cinematic fuel, 
from the darker digital edge of Maine.

• Artist | Producer 
• Original tracks 
• Support the Arts!

• Dell • Ableton • Splice • Waves •  
• Rokit • Serum

• No generative AI tracks

https://music.youtube.com/channel/UCN9EpkqhEEGhFNbihO0gcJg?si=vPX4Z7BR1xWl2lS3
This is my YouTube channel 
https://www.tiktok.com/@daflood14?_t=8pfLElASSO1&_r=1
And you can check me out on this TikTok 🔗🙏🏿
Welcome to my dumping site .yes I’m using this page to dump all my bad mixes, like unfinished tracks 
So please try not being too critical 🙏🏿
I from Martinique I was wired in the UK Brixton but lived my young life in Paris the 94 but I’ll always represent 972 MQ cause its where my soul belongs reflecting on my music, most of my track are singing in (KA) or call it (KRÉOLE) it’s one of the youngest languages created by us during slavery time by the slave maroon to fight the miserable slave masters 
Big Thanks to you for the visit 
I & I bless 😊
A KIMOUN KILA PROD

https://open.spotify.com/artist/1VLWJEMH7aP0QOpvkigZSx?si=0NYEJb78T5iBxE-u9mBCWQ

https://www.boomplay.com/share/artist/53887289?srModel=COPYLINK&srList=IOS

Just a place for silly stuff..... who don't like silly stuff? Also a place for magick moments, drunk aerobics, swimming spaceships and a good cuppa tea.  Everything here is from the heart.. but we're drunk, shitface, magotly wrecked.  Remeber... no great song came from eating a salard. BUT NO A.I. used... yet!

I love making music that soothes, inspires, and rejuvenates. Downtempo, chilled Lo-fi, non-AI music set to hip hop, pop, and jazz beats. Lover of Boom Bap.

My creative journey began as a visual artist, and now I'm concentrating my energy into creating music that can instantly impact minds and moods for the better. 

Almost all of my music is chill @ -100 bpm to hopefully stimulate calm and feelings of well-being in listeners as it does for me. 💙

I don’t use AI or samples. My music is original, digital, and composed using a MIDI keyboard and DAW. I also record live LoFi audio of ambient sounds such as birdsongs or rainstorms using an iPhone or a microphone connected to laptop.

A helpful tool to evaluate whether music is AI or human: www.submithub.com/ai-song-checker

I’ve been called Rebecca of Sunnybrook like the children’s book because of my birth name but call me Beck like my friends do. I chose Sunnybeck to use as my nickname as I’m an eternal optimist and love the sun.

sunnybeckmusic @ gmail.com

I have played and recorded in international settings, a multitude of percussion instruments, guitar, bass, harmonica, some flutes, keyboard, and if you push me - a very fine jaw harp.

In fact, if I break it down.... I just love to offer-up music, in a living room, a bar, a concert hall or an intercontinental, interactive satellite coordinated concert. 
  
I became fascinated with percussive sounds from around the world… especially African and Latin American rhythms. I fanatically traveled the world collecting anything that you could bang, scrape or hit.
What I learned? Border customs people really don’t appreciate the true value of handmade African caxixi shakers or a Brazilian berimbau. They just want the serial number.
More importantly, a single clicking or ringing sound in a song can make or break that song.
  
I toured Canada, USA and Europe and recorded many “world music” albums (before it was called that), with my late, musical soul mate, Dario Domingues. We played in grand churches, the water reservoirs under Munich, on an island where 100,000 doves were released at the climax of our performance, the first-ever “simulcast”, live satellite, intercontinental concert and then, the humbling experience of being involved in Berlin, in front of 500,000 people, for a series of anti-apartheid concerts featuring ‘Sting’.  For our 'world music' efforts, we were awarded the Deutscher Schallplattenpreisan (1983) accolade by the Deutsche Phono-Akademie, an association of recording companies of Germany that recognizes outstanding achievement in the music industry.  
What I learned? Music is truly a universal language. Around the world people are drawn to music. Of course, different strokes for different folks! 
Whether you play in front of a half-million people in a field, or 10 people in a bar, your role as a musician never changes.  
 
“Dream of the Drum” – I was commissioned to compose and conduct a score for 40+ percussionists from all corners of the world... Jamaican fire dancers, Trinidadian steel drummers, Japanese kodo drummers, African djembe players, military drummers,... the list goes on.
What I learned? The language of music respects no geographic borders. 
Also, never start your outdoor concert, with a lone Native Elder's rain drum song. The drum's magic works!
 
I helped build three innovative recording studios plus, my current production studio. I academically taught musical acoustics and production for several years.
What I learned? All the mathematics and physics in the world can’t replace a good ear.
 
As a producer, I've had the wonderful opportunity to work in great studios in NYC and Nashville with amazing session musicians such as: Eric "Roscoe" Ambel - best known as lead guitarist of Steve Earle’s band the Dukes; Dan Baird of the chart-topping 'Georgia Satellites'; guitarist extraordinaire, Warner E. Hodges, founding member of 'Jason and the Scorchers'.
What I learned? Great musicians tend to be humble but they sure have opinions! In Nashville, I was bluntly told -"No, I won't raise the tom level - in country music, we use toms for holding our bourbon glass." I never did get the toms louder.
 
I spent many years as President of the Ottawa International Jazz Festival and met some of the greatest musical geniuses in the world.
What I learned? "Man, if you have to ask what jazz is, you'll never know."
 
Music for jingles on radio and TV. Documentaries.
My personal favourite was coming up with suitable music for the mating rituals of pigs or, how to create 60 minutes of Arctic wind sounds for the movie 'Never Cry Wolf'.  
What I learned?  You can tell an entire story in a 29.5 second radio jingle and music is the glue that holds a great video together.

Welcome to my stream of consciousness through sound... Bless you All.. Like and Follow and I will do the same... I listen to y'all music... Y'ALL SO DOPE!!!!!!!!!!! Blessings and keep up the wondrous works....

To Catch Lightning In A Bottle

Kluane Takhini