Absolute monster, cannot stop playing this

techno2 :)))

Take Control', the latest single from UK producer Alan Fitzpatrick features the creative genius of his 10 year old son, Mylo Fitzpatrick. 

Kettle drum kicks and a rolling low end are paced by claps and a spritely swung hat line. Melodics build the tension to the first break where a female voice tells us to ‘let the music take control’. Fully responsive, nuanced acid and far away trance pads act as a brief oasis of calm before the final drop explodes from the speakers.

Premiere: Alan Fitzpatrick Feat. Mylo Fitzpatrick - Take Control

Nexalara

Artist: TSSKN, Ginbo7
Label: AGRvVIANT RECORDS / Rojo Movimento
Genre: Techno / TrashTech
Realese: 2025

VOID

Paranoid

Paramod - Stuck In An Hexagonal Cave

DYEN - Aware The Broadcast EP [KTK003]

1. DYEN - Aware The Broadcast
2. DYEN - Raconizer
3. DYEN - Aware The Broadcast (Franky B Remix)
4. DYEN - Raconizer (KRYST Remix)

Label: KTK Records
Catalogue: KTK003
Artist: DYEN
Remixers: Franky B, KRYST

Artwork by EURO2000 (1ste Verdiep)
Mastering by Nicolas Thabart

@dyenmusic
@franky_b_music
@krystd

Download

DYEN - Aware The Broadcast (Franky B remix) [KTK003]

Out now on Beatport
https://www.beatport.com/release/call-it-techno-ep/2147914

The new Intec release is from Frank Mitchell aka Frankie Bones who is an American based DJ and producer whose played a large role in New Yorks Techno scene. Having been involved in music since the mid 80s, Frankie Bones was one of the first DJs from New Yorks Brooklyn region to gain global success. By the late 80s Frankie Bones was getting regular European bookings following the success of his Bonesbreaks EP series, which released on Underworld Records received global recognition and critical acclaim. During his three decade spanning career Frankie Bones has even released an EP on the iconic Trax Records, which released many of the early records that defined the House and Techno genre. One of his most popular releases was his 1989 release titled Call It Techno which originally came out on Breaking Bones Records, and a firm Carl Cox favourite has now been remastered and rereleased for this special Intec package, which also features one of his new and previously unreleased tracks. Also featuring on the release are two new remix versions provided by Carlo Lio and Raito who each put their individual stamp on things. Carlo Lio is an artist who in between global DJ bookings, has released music on labels including Octopus, SCI+TEC, Turbo, Mood, and Saved Records. French artist Raito is fast rising through the ranks following regular releases Boysnoize Records, along with having also featured on Mako, Origami Sound, Main Course and BNR TRAX. "Call It Techno" has a timeless bass line taken straight from the glory days of Acid House. Filled with retro charm and warehouse party vibes, the vocal tells the story of Technos history, and the pads plus melody are rich in analogue joy. Carlo Lio's remix of "Call It Techno" uses choice snippets of the originals vocal to refine the story it into a powerful chant. This remix is fast and furious with added tension and suspense. Carlo adds his own toughened backing track thats filled with dark atmosphere plus an explosive drop after the main break. Raito's remix of has a bumping groove and stomping kick drum. Thick and chunky, it takes no prisoners with its hard hitting percussion and stabbing sounds. Jacking in every sense of the word, it's summed up nicely by the vocal lyrics "hits you in the face like a hammer! Second of the two original track is "Light It Up" which takes its title from the lyrics of the vocal sample. With spin backs and filter sweeps, the tracks forward momentum is accentuated by a series of bass drops. Lead by the building intensity of a bubbling acid line, the tracks rolling groove is a sure fire party starter. The fifth and final track is a dub mix of Light it up, which with the main vocal removed, focuses on the music only.

ID140 3. Frankie Bones - Call It Techno - Raito Remix

Burrows is back! Following last year's hit "All Your Dreams", Gary returns to Respekt with a worthy successor in "Burning". Fusing his trademark rave influences with uncompromising drums and a DnB-inspired break, Burning is pure fire.
The remix comes from Dave Sinner, who dials back the tempo and cranks up the groove for a wicked, percussive re-think.
As if those two weren't enough, Gary also provides the relentless "Reaper One" and the shuffling acid of "Can't Hold Back" to complete the package.

Gary Burrows - Burning (Original Mix)

Alan Fitzpatrick’s We Are The Brave imprint has undoubtedly laid down seriously solid foundations. Now well into double figure, the label’s catalogue is forming into a formidable body of work with Alan’s anthemic ‘We Do What We Want’ backed up with a string of club bangers from Gary Beck, Reset Robot and Boxia, plus Fitzpatrick’s mammoth ‘El Jefe’ collaboration with Sasha, which closed out the labels 2017 release schedule in grand style.

Never one to rest on his laurels, Fitzpatrick is back in the driving seat and raring to go again. “I feel a real strong energy right now around the label and I am massively focused on pushing on from the really great start We Are The Brave has enjoyed”, he enthuses. To be fair it is not hard to see why with landmark occasions such as the highly anticipated (and totally sold out) 5000 capacity Alan Fitzpatrick’s Day Festival happening in Dublin on 17th March. After all, who can argue with that most over-used of clichés - fortune favours the Brave!

Of course, Alan’s first release of the year is a mega one. “These tracks have all been born in a different time and space, ranging all the way back in 2015 through to the end of last year. But I think together they fit well, which goes to show that like everything really, but certainly anything creative, it doesn’t make sense to rush things” says Alan

Lead track ‘Colour Of A Dream’ comes with cleverly crafted percussion and energetic claps alongside a dominant vocal, making the track instantly recognizable in the depths of any dancefloor. “I found myself looking back through old hard drives and I guess I found a lot of fresh inspiration from rediscovering music. It feels good to know an idea that has been lay dormant can all of a sudden become relevant, given the right time and space” adds Alan.

Next up, surging with fierce authority is ‘Joy Rider’ with its trademark thumping Fitzpatrick kick drum. A ravey synthetic hook line creates a gritty warehouse vibe, which is in complete contrast to the melodic, end-of-night-euphoria experience that is ‘Together Until The End’ - a truly musical work that oozes texture and emotion.

Alan Fitzpatrick - Joy Rider

Ictus

Jc2204 (Original Mix)

Stream on Spotify: http://bit.ly/TR303sp

We welcome Germany's Andre Crom for his first release on Tronic. He has already been on our radar for quite some time and we are really happy that he delivered a single for us. This release comprises two peak time, no-nonsense, techno tracks. Been tested many times with great reactions on the floor. In addition, we have drafted in Frenchman [ Wex 10 ] for remix duties. Overall a great package!

Buy on Beatport

Andre Crom - Elevation (Original Mix) [Tronic]

My new track is out now! :)
https://www.beatport.com/release/connected/2426987

Jay Lumen - Connected (Original Mix) Low Quality Preview

Layton Giordani steps up for his first solo EP of 2018.

In terms of pedigrees, it doesn’t get finer than Layton Giordani. The Brooklyn-born DJ/producer followed up his lauded debut album of 2017, with a collaboration with Danny Tenaglia to close out the year and marked the summer of 2018 with a three-way collaboration with Adam Beyer and Green Velvet, ‘Space Date’. The period has been a big one for Layton personally, also. From humble beginnings in his native NYC as an Output resident, to being thrust into the bustle of the European club and festival circuit, he’s enjoyed a stint living in Amsterdam, growing and developing over this time. All these experiences have had a fundamental influence on him and his music. The four-track EP ‘Phase II’ represents a new chapter for this exciting talent.

Beginning with ‘New York to Amsterdam’, a track that draws inspiration from a classic by Yves Deruyter, Layton’s work packs a memorable punch as tough acidic undertones and brain scrambling synth effects undulate raising the intensity, making it a perfect opener for Adam Beyer when he played Berghain earlier this year. ‘Body Language’ follows, a track written when Layton was scrubbed out of touring for a month courtesy of a shattered elbow from a skating accident. Not wasting the downtime, he’s crafted a cut that’s sleek, sexy and smart, with a seductive vocal and rousing melodic riff that runs throughout. ‘Black Mirror’, stays true to its dystopic name, a stomping rave cut that pummels dancefloors with a menacing lead synth that’s purpose built for the cold months ahead. ‘Enter the Stratosphere’ is steely electro-tinged techno paired with atmospheric licks of melody, awhile maintaining the artist’s trademark low-end chug. A classy conclusion to an EP from one of techno’s brightest talents.

Layton Giordani - New York to Amsterdam - Drumcode - DC198

Space Raiders

Eats Everything - Space Raiders (KP33)

Beatport: bit.ly/SUM5Beatport

1: ALO - Return
2: Christopher Lawrenz - ASIN
3: Eats Everything - Rollathonic
4: Housemeister - Am Puls Der Zeit
5: JNO - Generation ID
6: Klangkuenstler - Continuum
7: Lerio Corrado - Parabellum
8: Martin Eyerer - Mineral
9: Niereich & Linus Quick - The Secret
10: Paride Saraceni - Long Awaited Dawn
11: Ryan McKay - Acid Control

We’re back again with another SUM package, and this release sees us stepping into our third year of churning out cuts from a variety of names spanning fresh faces to established artists.
SUM 5 kicks off with newcomer ALO’s fierce ‘Return’ where chaos crescendos over an unrelenting bass line before Christopher Lawrenz delivers a wild groover with enough energy to blow the roof off any club with his cut ‘ASIN’. Heavy hitter and man of the hour Eats Everything steps up next and provides another rave anthem on ‘Rollathonic’ before Housemeister’s ‘Am Puls der Zeit’ takes matters into deeper and more dramatic territories with shimmering synthesizers and lush harmonics which couldn’t be farther from JNO’s ‘Generation ID’ which focuses on heavy, fast paced percussion to take the club to the next level. Diving into more sinister territories, Klangkuenstler’s ‘Continuum’ is an intense ride not for the faint of heart whereas Lerio Corrado’s ‘Parabellum’ keeps the tough edge but balances it expertly with just the right amount of debauchery. Martin Eyerer follows suit with a chaotic, yet insanely euphoric blinder with ‘Mineral’ before Niereich & Linus Quick deliver a massive tune with the perfect Rave throwback vibe on ‘Secrets’. Next to last is the gorgeous, energetic and instantly unforgettable ‘Long Awaited Dawn’ from Paride Saraceni before Ryan McKay’s pulse pounding ‘Acid Control’ wraps up SUM 5 with a bang.

@christopherlawrenz
@eatseverything
@housemeister
@jnoisthename
@klangkuenstler
@lerio-corrado
@martineyerer
@niereich
@linusquick
@paride_saraceni
@ryan_mckay
@secondstateaudio

Beatport

Eats Everything - Rollathonic

Patrick Mason and Rekids boss Matt Edwards return for their second appearance as SRVD with two cuts entitled ‘RAW FILES’.

Not confined to a single art form, Patrick Mason is a young creative at the forefront of Berlin’s art, fashion, dance music and LGBT scene; an influential club kid who developed a friendship with Matt Edwards after a chance meeting in Panorama Bar, resulting in numerous studio sessions and improvised live sets. Joining forces in 2018, the pair adopted their SRVD moniker – an alias inspired by New York’s vogue scene – before dropping their debut release on Rekids, playing at various clubs (notably Panorama Bar), not to mention an unforgettable performance at Boiler Room x Pornceptual.

‘The Yard Man’ presents rattling drums, piercing vocal chants and a tormenting melody that SRVD has been destroying dancefloors with over the last year. On the flip, ‘Brotha’ presents a compelling groove as a shuffling rhythm joins abrasive synths and Mason’s penetrating voice.

SRVD - The Yard Man

Label enquiries: nick@nerdlabels.com
Demos: alex@kneadedpains.com

Coined originally as an offshoot label to Dense & Pika's self penned label, Kneaded Pains has now taken off into it’s own orbit with a slew of Techno weaponry from new and established artists alike in the shape of Mark Henning, Melody’s Enemy, ONNO, VONDA7 (et al), each release custom made to ignite those tougher leaning dance-floors.

Eats Everything - Space Raiders (KP33)

Kneaded Pains

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