The founding pillars of the temple were initiated, when the idea of creating the most sinister dark death metal arose amongst individuals within the congregation. Various constellations were tested and finally resulted in a physical manifestation in 2018. The present lineup consists of both veterans and shooting stars of the danish metal scene, who should be known by many, both domestically and worldwide. Since then, time has been spent composing material appropriate enough for the first mass in the Temple of Scorn. 

Crafted by many years of experience within the genre, each aural offering represents darkness incarnate, from composition to lyrical themes. Deeply rooted in the foundation of death metal from peers such as Incantation or Morbid Angel, but also inspired by later acts like Grave Miasma or Krypts, Temple of Scorn is universal death metal - combining past and present into a suffocating ceremony of ominous sounds and ambience! 

First offering in the temple is the 3 track promo “Preliminary Mass”, recorded June 2021 by Quentin Nicollet at Black Sun Audio and to be proceeded by the first full length album.  

Besides the debut album, live sermons will emerge and the deathlike odors of scorn shall transcend far and wide!

BLOODGUTTER is:

Mikkel Lau (Fordærv)
Martin Sørensen (Dawn Of Demise)
Bjørn Jensen (Dawn Of Demise, Temple Of Scorn)
NP Nielsen (The Kandidate, Disrule)

Hailing from Silkeborg/Denmark and formed in 2019, Bloodgutter is the result of four good friends wanting to play some nasty music together and that being despite of quite notable musical differences. Common musical ground was quickly found and after a lot songwriting and practicing the band has now recorded an 11 track full-length album, that is good to go. Everything is ready from mixing to mastering (Dead Rat Studio, Jacob Bredahl), cover artwork to band pics, and everything related to design when it comes to the future release of both cd and vinyl is also in place. The search for the right label to release it has now begun.

Musically Bloodgutter comes off sounding very catchy, heavy, groovy and gritty. The buzz saw guitar tone alongside the genuine production makes you think of the golden years of death metal and more so the Swedish scene than the American. Musically the band is inspired by a vast array of bands, but sonically they have often been described as a bastard mix of Entombed and Obituary.

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