This my first ever song with lyrics. 
The piano version of this song is at 
https://soundcloud.com/konrad-spittelberg/the-new-years-queue-piano-miniature
Check out my other music here: https:\\konrad-spittelberg.carrd.co

In the New Year's Queue

On a crisp and sunny morning, I step inside the market hall
Buying treats and sparkling wine, for our New Years party at night fall
My thoughts are drifting to the evening, dreaming of a joyful night
I dream of dance, of friends of fancy fashion– tonight is gonna feel allright

And then arrive at the counter - no, that's euphemistic to say
‘cause the end of the line is 20 meters away
Patience tested but my pulse still stays rested
I glance at my watch, just sufficient time still at hand
But if I get delayed, my day won't go as I planned
“Come on, why can’t you just move along?”

An elderly 
-- couple decides that they want to get 
--rid of all their coupons
They search their bags with amazing endurance - it’s a geriatric marathon
They turn each leaflet individually – is it still good?
I feel the pressure slowly rising under my hood
 
why do I have to waste my time in line - what's the deal?
how did I end up here - I must attest -- this gets a surreal feel
Every minute feels like hours, I’ve got to  go
Stuck in this snail trail that is creeping so slow

--- A man wants to pay 
his whole purchase with coins and he counts them with intricate care 
--- But then he mixes them up 
and so the count repeats again, 
--- as the line waits in ever increasing despair
his fingers start to tremble even more 
as he tries to build piles
 --- if it were for me
I would strongly support a law 
That would put this guy  into eternal exile

 Clench my fists till they’re white
Try to resist the anger that is building up inside of me
Hormones storming, my vision forming a tunnel
That is filled to the top with a bloody red sea
I must confess, it was no clever plan
To use my cart, As a battering ram
First it caused a shopping cart traffic jam
And then the first blow started to hit  into my belly

You will understand that I needed to defend my stand
Fists were flying there were children crying I did not care
Rage was holding me in its clutch
My composure breaking, this was getting too much
As I went down under kicks and blows


And the last thing that I’m able to recall
I was smashed against a wall
It nearly  broke  my skull
Conciousness waved politely bye bye 

I woke up the following day in a hospital
the bruises were not really critical
but my enthusiasm for this new year had faded to null

Around next Christmas, 
I'll mind my own business
And leave all the parties behind 
And will try  …
… to unwind

The New Year's Queue (Piano Poetry)

walls of sound are the only walls we build.

written by naldo, synths & keyboards by guillaume
drums by greek god yannis alfiers & kief moon
guitars by naldo

listen to more of Guillaume's music here:
https://soundcloud.com/guillaumelecompositeur/tracks

Recorded on 1/2" Otari MX5050 at the Laundry Room, Oakland California
mastered by naldo in logic
joss sticks 4.3

Joss Sticks for Yannis

Composed by Charles Chambaz
All instruments, effects are performed, recorded, and mixed by myself.
For more information, see my public Profile
All rights reserved.

Le Mahabharata est une épopée sanskrite de la mythologie hindoue comportant, selon le décompte de Vyâsa, 81 936 strophes réparties en dix-huit livres. Il est considéré comme le plus long poème jamais composé.

Mahabharata - Charles Chambaz

Live Reflexion#033

noxpox - Schabenquartett

I couldn't resist revisiting my tilt at this 1980's classic from The Korgis, now with Rick!

@rick-4-1: Teaching The Drums
@phil-mcwalter: Learning The Other Stuff

Everybody's Gotta Learn Sometime - The Korgis

Change your heart
Look around you
Change your heart
It will astound you
I need your lovin'
Like the sunshine

And everybody's gotta learn sometime
Everybody's gotta learn sometime
Everybody's gotta learn sometime

Yea ea eah

Songwriting credit: James Edward Warren / The Korgis

Everybody's Gotta Learn Sometime

Everybody's Gotta Learn Sometime II

LYRICS

When the innocence is gone
It's hard to get back
But it's possible
All those people that hurt you
It's hard to forget much less forgive
But you have to move on 
And gain some innocence
Some innocence

When the kindness has left your eyes
Because they taught you that it's wrong
Don't give up the fight
Move on
Leave them behind

Innocence isn't lost
It's just been misplaced
Not lost
Misplaced
Innocence isn't lost
It's just been misplaced
Not lost
Misplaced

When the innocence is gone
Can't make it on your own
You'll try and you'll try and you try
But you have to find someone
To take your hand 
And understand
You can't make it on your own
Innocence

Innocence isn't lost
It's just been misplaced
Not lost 
Misplaced
Innocence isn't lost
It's just been misplaced
Not lost
Misplaced

Misplaced

Salut voilà la version trio enregistrée en live lors de la session du 08 mai 2025 à La Barraque Mirepoix (09) du morceau : "Rejet Pyramidal " extrait du set de Mathieu Torres Trio : https://youtu.be/y6GRZZ0K-xs

Rejet Pyramidal - Trio version - Video in description

TIMELINE / Open collaboration from IPG1
IPG: Vocals and Verses
https://soundcloud.com/ipg1/timeline-vocals-97-bpm
Backing Track : Paploviante
https://soundcloud.com/paploviante-and-friends/enigmatic-paploviante-open-collaboration-offer
Lillithe: Arrangement and Production

Timeline   Open Collab from IPG1 with Paploviante

Cast of characters:
Jack Karasek F1r3— hi hats and piano.. and added beat
K2 and the Three [and the Four] -- @k2andthe3, @k2-kara –Ken–beats
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1– Roland Phantom workstation
Llanpsych–@llanpsych –Tez– electric guitar
Tea R. Sea @tea_are_sea -- Terry – Synthesizer

TexMex Shaman–@texmex-shaman –Stephen– Title of song-mix, master, and production

This song began with Ken's oldest son, Jack, who laid down the basic rhythmic beat. Ken took over after that with the rest of the beats, though. Jack just graduated high school last week, and he's into hip hop and trap music, so he wanted to share some of it with his musician father, who is very proud of him.
  Tez was first up on this one, which surprised me when I went back and checked the workflow. He added the perfectly placed guitar hits throughout. Josh was next up, using his synth to add the falling bass line. Last, but not least, Terry came aboard, adding the moody, melodic, high register synth. Mark also lent a hand with the production, making some great edits, at which he's very skilled.
  When it was all finished, we asked out resident pro mixer, Stephen, to mix it for us. 
  This song was in its current form for about the past eight months. It was originally part of a series of vehicles Eclectic Collective composed for The Mysterious Decibel. He got caught up in life, though, and had to abandon the project. So, we sat on it, asking all the rappers we know if they'd be interested in having a go with it, but no one bit. So, with Jack's recent graduation, Ken revived it as a celebratory song for his son. It could still use some vocals, too, so think of this as an open invitation to anyone who want to do the honors. 
  We hope you enjoy listening to this as much as we enjoyed making it

Throwing Rocks-F1r3/ Tea R Sea/ Eclectic Collective

Obsessive Deceptions

The piano is not just an instrument; it is a storyteller. My lifelong companion. Each piece holds the memory of a moment in time, of a period in life. Here, I share my personal journey—one miniature, one experiment, one story at a time.

I’m Konrad Spittelberg, 52 years old. Though I’ve always called Vienna my home, I have pursued various interests, building an interdisciplinary background that spans education in Latin and Greek, studies of Mathematics, Physics and Economics and a carreer in Consulting and Risk Management. Sometimes, you might also find me immersed in games of Go, Chess or D&D. 

But only when I’m not making music. Of course. Still then, all of my interests have shaped the way I think — and, in turn, the way I compose.

The instrument of my life is the piano. I play it since the age of six, the first 16 in music school with my dedicated teacher Margarete Gerlach (and also thanks to the city of Vienna to the incredible publicly funded music schools!). My piano playing saw multiyear interruptions due to travel and workload. But in recent years I’ve found the time to pursue my passion again—with renewed joy. I devote many of my evenings to developing, refining and rehearsing my piano miniatures. 

I inhale music wherever I find it. In the echoes of Renaissance motets or contemporary cluster music with my local choir, which I joined 30 years ago. In music running in the background of a fashion store which I Shazaam for later enjoyment. Or live concerts - there are so many gifted artists in the world! 

My music is a dialogue between tradition and exploration. Rooted in classical and romantic traditions, it ventures into jazz, rock, and pop.  I love to experiment—playing with unexpected tonalities, syncopated rhythms, and dynamic contrasts. My compositions often evolve through shifts in tension, rhythmic complexity, and harmonic modulations, sometimes venturing across the circle of fifths. I’m also diving deeper into the art of mastering, an area where I still have much to explore.

If my music speaks to you, I’d love for you to follow my journey. Follow along, share your thoughts—whether in appreciation or in challenge. Music, after all, is meant to be a conversation—and I’d love to hear your voice in it.
Enjoy your time with my music! 
Contact: konrad.spittelberg@gmail.com
Spotify and Youtube: https:\\konrad-spittelberg.carrd.co