Name: Bravery by Krauw
Duration: 3 min 58 s
Description: I start a new project from scratch. I try to mix my progressive rock influences with electronic sound to create a kind of original mix. It is quite difficult to select a specific genre for me but I hope to create a good feeling to my listener.

Great instrumental, interesting sounds and instruments!

I didn’t know rock and electro went together but it sure as hell does! 🔥

Reminds me of when Goku turns Super Saiyan good job

Maya - Instrumental

Website

I start a new project from scratch. I try to mix my progressive rock influences with electronic sound to create a kind of original mix. It is quite difficult to select a specific genre for me but I hope to create a good feeling to my listener.

Initiation

Bravery

This track uses only sounds from the upcoming library "Sonespheres - Limitless" from Soundiron. Do enjoy.

As usual all comments are appreciated.

Lost Souls

PLEASE DON'T MAKE JESUS CRY slight return

Summer Twilight - Fleursonseaux
All rights reserved - © Copyright

Summer Twilight

“Grill that Snapper” stands as a track that bridges the gap between the introspective nature of acoustic music and the bold expressiveness of electronic music. It's an audacious fusion that respects the listener's intelligence and emotional capacity, promising a rich and rewarding listening experience. Each note and silence in between tells a part of a greater story. This piece isn’t mere background music; it's a sophisticated journey through sound that demands active listening and rewards with layers of intricate details.

It begins with a soulful dialogue between a plucked acoustic guitar and a warm legato bass, setting a scene of introspective calm. The guitar's melody, adorned with subtle sound FX, tells a poignant story without words, inviting listeners into a world of reflective tranquillity.

Transitioning into the first verse, the mood remains contemplative yet gains texture. The upright bass, intertwined with an electronic sub, takes the lead, its legato tones painting a soundscape of introspection and subtlety. Here, the guitar shifts to a supporting role, its strings now weaving a background tapestry. This section is coloured by chords that evoke a jazzy feel, their complex harmonies hinting at emotional depths and unspoken narratives.

The bridge emerges as a delicate duet between guitar and piano, their interplay creating a sense of intimacy and shared secrets. This brief interlude builds gently, the chords simplifying yet deepening the emotional resonance. The addition of cello and bass strings, along with legato sax and oboe, lends a classical touch, further enriching the tapestry of sound.

As “Grill that Snapper” progresses, it gradually turns up the heat. The entrance of a straightforward, pulsing 4/4 beat marks a shift to a more vibrant, electronic landscape. Bowed violins add drama over the steady rhythm, their melodies intertwining with heavy piano chords. The juxtaposition of the electronic rhythm with the jazzy downward chord progression creates a dynamic tension, a dance between two worlds.

Reaching its climax, the track becomes an electrifying blend of filtered arpeggios and orchestral drums. The chaos of the arpeggios, set against the backdrop of a rhythmic electronic beat, paints a picture of controlled frenzy, a climax of emotional and musical intensity.

In its final act, “Grill that Snapper” returns to its acoustic origins, revisiting the serene mood of the opening verse. The outro, a mirror of the initial bridge, serves as a contemplative denouement, bringing the listener full circle. It's a conclusion that invites reflection, a moment to absorb the rich journey that has unfolded.

Grill that Snapper

A collaboration between me and the incredibly talented guitarist SeaShea(https://soundcloud.com/chris-oshea-3), that I'm thrilled to share, a captivating fusion of piano and guitar that breathes new life into my original composition, an Elegie for Piano in G minor. 
SeaShea, moved by the original piano track, has woven his strings in such a way that the piece now dances between the realms of poignant reflection and uplifting harmony, further enriching the total soundscape. 
A heartfelt thanks to him for doing me this honour, and I hope that every listener will be moved in the same way as I was.

Elegie for Piano and Guitar, G minor (featuring SeaShea)

The Detroit underground dark jazz scene brings forth The Dark Messiahs' latest track, "Kid Twist." The melody of the piano weaves its way through the song with its hypnotic ostinato.

Blue Six's trumpet cuts through the atmosphere with a raw, distorted edge, adding an element of gritty allure to the ensemble. Tully Wilson's clarinet dances in and out of the arrangement, casting its spell, while Wilt Flowers' bass provides a steady, heartbeat that anchors the composition.

But it's Sonny Rhodes' piano that truly steals the spotlight, guiding you through the piece. From moments of melancholic reflection to bursts of more frenetic energy backed by Sticks Thompson's masterful drumming, driving the rhythm forward with precision and passion.

With its seamless blend of dark beauty and experimental fervor, "Kid Twist" allows you to close your eyes, and let The Dark Messiahs whisk you away into a world where dark jazz lives.

Kid Twist by The Dark Messiahs. Dark, doom jazz from Detroit.

Here's to you, here's to me.
Satellite, stalagmite, the first star that you see.
Here's another for the road.
Multicolour, like no other, secrets always told.

Here's an aged old hippy.
Aways back in the sixties, that is what you should have been.
Did you see half you wanted to see? 
No answer, recollection, just a glass sits half empty.
Oh, it's always half empty.

Always on the hunt for something.
Taking the whole pie.
Just a lie.
Always a lie.

Here's to you, here's to being.
Tax inspector, wreath selector, sombre wannabe.
Here, sympathy is for the cold.
Track selector, useless mentor, whiskey making bold.
You talk of growing old.

You say you've lived quite the life.
But I can see it's a lie.
It's a lie.
You say you've done a bit of it all.
Back against the wall.
Down, we fall.
Just a lie.
Always a lie.
Always a lie.

Always something hiding behind smoking smiling eyes.
Just a lie.
Always a lie.

Here's to you, here's to me.
Satellite, bird in flight, a wish floats on the breeze.
Here's a stiff one before we go.
If you're always facing forward, why you looking backwards so?
Kinda giving off a glow.

You said you've lived quite the life.
But I can see it's a lie.
It's a lie.
You said you've seen a bit of it all.
With backs against the wall.
Down, we fall.
Just a lie.
Always a lie.
Always a lie.

Here's To You

Kraken

Something in the Water (prod. beatbauerjonas)

🎵 Explore the Sounds of Krauw 🎵
Connect with me on social media show below!
🔗 or check these links here: https://linktr.ee/krauw

Welcome to my musical universe! 🌌 Starting from scratch, I've embraced the challenge of self-producing and exploring new auditory landscapes. Breaking away from many conventions, I am gradually returning to my roots in post-rock and progressive rock, infused with a subtle touch of electronic vibes.

The evolution of my sound is a journey—I am keenly curious to see how these nuances influence you! Each track is a step forward in this progressive, yet familiar auditory experiment. Your feedback and support fuel my creative process, and your presence in this musical exploration is invaluable.

🎉 Why follow? 🎉

Your engagement is not just appreciated—it's essential! I look forward to sharing this evolving adventure with you, discovering new melodies, and experiencing new emotions together. Let's embark on this musical journey—your support is my inspiration!

Bravery

Krauw

Recent comments

LightofLion

Catoon

†lilxaveii†

Hernon

Related tracks