Patch idea: mixing two sequences and then quantizing the end result.
Patch: a steady sequence from the 250e is mixed with a 281 lfo in one channel of 257. The result is then patched to another channel of 257 for further attenuation before being sent to a 2OC (unfortunately off screen...) s&h:ing and quantising to Dorian scale. The quantised voltage is then sent to the 259e cv in. There is also some modulation of the morph and warp to achieve some sort of hocketing with different timbres for different note values.

A couple of minutes into the set i realised the mod osc was following and in tune with the principal osc so I just went with the flow and plugged it in as well and was almost blown away by the sound! :)

Just to clarify, the rising jumping steps-kind of sequence is from the 281 lfo sampled at a different clock speed thus achieving the phase shifting evolving pattern. It was so much fun to have the possibility to gradualy fade between two sequences instead of this discrete line between them.

707 drums, tape saturation and compression done in Ableton Live

Sleeping Clowns Pose, Buchla Techno

https://www.facebook.com/kvn.mann?mibextid=LQQJ4d

Just some old school wanna be DJ/Producer that can't give up the dream. I come from the late 90's scene and have been to some ridiculous parties up here on the east coast. My mind is full of so many fond memories of NYC clubs such as Twilo, Sound Factory, and my old stomping ground The Tunnel. I think I truly developed passion for Techno music back in the day at the Monday night Tronic Treatment parties that were thrown by Christian Smith and crew. I witnessed countless Techno Masters blow up the decks every Monday night. DJs and Producers such as Richie Hawtin, Joel Mull, Angel Alanis, Derrick Carter, Felix Da Housecat, Donald Glaude. I can keep going cause there are soooo many more. 

These days I spin in my basement but always open to opportunities.

Keven The Mann

Sleeping Clowns Pose, Buchla Techno

Kristofer Fagerström