u take ridiculous and makes miracles Mr Ashok

Cool! Played on Global Odyssey program KYRS.org 1/2/22

I like your version much more than the original. The slower tempo gives it a much stronger effect.

AhaHa!! I can't stop listening!!! It's so crazy cooooooo!!!

Violin transition - divine 🙏🏼🤘🏽

This song was laid down with great vengeance and furious anger by 
Harish - arrangement & programming
Ashok - violin & ambimama
TR - Counter outrage

Bulp Piction

Alarshara Paritaapam -Surutti -Mishra Chapu

http://karthickiyer.com - Contemporary Carnatic adaptation of Subramaniya Bharathi's Aasai Mugam Marandhu Poche

Performed by Karthick Iyer Live
Vocals & Violin - Karthick Iyer
Guitar- Vikram Vivekanand
Bass - Naveen Napier
Mridangam - Sumesh Narayan
Percussion - Allwyn Paul

Recorded at Aura Studios, Chennai

Mixed by Bob Phukan(Aura Studios)
Mastered by Andy Bartow(Florida)

Karthick Iyer Live’s 1st album "IndoSoul - Looking Within To Look Beyond" is now available on
OK Listen: https://www.oklisten.com/album/indosoul
iTunes: http://hyperurl.co/IndoSoul
Amazon: http://hyperurl.co/IndosoulAmazon

For Concert Bookings:
Email:  karthickiyer.music@gmail.com
Mobile Number: +91 77009 08966
Facebook - https://www.facebook.com/karthickiyerlive
Twitter - https://www.twitter.com/karthickiyer

Aasai Mugam - Contemporary Carnatic adaptation

 Live cover version of "Tear drop" by Massive Attack @ Springr cafe. Arranged by Sanjeev T featuring Pavithra Menon. Mixed by Sanal Pillai. 

Tear Drops On Fire

Kandisa

Anthology

Epsilon

A Sanskrit adaptation of Black Sabbath's Iron Man

Lyrics: SP Suresh (https://twitter.com/vajrabhrt) & Vaishnavi S (https://twitter.com/utprekshaa)
Vocals, Guitars, Violin, Bass, Drum programming, Mixing & Mastering: @krishashok

किं सः उन्मत्तः? Is he mad?
द्रष्टुं समर्थो न वा? Can he see or not?
(पद्भ्यां) चलितुं शक्तः ? Can he walk?
उत चलन् पतति ? If he walks will he fall?
जीवति उत मृतः ?  Is he alive or dead?
चिन्तयितुं समर्थः?  Is he capable of thought?
तं न गणयामो वयम् We will ignore him
तेन किमस्माकम्? What does he do for us? 

चित्रायसम् अभवत्  He became steel
महायस्कान्तक्षेत्रे In the great magnetic field
कालम् अतीत्य गच्छति सति He traveled time
मनुकुलस्य भविष्यार्थम् For the future of mankind

कस्यापि न इष्टः  Nobody wants him
भुवनं प्रेक्षते  He just stares at the world
प्रतीकारं चिन्तयन् Planning his vengeance
प्रतीकारं चिन्तयन् Planning his vengeance

अयं मुहूर्तः This is the time
भीतिं प्रसारयितुम् For him to spread fear
परलोकात् परवैरम् Vengeance from the other world
ये तेन मुक्तास्तान् हन्ति Kills the people once saved by him

कस्यापि न इष्टः Nobody wants him
प्रतिमुखीकुर्वन्ति तम् They just turn away from him
कोपि न उपकरोति Nobody helps him
अथ तस्य प्रतिक्रिया Now his revenge

बहुमलपादरक्षाः Boots of lead
भयेन पूरयति तेषां हृदयम् Fill their hearts full of dread
धावन्ति यथावेगम् They run as fast as they can
अयोनरः पुनर्जीवति Iron man lives again

Lohapurusha

Kalki Koechlin, Bollywood actor and slam poetess writes a heady and provocative piece titled 'Noise', that explores, celebrates, berates, rips apart and puts together that word, which forces a listen, and not a hear.

Welcome to the age of noise.  From the 'divine cacophony' of loudspeakers piercing the airwaves in the name of religion, to the soul-jarring discordance of peak hour traffic; from the unmusicality of news headlines warring for eye-balls, to the IQ numbing racket we subject our brains to on social media; noise surrounds us.  And in this most unmelodious symphony, 'we the people' are the players, the instruments and the audience, incessantly filling up our silences, with more noise.  Written in her classic crisp, rhythmic and onomatopoeic style, Kalki's powerful words are a silent plea for individuality to break its opinion shackles, and for a generation to discern between what is 'disturbance' and what is 'true voice'.  But most importantly, this poem makes us eerily aware of a very human discomfort we feel with deafening silences, which may be an alarming by-product of this era of distractions.

Kalki and Blush collaborate for the second time after 'The Printing Machine', to bring you another 'Unblushed' that is nothing less than an audio-visual experience.  And what better occasion than World Music Day to make an ode to the inherent melody of silence.

Best experienced on earphones

Noise By Kalki Koechlin ¦ Unblushed ¦ World Music Day 2017

"I bless you all, let us all radiate with integrity, authenticity, responsibility, enriching the kundalini shakti of enlightenment ecosystem of the eternal bliss because boys celebrate Feb 14, and legends celebrate Shivaratri...Nithyaaaaaaanda"

Arrangement: @hariflute & @krishashok
Synths: @hariflute
Violin, Mixing, Mastering: @krishashok

Kundalini Tsunami

Buy: https://itunes.apple.com/us/album/brindavani-feat.-kirthana/id646554483

Conceived and composed by: Sindhuja Bhakthavatsalam
Orchestration written and arranged by: Eshwar Ravishankar
Flute: Ravichandra Kulur
Vocals: Sindhuja Bhakthavatsalam/ Kirthana Venkat
Mridangam: Sanath Kumar Ramesh
Violin: Eshwar Ravishankar

Mixed and Mastered by Abin Pushpakaran at Nadabindu Recording Studio, Chennai, India.

Thanks to Armando Cepeda's studio, Carlsbad, USA; Studio One, San Jose, USA; Shri Ganesh's Shadjam Studio, Bangalore, India.

Artwork: "Krishna" by Sumithra Bhakthavatsalam (http://42hues.com)

Buy on iTunes

Brindavani feat. Ravichandra Kulur

Excited to present this refreshing piece - 'Relax & Rejoice' an original composition by me. This track is set to Ragam Janaranjani which has appealing prayogams and its own unique flavour. Have tried to express a cheerful, happy and positive mood.
So just Relax and Rejoice with Janaranjani 🙂

Relax & Rejoice - Janaranjani | Durai Srinivasan

I take the ridiculous and the sublime, add cellos, violins, guitars and random internet collaborators to make music of sorts

Lohapurusha

Krish Ashok

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