A bit of fun resulting from SCIENCE! 
The ant recordings were provided by Prof. Jonatan Klaminder at the Swedish University of Agricultural Sciences. The synth is the small but mighty Modal SKULPT synth SE. The little bit of orchestral fear is made with Spitfire's BBC Symphony Orchestra plug-in. A couple of 'vocal' samples to round it off.

The Extended Secret Communication Of Ants In The Soil

An Unwanted Goodbye is a piece for solo piano, cello and violins, born from the need to give voice to a farewell that was never chosen.
Like doves, who remain loyal to one partner for life, this music tells the story of a love torn apart — not by time, but by a sudden shot fired for “sport.”

The piano unfolds with a slow, silent bass line, while the strings weave a fragile, cinematic melody — expressing disorientation, absence, and the quiet pain of losing everything in an instant.
There are no screams. Only silence. The kind of silence left by hunting, when a life is taken for fun, leaving behind only emptiness.

This composition stands as a statement against hunting, against the cruelty that destroys innocent lives in the name of entertainment.
Sometimes, within that emptiness, a melody is born.
And this is mine.

Composed by Francesco Adornetto (piano) & Jane Johnson (strings).

An Unwanted Goodbye

O-Boisterous Hibernation

made with casio and zoom h1, NCH
maybe it is the caffeine : D

you are sleepy but your mind won't stop

Cast of Characters:

Llanpsych -- @llanpsych -- Tez – (?) electric guitar
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken -- drums
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – Fender Precision Bass
J.J. Terrell– @j-j-terrell – synth and organ
The Beautiful Dark -- @thebeautifuldark -- Carl -- vocals and lyrics
TexMex Shaman– @texmex-shaman –Stephen — Tom Anderson Custom T model electric guitar, production, mix, and mastering

This song began at the end of last summer, August of '24, when Tez sat down and composed it on his guitar. He shared it with us right away, and while everyone jumped on it immediately, it sat on the shelf for so long because we all felt we needed a singer for it. Fast forward a year, and lo and behold, we picked up Carl, who is down for whatever vocals a song needs. 
 
 We began construction on this by creating the rhythm section. Ken first adding his explosive drums, followed by Josh completing the rhythm section with his four string, fretted bass, which he used a plectrum to play.  JJ entered the fray next, adding his otherworldly synth and thickening organ. 
 
 Then is sat. And sat. And sat some more, until Carl found us, or we found him, and he was finally able to add the missing puzzle piece. But before we put it to bed, Stephen added some thrilling solo work with his axe, too. 
 
 Now that it was a completed song, we asked Stephen to mix it, even though it's really Tez's song, and that honor would usually go to him. However Tez was experiencing some technical difficulty, so the honor went to Stephen, who did his always professional production work on it. 
  
This is a straight rocker from Eclectic Collective, being in all of our wheelhouses. This one was all made in house, too, so it's a great representation of our rocking skills as a band. We hope you enjoy listening to this as much as we enjoyed creating it.

Iron Dreaming (Eclectic Collective)

like 12 hours of sleep within 16 hours!!!!!!
when you were behind on sleep
catching up feels so nice
made with casio and stylophone, zoom h1 and NCH editing

how it feels to get plenty of sleep

celtic dance

"Just for Love"

🌊💣💥⁂©All Rights Reserved 10-2025
©Mixing, Mastering, Creator, Pro-Tools: Lady ElectroTrek
***This track is Protected by Page Defender/'
https://distrokid.com/hyperfollow/electrotrek/control-t-pad

Counterstrike To Subversion

Control T-PAD

Control T-Pad

here comes the last of the three works on ‘retrospective future’.

background: as alarming as the scenarios are that scientists predict for the year 2100 if there is no rapid change in the way we treat our environment, this future still feels like abstract sci-fi, just beyond our imagination – more than twice as far away as the year 2001 was when kubrick's ‘a space odyssey’ came out.

but then, we watch our granddaughter, who just turned three, riding her scooter, screaming with joy. we realize how incredibly quickly time has passed since we were her age. and we have to think that in 2100, she will be only slightly older than we are today. and suddenly, 2100 becomes just one heartbeat away, an infinitely sad one.

I wrote 'scooting aleece' which originally dealt with a wild friend of us 40 years ago and we loved singing it at our all-night parties for two, albeit with different lyrics. recently, I rewrote the lyrics as a dedication to our granddaughter for the reasons mentioned above. to her and to all other kids her age.

while working on the AI vocals for the original 4/4 arrangement, for some reason I kept hearing a 3/4 beat in my head, which completely turned the entire compositional concept on its head. so, after creating the first version, which was faithful to the original, I created a second one that was completely different. and because it also featured a vocal premiere, I’d like to share this second version first. the first one will come later, if anyone is interested.

©music and lyrics by Hans-Michael Albers, instrumental cover & vocal performance by suno 5

Windy hair, sunny beams in the air
There is no better free
Endless now, every moment a wow
Feeling all you see

Life’s a dance, every turn full of news
Life’s a grand carousel
Days as nights, time’s a far-away thing
There’s no end, little belle
All your world’s just well

Scooting Aleece
Life’s a big ease
Scooting Aleece
Until one day
They gonna take 
Your smile away

We all know, we are burning your world
Making bucks of fire
Drown your dreams in the floods of our greed 
Stocks will rise ever higher

We’ll be gone, long ago, like this song
Just a mote in time
You’ll still there, bear it all along
Have to pay for our crimes

Scooting Aleece
Life’s a big ease
Scooting Aleece 
Until one day
They gonna take 
Your smile away

Scooting Aleece
we wish we could freeze
Scooting Aleece 
This happy day
They couldn’t take
Your smile away

Scooting Aleece
Fly with the bees
Scooting Aleece
Dance under trees
Scooting Aleece
All days like these

Scooting Aleece

Kraftkabel is the artist name of Philip I. Buckland. I am a musical scientist in a parallel universe living in a studio flat orbiting Jupiter. My keyboards are suspended in gravity nets, and my mixer is controlled by the power of the mind. My cosmic sequencing software masters through the power of emotion, and my keyboards are simultaneously both retro and new.
My music originates from the point of divergence of these universes - the mid-late 1980's, but is spliced by genre splicing interludes. I use a time machine and dimensional portal to get to work.
For the other nerds out there:
Hardware synths: 
Moog Subsequent 37; Roland Jupiter X, JD-Xi, VR-09, S-1; Korg Prologue, NTS-1, Monotron Duo; Sequential Take5; Yamaha DX7; Akai PRO MiniAK; Novation Mininova; Arturia MicroFreak; Modal SkulptsynthSE; Teenage Engineering PO-20.
Main software: Ableton, Arturia Analog Pro, InSidious, random free stuff from the interweb and Dexed to program the DX7. Audacity. All played through Arturia Keylab and Keystep (which has a better arpreggiator).
Plus some guitars that I can't really play very well. And an mbira, tin whistle and an alien head-shaped ukulele.