ProgRockHouse? ProgHouseRock?

I was listenning to a lot of Primal Scream for a while, and this sort of came out of that. Been chewing on it for a while, wondering whether to make it longer or do something more fancy with the Hammond. But not.

Despite the image this is all VST's - Arturia mainly, the B-3 and SEM mainly, with Pigments on the lead. Drums are stock Ableton (Disco Arcade and Landlourdes kits)

Don't touch that filter!

LIVE!! on Radiovalencia.fm
LP Lounge Tues 10am-noon(PDT)
I grew up a drummer in a death metal band, this is something I always wanted to do😎follow, like…all that crap🤣

Never any AI in my music, just the pictures 😆🤷🏻‍♂️i can’t draw, but i can play just about anything 🤘🏻😎🤘🏻

https://open.spotify.com/album/3AJW2Z9Y1535vT9Adldd26?si=iXEIAC0ARcS1s5_-Dw1sQQ

http://itunes.apple.com/album/id/1792559626

https://music.amazon.com/artists/B0DTK23TK4?ref=dm_sh_iff5hslqCAMDYZmdRuamn7R8l

Eclectically influenced arranging & producing for fun with BlocsWave, LaunchPad & Music Maker JAM!

All tracks AI free!
AI music and vocal production infects and harms inspiration & creativity!

You can find more details about me here:
https://www.loudly.com/community/profiles/andronix9

…and that’s my policy:
I always try to see and appreciate the creativity of others! If it flatters the ears, so much the better!☺️
Don't please anyone and you're special.😉 That's exactly my thing, not to be mainstream and not to conform to any genre. You feel free and can do what you want. A lot of people give me tips: you're too quiet, you have to structure it like this, etc. I don't have to do anything! I make my music and not that of others!😜✊🏻

Feel free to do the same.
Peace be with you!🙏🏼
Andronix

Kraftkabel is the artist name of Philip I. Buckland. I am a musical scientist in a parallel universe living in a studio flat orbiting Jupiter. My keyboards are suspended in gravity nets, and my mixer is controlled by the power of the mind. My cosmic sequencing software masters through the power of emotion, and my keyboards are simultaneously both retro and new.
My music originates from the point of divergence of these universes - the mid-late 1980's, but is spliced by genre splicing interludes. I use a time machine and dimensional portal to get to work.
For the other nerds out there:
Hardware synths: 
Moog Subsequent 37; Roland Jupiter X, JD-Xi, VR-09, S-1; Korg Prologue, NTS-1, Monotron Duo; Sequential Take5; Yamaha DX7; Akai PRO MiniAK; Novation Mininova; Arturia MicroFreak; Modal SkulptsynthSE; Teenage Engineering PO-20.
Main software: Ableton, Arturia Analog Pro, InSidious, random free stuff from the interweb and Dexed to program the DX7. Audacity. All played through Arturia Keylab and Keystep (which has a better arpreggiator).
Plus some guitars that I can't really play very well. And an mbira, tin whistle and an alien head-shaped ukulele.

I create seamless fusions of just about everything. All visceral, atmospheric and psychedelic with hidden depths upon closer inspection. The flow is also important. It exists on a continuum with micro-variations and subtle evolutions along the way.
The music can range from low down heavy darkness to softer and more positive, higher-vibrational new age. Yet even at it’s most crushing and industrial never succumbing to nihilism and instead feeling warm and inviting.
Very often humorous (in the form of deliberate cinematic pastiches), freaky and surreal. Inspired by dystopian sci-fi. Retro-futuristic.
I often wear my influences on my sleeve like Kraftwerk and Tangerine Dream but at my core I’m still self-referential with my sound. It operates at my own personal frequency.