yeah! one lovely phrase after another....  totally enJoying this, Konrad!

great 'to wander' with ya, man! so much fun!!!

gorgeous melodic piece and wonderful playing Konrad , love it :-)

Very nice track Konrad! Awesome performance!

Sehr Schöne Klaviermelodien, Ich liebe es 🎵

Gorgeous sound and performance Konrad! Curious what microphones you use to capture the piano?

EdgeOfDark

THE RUSH
Written, Performed, Produced & Mastered
by Andrew Borderick Copyright 2021

THE RUSH

Sally W Schloegl- Guitar and Vocals
Govinda Doyle- Bass and guitar
Glen Absolum- Drums
Stephanie Higgs- Violin,viola and cello
Radha Krsna dasi- harmony vocals

Lyrics


I don’t get much sleep anymore
Not now my world is at war
You. me and so many others
Been worried about our sisters and brothers

The children who have never known peace
Who are hungry, they need some relief
The mothers who cry all night
Wonder if they’ll ever end this endless fight

Chorus
Raise our voices and pray from our hearts
That our beautiful world won’t be torn apart
Angel of mercy
Oh angel of peace 
Won’t you visit each one of us as we sleep
Dream peaceful dreams…..

Watching the news makes me cry
I can’t bear to see more innocents die
The whole world is just falling to pieces
Will humankind become the next extinct species?

Chorus
Raise our voices and pray from our hearts
That our beautiful world won’t be torn apart
Angel of mercy
Oh angel of peace 
Won’t you visit each one of us as we sleep
Dream peaceful dreams…..

Bridge
There cannot be a doubt
The 11th hour- its here and now
Time is running out
The 11th hour…
Chorus

Dream Peaceful dreams…

Madana mohana murari
Madana mohana murari
Madana mohana murari



Peaceful Dreams

BEGINNING

Dusk

6.DUSK

Video available on Youtube: https://youtu.be/JoTBI2fWpI4

The dialogue featured here is from an interview with Swiss Psychologist Carl Jung in 1959. The interviewer asks Jung whether he believes there will be a Third world war.

I find it fascinating when words spoken long ago resonate with the world today.

Jung 1959

Recorded in Modesto, Ca.   Featuring Soprano Saxophone solo. Vibraphone solo. Flute solo. Godin Nylon Guitar Rhythm. Steinway Brothers Acoustic Piano Rhythm. Acoustic Stand-up Bass. Drums Full drum trap set. Percussion, Congas, Ago go Bells, Cow bells. 22" Zildjan Ride & Crash Cymbal.

Splender

Essentialy Yours

Keith had a gentle guitar phrase and  a few words that he was playing with and shuffled it over to me for a listen to see what I made of it. The result is the song below. The conflict is in the spirituality represented by the sparks on a fire ascending, and the observation that the embers twinkle, fade and fall, silent. What is it all about if the prayers, meditations and positive thoughts just fall back to earth like the sparks? The beliefs we embrace must hit the road of reality. If they measure up to good - wonderful! But if not? The supreme irony for me is watching kids being taught to hate in a religious school class.  I was going to use the coordinating conjunction BUT to set up the point of contrast (But you can't..."). Instead, Keith preferred the AND ("And you can't...") as, in addition to all that one CAN believe, you must be aware that other things follow too. Can And Cannot. So simple. Or is it?
Free D/L - Track 9 of the new album Hold On To Someone : https://www.terrywigmore.com/wigmore-allen-gibbons

Lyrics:
We seem to want to find
A spiritual connection to space and time
An affinity for infinity and the great beyond
Now, chuck your branch onto the fire
Watch it spark, and come alive
Embers drawn up into the night sky
Twinkling, fading, and in silence, fall

And you can't lead, once they've all been turned
And you can't light, what's already burned
And you can't teach compassion and hope
Once the hating's all been learned,

It's the lack of definition of in the twilight hours
That makes it so difficult to find our way
Past all the claims and assertions of things that cannot be proven
Now, chuck your branch onto the fire
Watch it spark, and come alive
Embers drawn up into the night sky
Twinkling, fading, and in silence fall

And you can't lead, once they've all been turned
And you can't light, what's already burned
And you can't teach compassion and hope
Once the hating's all been learned,

Wigmore: synths, production, lyrics, vocals
Allen: guitars, bass, music, additional vocals

Hold On (To Someone)

And You Can't

See also: 
Spotify: https://open.spotify.com/intl-de/album/0bREnowKOP8TeEFgWd0MWe?si=1TSN2KDZTLu3LRi1pxYHYA
Youtube (with Scores): https://youtu.be/OEr_OsCbRMg

This laid back song takes its course without many surprises, just like a afternoon where you have nothing specific to do. Your mind wanders around from here to there, not really resting on a specific topic but without haste thinking about this and that.

Compositionwise: Most of the song plays with a delay of an eigth beat between the left and the right hand. Typically, the right hand follows the left hand thus creating a relaxed and laid back feeling. However, at times, the delay when playing shifted quarter beats in the left and right, leads to the music sounding more agitated though both hands have actually relatively slow metrums. (e.g. @ 0.35 or @ 1:20). The main motive arrives three times in the song in different variations with a relatively long (@ 1:10-@ 2:40) middle part that touches on  prelude-like as well as song-like elements. 

The track has been recorded on a Roland FP-90 and mastered in Cubase relatively puristically by just adding  reverb and fiddling a bit with the EQ. I currently find that other effects such as Compressor or Stereo Enhancer do not necessarily improve the sound. But might change that opinion again when I gain more experience ... :-)
The picture was created with Stable Diffusion.

Silent Tuesday (Solo Piano)

*** This extended version was not planned, rather, inspiration called for it, and I felt compelled to revisit this piece. I hope you will enjoy this new version. ***

A requiem for my sister Lisa, and 4th movement of a work I have planned to complete as I have time and inspiration for each part of my outline.

The title comes from my daughter, who heard me as I was playing with the initial melodic idea, and said it sounds like a mourning bird.

This piece is best heard through headphones or quality stereo speakers to hear all the details.

Special thanks to the following, in no particular order, for their feedback, support and kindness which helped me to make this piece what it is.
Loo(p)cy
Sara Di Paolo
Bruce Klepper
Jay Barbeau
Eileen Eaton

Instruments from Versilian Studios Chamber Orchestra 2 Professional Edition

Birds of Mourning: Extended Version

Dust on Keys Piano Solo 7

"Time to Move On" is a powerful song that can be interpreted in different ways. 

It could be seen as a reflection on both political and personal challenges faced in working life. 

The lyrics capture the essence of traversing seemingly immovable obstacles. 

The song encourages individuals to find the strength to speak up, and rise above the ones that hold you back.

And empowers people to move forward and leave behind what no longer serves them. 

With its meaningful message, "Time to Move On" resonates with listeners who are navigating through various challenges and seeking inspiration to forge their own paths.

JFDI

Time To Move On

Use To Be

Depuis Le Temps

Cm Blues Improv #147

幾星霜 - Turkey! - Insert Song - Piano Cover

Advanced Level - Piano Solo - Driving rhythms - Prominent bass line

Mysterious Appeal

The piano is not just an instrument; it is a storyteller. My lifelong companion. Each piece holds the memory of a moment in time, of a period in life. Here, I share my personal journey—one miniature, one experiment, one story at a time.

I’m Konrad Spittelberg, 52 years old. Though I’ve always called Vienna my home, I have pursued various interests, building an interdisciplinary background that spans education in Latin and Greek, studies of Mathematics, Physics and Economics and a carreer in Consulting and Risk Management. Sometimes, you might also find me immersed in games of Go, Chess or D&D. 

But only when I’m not making music. Of course. Still then, all of my interests have shaped the way I think — and, in turn, the way I compose.

The instrument of my life is the piano. I play it since the age of six, the first 16 in music school with my dedicated teacher Margarete Gerlach (and also thanks to the city of Vienna to the incredible publicly funded music schools!). My piano playing saw multiyear interruptions due to travel and workload. But in recent years I’ve found the time to pursue my passion again—with renewed joy. I devote many of my evenings to developing, refining and rehearsing my piano miniatures. 

I inhale music wherever I find it. In the echoes of Renaissance motets or contemporary cluster music with my local choir, which I joined 30 years ago. In music running in the background of a fashion store which I Shazaam for later enjoyment. Or live concerts - there are so many gifted artists in the world! 

My music is a dialogue between tradition and exploration. Rooted in classical and romantic traditions, it ventures into jazz, rock, and pop.  I love to experiment—playing with unexpected tonalities, syncopated rhythms, and dynamic contrasts. My compositions often evolve through shifts in tension, rhythmic complexity, and harmonic modulations, sometimes venturing across the circle of fifths. I’m also diving deeper into the art of mastering, an area where I still have much to explore.

If my music speaks to you, I’d love for you to follow my journey. Follow along, share your thoughts—whether in appreciation or in challenge. Music, after all, is meant to be a conversation—and I’d love to hear your voice in it.
Enjoy your time with my music! 
Contact: konrad.spittelberg@gmail.com
Spotify and Youtube: https:\\konrad-spittelberg.carrd.co

Heavy Punk Rock 'n' Roll band turns into Synthwave nowadays! Brand NEW album "Ultraviolet Cosmos" available NOW!

Silent Tuesday (Solo Piano)

Konrad Spittelberg

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