From my new album "Fû": https://ariad.bandcamp.com/album/f
Any support on bandcamp is greatly appreciated! Thank you!

This track started by a keyboard improvisation with a digital flute preset. On this, I played clarinet and recorder, added some samples of bird chants and lot of percussions.

My album Fû is centered about aerial elements and woodwind. It's a kind of ode to the natural world, to the trees, to the birds and also a musical journey for any dreamer. I recommend to listen it with headphones for the best experience!
To learn more about this album, check the special page here: ariad-music.com/textes/musique/fu-en/

Canopy Symphony

Download & Support

I am proud to release the album “To Catch Lightning in a Bottle” …a collaboration with the outstanding talent of James Hill on trumpet. James is a constant inspiration.

The music expresses diverse thoughts about the turbulent times we live in. "To Catch Lightning in a Bottle" means to accomplish a nearly impossible task.

To Catch Lightning In A Bottle

SONGS OF HOPE FOR A NEW REALITY.

This work consists of three songs.
 
The first song is for a baritone voice and represents that it is sung by a character who is a journalist and tries to give an overview of the many global crises and conflicts that are currently haunting us and causing "perplexity in an uncertain world".

The second song, for a contralto voice, represents that it is the reply given by a female character who is an anthropologist, to the previous journalist arguing that we can only save ourselves if we start from approaches based on ethics and anthropology to build a "critical conscience of our species" that allows us to create a new global reality where all human beings have a dignified and comfortable life.

The third song is a fugue for four voices (for soprano, alto, tenor and bass) and represents the well- meaning people who have honestly understood what the situation is: it is only possible to overcome this "perplexity in an uncertain world, creating new global reality for all.

At the end of this introduction I attach a PDF with the lyrics of the three songs. I put the original version in English and also its translation into Spanish.

The music has an initial inspiration in what we could call musical styles of modern popular music, but with the aim of reaching a final composition of a more abstract and artistic nature. Regarding the musical production, as is usual in my works, the score of the different musical parts is performed by computer software, specifically in the instrumental parts I have used the synthesizer (granular and spectral) called Padshop 2 and also samplers from the VSL (Vienna Symphonic Library) that, although in this library the instruments have acoustic timbre, I have given them an electronic music treatment. But the most peculiar part is the one corresponding to the voices in which I have used the VOCALOID 6 software that has a singing synthesis technology that produces singing voices that are very realistic and with the ability to articulate words and that has been, initially , developed to sing in the Japanese and English languages.

As for the textual content of the lyrics of the songs, I have written it myself and I wanted it to start from the current global reality and to have, as far as possible, a projection in the general interest. I have been inspired by various texts that I have read lately and, especially, the book "El porvenir de la humanidad”  written by Eudald Carbonell i Roura, a Catalan archaeologist and anthropologist who has a long and important professional career.


Lyrics of the three songs    /    Letras de las tres canciones:
https://drive.google.com/file/d/1llYNK9VUjN-zuf9jmWaPbnqsQmExWQhR/view?usp=drive_link	



Esta introducción en castellano:
https://drive.google.com/file/d/10da1T3vm8U3H2Eh0AgOBbAwz27Iv4WZp/view?usp=sharing

Aquesta introducció en català:
https://drive.google.com/file/d/1Uaq06MVT-_6ovqsne6KgW-iBGZcT58KZ/view?usp=sharing

Songs of hope for a new reality

The blinds are drawn
The waiters have gone
The bar is now empty
And we’re here alone 

There’s no one on the dance floor
There’s no one drinking wine
So hold me like you did before
Let's dance just one more time

For this club is closing
This is the last night
The bouncer he’s not bouncing
He’s fought his last fight

And so maybe one last kiss
Just one last embrace
Tell me all the things you’ll miss
When they’ve closed this place
 
There’s no one at the hat check
The turnstile, it wont turn
This candle lit at both ends
Has nothing left to burn 

Do you remember
How the floor was bouncing
And the crowd was shouting
As you sang your songs

Do you remember how
The band played on and on and on and on
And oh, under those lights
How I’m going to miss those crazy nights
 
The van is packed
The cases stacked
This is a one way road
I’m not turning back

I’m driving down to Paris
And then across to Spain
But maybe when I get to Rome
We can dance again


Single (C)2023
Music - Andrew Pickles and Sreyashi Mukherjee
Lyrics, Instruments and Arrangement - Andrew Pickles
Vocals - Sumi (Sreyashi Mukherjee)

Those Crazy Nights (with Andrew Pickles)

Mixed and Mastered by Woods Studio
@woods_studio

Lyrics:
Brooding sea, oppressive day, a panorama in disarray,
A resolute light will find the way from a horizon hideaway.
Forever theme, the mystery, the recurring history,
The bitterest veil on what we see becomes a new reality.

All in time, all in time, let the story fully unwind, 
All in time, comes the clue to the riddle of “why”.
All in time, all in time, the biography will fully unwind, 
All in time, see the crack in the cover of the sky.

Climb the mountain, stormy day, broken boulders block the way,
You’re losing your hope, begin to pray, 
- to a summit that’s farther away.
Sudden break reveals a beam 
through the fog blotting out the dream,
It’s guiding the way to the brilliant day, 
that’s just above the grey.

All in time, all in time, let the story fully unwind, 
All in time, comes the clue to the riddle of “why”.
All in time, all in time, the biography will fully unwind, 
All in time, see the crack in the cover of the sky.

Clouded years, distorted fears, oh, no no no.
Waiting ‘til the crack appears, oh, wo-wo-wo.

Instrumental 

All in time, all in time, let the story fully unwind, 
All in time, comes the clue to the riddle of “why”.
All in time, all in time, the biography will fully unwind, 
All in time, see the crack in the cover of the sky.

All In Time

LYRICS:

Not long ago
The ice and snow
lay in sheets on the ground
But it's too late now
The seeds of doubt
have taken root all around

The air's a little bit colder today
The day's a little bit longer they say
We'll grow a little bit older this way

I'll never run from the fading sun
So move your tired lungs
in inflated tones
and sing for me
When all we've done
is the sum of exactly 1
I'd never number the days
in the month of February

You gotta know how know how to hold it
Know how to hold it in

I'll never run from the fading sun
So move your tired lungs
in inflated tones
and sing for me
When all we've done
is the sum of exactly 1
I'd never number the days
in the month of February

The Sum of Exactly 1

Ne sei così sicuro

Non ci riuscirai

Believe You

Awesome Fox Music - RER II: Extinction

Binge my tracks and the whole Awesome Fox catalog on Spotify.
👉 https://open.spotify.com/intl-pt/artist/1X11CgtFhsJZSbUc34wFpo?si=uNFqQBAiRgShAJ0gvPZIwg

“Some endings don’t close; they grind.” - Fox

🇧🇷 Sobre a faixa:
Segundo capítulo da trilogia RER: o colapso em campo minado. Dor sem catarse, resolução que morde e volta. Nasceu de um erro e do eco que ficou; não celebra nada, registra obsessão, ruína e responsabilização. Diário em som, cru e arrepiante, atento ao custo de forçar o destino.

🇺🇸 About the track:
Second chapter of RER: Pain without catharsis, resolutions that bite and slip back. Born from a mistake and its lingering echo; it celebrates nothing, it documents obsession, ruin, and accountability. A raw, chilling sonic diary, mindful of the cost of forcing fate.

💿 Music by: Awesome Fox Music
🎼 Lyrics: Awesome Fox Music
🎤 Vocals: Instrumental
🖤 Visuals & Concept: Awesome Fox Music
📀 Original: 2014
✨ Remastered: 2025

© 2025 Awesome Fox Music. All rights reserved.
Fictional characters. Original music. No reposting.

RER II: Extinction

03. Dulces Recuerdos

I have played and recorded in international settings, a multitude of percussion instruments, guitar, bass, harmonica, some flutes, keyboard, and if you push me - a very fine jaw harp.

In fact, if I break it down.... I just love to offer-up music, in a living room, a bar, a concert hall or an intercontinental, interactive satellite coordinated concert. 
  
I became fascinated with percussive sounds from around the world… especially African and Latin American rhythms. I fanatically traveled the world collecting anything that you could bang, scrape or hit.
What I learned? Border customs people really don’t appreciate the true value of handmade African caxixi shakers or a Brazilian berimbau. They just want the serial number.
More importantly, a single clicking or ringing sound in a song can make or break that song.
  
I toured Canada, USA and Europe and recorded many “world music” albums (before it was called that), with my late, musical soul mate, Dario Domingues. We played in grand churches, the water reservoirs under Munich, on an island where 100,000 doves were released at the climax of our performance, the first-ever “simulcast”, live satellite, intercontinental concert and then, the humbling experience of being involved in Berlin, in front of 500,000 people, for a series of anti-apartheid concerts featuring ‘Sting’.  For our 'world music' efforts, we were awarded the Deutscher Schallplattenpreisan (1983) accolade by the Deutsche Phono-Akademie, an association of recording companies of Germany that recognizes outstanding achievement in the music industry.  
What I learned? Music is truly a universal language. Around the world people are drawn to music. Of course, different strokes for different folks! 
Whether you play in front of a half-million people in a field, or 10 people in a bar, your role as a musician never changes.  
 
“Dream of the Drum” – I was commissioned to compose and conduct a score for 40+ percussionists from all corners of the world... Jamaican fire dancers, Trinidadian steel drummers, Japanese kodo drummers, African djembe players, military drummers,... the list goes on.
What I learned? The language of music respects no geographic borders. 
Also, never start your outdoor concert, with a lone Native Elder's rain drum song. The drum's magic works!
 
I helped build three innovative recording studios plus, my current production studio. I academically taught musical acoustics and production for several years.
What I learned? All the mathematics and physics in the world can’t replace a good ear.
 
As a producer, I've had the wonderful opportunity to work in great studios in NYC and Nashville with amazing session musicians such as: Eric "Roscoe" Ambel - best known as lead guitarist of Steve Earle’s band the Dukes; Dan Baird of the chart-topping 'Georgia Satellites'; guitarist extraordinaire, Warner E. Hodges, founding member of 'Jason and the Scorchers'.
What I learned? Great musicians tend to be humble but they sure have opinions! In Nashville, I was bluntly told -"No, I won't raise the tom level - in country music, we use toms for holding our bourbon glass." I never did get the toms louder.
 
I spent many years as President of the Ottawa International Jazz Festival and met some of the greatest musical geniuses in the world.
What I learned? "Man, if you have to ask what jazz is, you'll never know."
 
Music for jingles on radio and TV. Documentaries.
My personal favourite was coming up with suitable music for the mating rituals of pigs or, how to create 60 minutes of Arctic wind sounds for the movie 'Never Cry Wolf'.  
What I learned?  You can tell an entire story in a 29.5 second radio jingle and music is the glue that holds a great video together.

To Catch Lightning In A Bottle

Kluane Takhini