It's difficult to evaluate your music in the usual framework) Let these claps (I also thought about the Geiger counter, especially since there were radio interference earlier) not in the mix, I'll think that's the way it should be! Your tracks have context between the lines and it's more important than the music itself.

the two rhythms are mind blowing. love it. how do you do that in a DAW? Play one freehand and don't quantise?

Gives me a feeling of sensory overload, bit uneasy. But the cute melodies are trying to reassure us :)

i like the stereo blips here. but i must say i don't understand the math of the title

It almost sounds like applause but not quite. I can't quite decide what it should be. Sort of like a card getting flicked by bicycle wheel spokes. flicked by th

I really loved the beginning. It didn't quite maintain that level. Didn't develop very much from the beginning in my humble opinion. But all in all I did like it.

This kinda gets better as it gets weirder...

I like the way you descend into chaos - but "organised"!

love the polyrhythms. i think i'd like for the melodies to eventually move towards something that feels more settled, rather than just nervously bopping around. but not doing so is a perfectly valid choice of course. :)

For the One Synth Challenge #160

19 Instances of ADLMIDI

Almost all voices created from scratch (Baseline is modified preset.)

One instance of Tal Reverb 
One instance of ReaLimit 
One instance of MEqualizer

Comments

emikaela

DoctorBob

Sequential-X

Empty Castle

Empty Castle

z.prime

Ranoka

SilverPants

Unknown Challenger

IV