Breathing PwRHm by Tina Pearson is a new development of a work commissioned by the Deep Listening® Foundation. An electronic work for live performance, it explores two facets of multi-user 3D environments: presence and intimacy between visceral, virtual and telepathic worlds; and the electric hum – the voice of the power grids that make it possible for us to connect in this way. Sonically, it explores the relationship of the Alternating Current (AC) of the North American (60 Hz) and European/Asian (50 Hz) electric systems through two sets of sine tones representing the harmonic series of the two ACs. The result is a slowed down world of just-intonation harmonies, beat frequencies, and microtone textures as the two systems meet inside a natural minor third. In performance, the remotely located performers’ individual breath rhythms determine the timing and pacing of tones they each play; the Europeans’ cue is their exhale, the North Americans’ cue is their inhale. Enhancing the breath theme, the lower sine tones have a duration approximating a slow human breath cycle. This breath-centred performance practice simultaneously focuses and extends the players’ attention while providing temporal structure and pacing for the piece. Globes held by the avatars are 'receivers' that emit differently coloured particles according to their particular AC instrument, and the pitch and volume of the specific sounds they each play in real time. Avatar animations, choreography, real time conducting, and the telematic symbiosis of the globally dispersed players create a kind of surreal entrainment inside the wired worlds that power our connectivity, and point to its precariousness - the electronic sounds pass through the ethernet with periodic glitches, computer malfunctions, latency and other technical and serendipitous factors that make the performance of the piece unpredictable.

Recorded from a performance broadcast simultaneously with Digital Shift (Independent Media Arts Alliance), Digital Arts Resource Centre (Ottawa), MediaNet (Victoria) and Manifestations 2020, Eindhoven, Netherlands, October 2020.
Video and audio recording by Dan Dan Kaunisviita and Jason Sonier.
Audio edits by Tina Pearson.

Performed by 

Miulew Takahe / Björn Eriksson, Sollefteå, Sweden

JORI Tokyo / Johannes Riedmann, Regensburg, Germany

Maxxo Klaar / Max D. Well, Regensburg, Germany

Paco Mariani / Chris Wittkowsky, Regensburg, Germany

Gumnosophistai / Leif Inge, Oslo, Norway

Cuirec d'Erc / Harald Muenz, Cologne, Germany

Frieda Korda / Frieda Kuterna, Antwerpen, Belgium

FredMadison / Gema FB Martín, Madrid, Spain

Zonzo Spyker / Viv Corringham, New York, USA/ London, UK

North Zipper / Norman Lowrey, Kingston, NY, USA

Humming Pera / Tina M. Pearson, Victoria, BC, Canada

https://tina-pearson.com/
https://lasammusic.wordpress.com/

Tina Pearson - Breathing PwRHm

Majestica 2.0 is the same Majestica you know and love, but better! It has been upgraded to our new user friendly Century UI. We have also included our Polyphonic Legato and TM Pro Arcs in this iconic library.

Majestica is produced by Academy Award, TEC and G.A.N.G Award Winning Composer and Producer, Troels Folmann and Emmy Nominated Composer and Orchestrator, Colin O’Malley. Majestica is the largest symphony orchestra ever sampled containing over 240 players divided over strings (100), brasses (60), woodwinds (60) and percussion (20).

Derived from our exclusive V8P sample catalogue – Majestica is designed for composers and producers that desires the ultimate, unrivaled epic symphonic sound. We spared no expense and it stands unrivaled on the market as the ultimate epic orchestral production tool.

Majestica was recorded in the same large world-class orchestral hall used for exclusive V8P series and 8Dio CAGE, AGE and Lacrimosa Epic Choir – and contains 96Khz, 3 microphone positions (Mixed, Decca and Far).  The UI system for Majestica was built from scratch and contains over 35.000 lines of code giving you the ultimate experience in ease, flexibility, and playability.

https://8dio.com/instrument/majestica-2-0/

8Dio Majestica Pro & Ultra - "The Eighth Wonder" By: Troels Folmann

Soundiron's Desk Bell only competition made me do this. All sounds are generated with the free Kontakt library "Desk Bell", including the drums.

Taron - Bellamis

Testing The Tumbler - Prototype

2015 UK & European Tour Announced. Click here: smarturl.it/finkautumntour for all dates & tickets.

Pre-Order & Follow
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iTunes: http://found.ee/horizontalism-it
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Download new live EP 'The Hard Believer Sessions' free: http://smarturl.it/finkhbsessions

Hard Believer album out now: http://smarturl.it/finkhbalbum 
Download new track 'Hard Believer' free: http://smarturl.it/finkhbsc

Looking Too Closely

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FLY (original orchestral composition)

Original composition by Martin Stig Andersen

From 'Control' developed by Remedy, published by 505 Games, 2019

Sound artists: Nicolas Becker, Katrine Amsler, Daniel Porcelli and Emilie Søgaard

Observer (from Control)

Counterfeit (from Control)

Chocolate Martini ft. Cindy Latin

sharp shooter | Thriller

PhD in mathematics; lover of all things musical.
dreamer of dreams, player of games.
composer of emotion.

sharp shooter | Thriller

Kt|Sharp