Ralf 'Sono Rhizmo' Droesemeyer travels with the spirit of the beat generation and the heart of the bohemian jazzmen. Hipness is not a state of mind but a fact of life, he says. Call him a modern beatnik, this man is trout fishing all around the globe. 
On the first compilation for his own Agogo Records label Sono Rhizmo collected fi fteen tracks from as many countries he has travelled during the past few months. What we hear is a mix of conscious global beats, social soul and true rhythms, never overtly political but always aware of local matters and global changes. „Agogo Makes The World Go Round“ is a statement of independence, a plea to dig deeper beyond the surface.

Quantic & His Combo Bárbaro – ‘Un Canto A Ma Tierra’

From P60 - Cool Stuff at 4 O'Clock

01 REC-2025-09-02 trumpet melodie mix sounds  premier

DAVI - Metanoia (Original Mix)

T. Ruggieri is back on Oh! and yes it´s deep and jackin. The remix package comes from the mighty Matthias Vogt (ex Motorcitysoul & [re:jazz]) and Common Labour's labelboss PothOles.
Both came up with remixers that we think is proper and timeless deephouse. We hope you gonna like it!

Feedbacks:

Al Bradley "Superb on all three - the original really is great though, wicked deepness :)"
Ali Nasser "great Ep, i like the deepness. thank you for sending! :)"
AME "thanks"
Archie Hamilton "Matthias Vogt Retouch for me, thanks :-)"
Ashley Beedle "Dark, beautiful chords and Potholes gives the Original an extra 'wow' factor. Liking this a lot."
Baldo "T. Ruggieri on fire one more time! really cool EP Matthias retouch is so warm and lovely thanks!"
Daniel Shepherd "matthias vogt remix great!"
Denite "Don´t Touch Me Matthias Vogt Retouch,Thanks for the Music!"
Dusky "Don´t Touch Me Matthias Vogt Retouch,Thanks"
Golf Clap "Don't Touch Me, big vibes"
Jamie George "Don't Touch Me really nice, thanks"
Jamie Trench "Smooth Grooves!! And great remix from potholes!"
Jef K "super class release !! cheers"	
Luciano "Don´t Touch Me pothOles Remix, Thank you for the music." 
Mannix Kling "Don´t Touch Me Matthias Vogt Retouch,what a track! Will review for DMC World Mag"
ManooZ "solid EP!"	
Oscar Barila "Both remixes are cool"
Pablo Bolivar "super fine Ep, will play!"
Patrick Di Stefano "Don´t Touch Me Matthias Vogt Retouch,thanks"
Robbie Akbal "really good record here!!"		
Tensnake "wonderful potholes remix, thanks"
Tommy Largo "Nice deep grooves."
Sasha "tasty stuff"
Sello "killer ruggieri here. ace remixes, hard to decide my fav cause i love all of them. thanks"
Sunshine Jones "BOTH remixes are superb. LOVE."
Robert Owens "Great tracks"

T. Ruggieri - Don't Touch Me (Matthias Vogt Retouch)

01. Stéphane Pompougnac – Back To The Wall
 02. Bobezy Feat. Siphu Zee – Someday (DJ Hypnosis Unplugged Mix)
 03. Gene Farris – Sanctified Love (Jamie Lewis Club Mix)
 04. Dr.Kucho! & Adonis Alvarez vs. Cassius – La Tarde Se Ha Puesto Violenta (Bootleg)
 05. Darko De Jan – Pinokio (Marc Fisher Remix)
 06. Andrea Crestani – Up & Down (Francesco Bonora Remix)
 07. Faze Action – Full Motion
 08. Mowgli – Questione Di Feeling (Original Mix)
 09. Fashion Beat – Running In The Rain (DJ Favorite & Andrew Rock Dub Remix)
 10. Cedric Gervais feat. Caroline – Leave Me Alone (Club Mix)

www.untipoenstereo.com

Tamina - Room 124 (DJ Set)

Talavera Records 08

El Abandonado (Original Mix)

Download

Beatport: www.beatport.com/release/roadhouse/2300038
Spotify: open.spotify.com/album/5Va0dGHPIdAk1QYcXJA0D1

Early support from Solomun, &Me, Ewan Pearson, Arthur Baker, Oliver Koletzki, Upercent, Lee Burridge, Till Von Sein...

“We are big fans of David Lynch‘s Twin Peaks,” Kotelett & Zadak tell insomniac. “The track is inspired by the Roadhouse in that series—strange bands playing and mysterious things happen every night.”

(www.insomniac.com/music/whitesquar…eep-exotic-path/)

(Insomniacevents – Track-of-the-day-kotelett-zadak-roadhouse-whitesquare-remix)

Berlin duo Kolett & Zadak continue their hot streak on Exploited Ghetto following the success of Amplifire and Azizam with another formidable creation.

Familiar faces behind the decks at clubs in their home town like Kater Blau, Sisyphos or Ritter Butzke, theirs is a deep and heady sound. Roadhouse rocks a swung triplet rhythm which immediately makes it stand out along with its sinister off-beat bassline. On-beat hats further the jarring feel as hypnotic, warped vocal cuts and sustained synth notes heighten the eerie vibe. It’s a moment of relief from the sonic tension when the epic bassline cuts its way into the heart of the track, with the commanding vocal refrain coming out of nowhere to lay the icing on the cake. Wobbly 8-bit synths add more texture before the brooding bassline grows in swagger with metallic layers swirling out of the ether to bolster its power. Despite its vigour, it’s somehow understated, with its tense feel doing away with the need for excessive power.

Whitesquare deliver a superb rework, taking elements from the original and marrying them to a more straight-up, rolling 4/4 groove that’s laced with delicious conga rolls. Pretty chime sounds play out the chord progression and build the emotion as those vocal cuts are boosted up cleverly to a lead refrain status. A bold marimba melody cuts into play, spaciously reverbed, before a plump analog bassline pumps its way into action. A careful, uncluttered arrangement and excellent mixing allows each element to shine beautifully, with subtle field recording type nature sounds and well-placed FX filling in the gaps perfectly.

1. Kotelett & Zadak - Roadhouse
2. Kotelett & Zadak - Roadhouse (Whitesquare Remix)

Artist: Kotelett & Zadak
Release: Roadhouse
Label: Exploited Ghetto
Cat: EXP42
Publisher: Exploited Ghetto Music Publishing
Releasedate Beatport: 06.08.18
Releasedate I-Tunes: 20.08.18

Roadhouse KotelettzadakExploitedghettoDeep HouseTech House

Roadhouse

Roadhouse (Whitesquare Remix) (Exploited Ghetto)

Billie Holiday - Speak low (Pako&Loko remix )

Transposition des 60's aux 80's en passant par les 90's. Samples: Stevie Wonder/Jay-Z
Photo:Neil Krug

My cherie Amour

Santino Surfers walks the sunny latitudes of guitar music legacy to concoct an amorphous blend of chilled-out, soulful, and melodically lavish material. Imagine twangy 60’s black and white guitars splashed with neon color and dusty country rock curls in distorted gleam.

The ‘surf’ sound is prevalent throughout the work (hence the name), setting the dial at laid back, grooving and liberated moods that probe the frontiers of the psychedelic. The music is mostly instrumental with occasional visits by vocals and vocoders.

‘Three Corners One View’ is the second single. It sits comfortably bopping on an upbeat break, steady bass waving while guitars paint sweet and dreamy figures in the afternoon sky.

A few more singles will follow, leading up to a full-length album release on Music For Dreams. Special thanks to Koda Kultur & Musikforlæggerne for supporting this project.

The single is available in all digital stores: https://music-for-dreams.lnk.to/3corners1view

Connect with Santino Surfers
Spotify : https://open.spotify.com/artist/0rhvpJA9qFkdTot8R8AdaQ?si=kJ4z0UnaSd613zxIfoc4-A

Connect with Music For Dreams
FB : https://bit.ly/2MEexC2
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IG : https://bit.ly/2Le2u9s
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Home : https://bit.ly/2Psgksm

Connect with Kenneth Bager
FB : https://bit.ly/2N58gfy
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YT : https://bit.ly/2bIaezU
IG : https://bit.ly/2w0p8NY
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Home : https://bit.ly/2Psgksm

Santino Surfers - Three Corners One View - s0476

Tour dates:
https://www.facebook.com/Kotelett.Zadak/app_123966167614127

Booking: heiko@kotelett.info

Where the two actually originate, nobody knows for sure. Rumors have it that they once had a common love for sprat fishing and point their fateful meeting to somewhere on the North German Coast.
If you believe the various rumors, Zadak lost his pants in a raid by the Department of Fish and Game, while Kotelett, due to an overdose of moonshine, lost his Boating License. Both lost their Fishing Licenses and, whoops!, there went their livelihood...
What was left for them to do but abscond to the interior, a bleary-eyed and shady escape to where no one knew them by name. "From now on ...." one of the two is said to have mumbled into his beard; which one is still not known. All in all it was a perfectly logical development, since the nights were rough anyway and the lamest things always ended up in the Net...if all catfish are gray.
And so, control rod was quickly exchanged with controller, stroke side with backspin, and fog horn with fog machine. What was formerly filleted, is now being filtered, what was being caught, is now pitched. Since then they have never again scrubbed the decks, but instead record from them.
Now, wherever they drop their anchor: there blows a strong bass-breeze, sound waves rise and no shot glass remains dry. Every Mermaid has exchanged her ingenue for a good pair of dance shoes and goes crazy from the unmistakable sound of the two self-acclaimed Club- Irish. Whosoever doesn't hold tight to the bar will be swept away like the sprats in the net.
Even after days-long sets and a potently boozy fee, a glance into the crowd of faces, tanned by the thick club air, reveals all: Kotelett and Zadak remain uncompromised and bring together that which belongs together - music and magic moments.
(The Department of Fish and Game would like to add: "We are simply happy to be rid of them.")

Roadhouse (Whitesquare Remix) (Exploited Ghetto)

kotelett&zadak