From the Desert to the Paddock, Eclipse Festivals to Warehouse Raves, Sean Candy has been bringing solid dance floor vibes for over 20 years playing his unique style of bass driven spacious tech/deep house. With a rich history spanning across many scenes and era’s,

Sean has brought his infectious beats to plenty of events, festivals and parties throughout the globe. Underground electronic/rave music and culture has taken radical shapes throughout this time, and it shows through his diversity of sounds, bringing energy to the dance floor with fun and depth.

In the beginning he performed as a one man didgeridoo/percussion/fx trance band called AB Didj in the early 90's. A unique sound scape experience, predominately at outdoor festivals.
Sean Candy has toured throughout Australia, Japan, Europe and America, DJ'ing his taste of chunky beats and twisted funk infused bass grooves, to many a party goer.

Played at numerous festivals and events throughout Europe/Japan, 5 Eclipse festivals Africa/Hungary/Australia/USA/Indonesia, Burning Man 9 times since 1996, Shambhala - Canada, Earthdance - Brazil/Japan, Fuji Rock Fest, Glastonbury, Return to the Source - London, Splendour in the Grass - Byron Bay, Rainbow Serpent 5 times - Aus, Liquid Room- Tokyo, Vision Quest - Japan just to name some of the few. 
Throughout these years, Sean has been a prolific producer of electronic dance beats with various projects and collaborations, including Slot Machine, Parasonix, Ganga Giri and as A.B. Didj/Oblivion with many releases on various labels including Edgecore, Psy Harmonics, Ceiba Records, Sacred Records and Transient Records.

자연과 함께, 새로운 감성을 일깨우는 아트와 테라피, 그리고 자유로운 댄스가 함께하는 새로운 라이프 스타일 페스티벌 🏕🌞🌟🎶 We are connected. Be part of Melody Island Music & Art Gathering Korea 💕

MACHINE is an Australian based record label for deep futuristic techno music.
Established in 2009 



Hi, finally got my act together to put some stuff on Soundcloud.
By way of brief introduction, I've been making music, mainly electronic since the mid-70's. Mainly based in Melbourne Australia.
( if you want to "learn" more, check out the highly dodgy wiki entry*note to self-change it!*)
I was at the beginnings of the punk scene here as well as the techno scene, which was a joy, the latter more than the former.
I started a label, Psy Harmonics in the early days of the trance techno rave whatever... scene here in Australia, but I quit that label some years back now.
These days I make music for the same reasons I always have, that is, I want to hear it!
As far as releasing stuff goes, I did a couple of CD's for a Greek label called Creative Space a few years back, Simulated & I AM the Server.
Also released a few things digitally, but not for sometime.
The most recent activity of a commercial nature was scoring the soundtrack for the Australian Horror Film " The Loved Ones".
I think that score will be released fairly soon on cd and also digitally.
I am very pleased with the release as I really loved making a large piece out of the various cues I created for the film.
I hope some of you will check it out when its released : )
I also did a remix for Brian Burger recently that has been released via the Machine Label (A new imprint from my old partner Andrew Till)
There is a wonderful band in Ireland called The Last Sound, I was lucky enough to do a remix of them as well, which I gather will be available
soonish.
I'm planning a slew of releases in this next year, all kinds of stuff under various guises, some of which I will give you tasters of here.
I am not a fan of genres as such , let's just say I make Electronic Music.
I find genres limiting, although I do understand the need for people to have mental map, a safe place in a somewhat scary reality.
But if one opens oneself up ...ANYTHING is possible.
Rarely Dj in the "real world", however, I do play on a regular basis in virtual worlds, which is fun and the hours suit me, plus I can play
to nice people across the globe in a nice and sexy animated fashion.
I am "un-signed" as such at the moment.
If you like my music, I can do a snappy high production version...but I tend to sketch ideas out mostly, fast as possible. If there is a reason
to make it "high-end". I call in the experts as I am truly deaf in one ear ( not through music, I have been born this way) so please bear in mind
that if my mixes sound odd, its because I am "au-naturally mono" so to speak.
I'm really impressed with Soundcloud, I can't believe how long it took me to have a good look at it.
Thanks for reading and listening : )
btw, its so damn interesting to see music becoming something else all over again, not quite sure what it's place is right now, but its truly interesting.
Let's just keep chipping away and see what the zeitgeist presents us with.
I still feel it coming, I think its around about......*****here****



Junkbeats is based in Byron Bay, Australia. The label show cases original minimal tech to tech house music original productions and collaborations from Australian artist ranging from the deep melodic vocal sound of 20for7, the minimal glitch sounds of Fo_Sek, and Ed Function, the tweaked tech sounds of Servo (Basek), Jimi Polar and Headland, and to the progressive sounds of Kriece and Basek. 
Junkbeats long term strategy includes focusing on combinations of acoustic and electronic sounds driven under the guidance of producer/engineer Dave Basek, creative director Phil Smart and promotions by Mark Briais 

An established artist in the global Psytrance scene, Maor Hasbani, the producer and DJ known as Skizologic, channels the spirit of Goa and Psytrance, infusing it with a contemporary edge. His sound has captivated audiences at everything from underground desert events to the world's most acclaimed festival stages. Skizologic's music is a masterful fusion of eras - a sonic time machine powered by intricate acid lines, powerful, rolling basslines, and hypnotic melodies. His work is a deep dive into the psychedelic, creating an otherworldly atmosphere that is both nostalgic and forward-thinking. Maor also explores different sonic territories with his other projects, The Square and GUMI.

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