Thom Yorke – In the absence thereof

Anecdotal Electronics: Live Experiments & Other Recordings

Electronic Recalcitrant (Live)

THE GARDEN "Crystal Clear" 7"

Pre-order here:
http://biglove.bigcartel.com/product/the-garden-glimpse-7

With: 
Obi strip, original lyrics, lyrics translation, and sleeve notes. 
Ltd. 150

BIGLOVE070 THE GARDEN "GLIMPSE" 7" 
Shipped around mid June

Produced by RAWDEAL (Ariel Pink & Justin Raisen)

A1. Glimpse 
A2. Crystal Clear 
B1. Open Abyss

THE GARDEN "Crystal Clear"

Blood Of An American - Bobby Wright Cover

containing but not limited to

@jaipaul - Zion Wolf Theme - Unfinished
https://open.spotify.com/track/4gXzqH2l6fUxK0t3Zx6lUz?si=4e8937a315bd4487

@jaipaul - Do You Love Her Now?
https://open.spotify.com/track/7KkqFE3ZfAVxdBmRDeOIJb?si=720887f470c24a5a

John Betjeman - The Cockney Amorist
https://open.spotify.com/track/7gyEIxHqE2YJv748Iae4Ei?si=5ec3b056ba5b47ff

YouTube Visualiser

Jai Paul - Do You Love Her Now [Zion Wolf Theme Remix]

[p*dis] distribution sampler for September 2011.


Ursula Bogner - Sonne = Blackbox - Sonne = Blackbox (faitiche)

"O Superman (For Massenet)" is a 1981 song by experimental performance artist and musician Laurie Anderson. Part of the larger work United States, "O Superman", a half-sung, half-spoken, almost minimalist piece unexpectedly rose to #2 on the UK Singles Charts in 1981. 

As revealed in the documentary "John Peel's Record Box" the single was a particular favourite of the late DJ, whose championing of it lead to it being a hit in the UK. 

O Superman (For Massenet) ( Laurie Anderson Cover )

Grieg: Peer Gynt Suites No. 1 & 2 / Ellington Strayhorn: Suite Thursday (Remastered)

Peer Gynt Suites: Ase's Death

Dolo 3

TTT SHOP

Dolo Percussion – Dolo 9

james blake - dont miss it (remix)

Stine Janvin — Fake Synthetic Music
Format: Digital (vinyl out November)
Cat.No. PAN 84
Release Date: 12 October 2018 
Buy digital: https://bit.ly/2OjxCLs / https://bit.ly/2Cb1guQ

Vocalist, performer and sound artist Stine Janvin works with the extensive flexibility of her instrument of the voice, and the ways in which it can be disconnected from its natural, human connotations. Created for variable spaces from theatres, to clubs and galleries, the backbone of Janvin’s projects focus on the physical aspects of sound, and potential dualities of the natural versus artificial, organic/synthetic, and minimal/dramatic. 

Fake Synthetic Music is Stine Janvin’s latest live performance for voice, echo, lights and spatial distribution. The concept was created to present a full-body physical and ambient experience with the frequency range of her voice. Inspired by past and present producers of architectural electronic music, Janvin presents a new take on 'deconstructed rave' by exploring both sonic and optical illusions, otoacoustic emissions and minimal melodic sequences in reference to pop, techno and trance. 

The release introduces a recorded version of her ‘fake synthetic material’, and through her ongoing live performances, she continues to work between the music and art scenes, developing further her methodology of imitation and resonance through audio visual concepts. 

The tracks on Fake Synthetic Music reflect the concept of sonic illusions and Janvin's use of the voice as a sound source. “…I wanted to explore how I could vocalise in a way that would combine architectural sound with dance floor sequences.” she says. Each track is based on a different take on these ideas, some being pure studio production, using only her vocal archive of sustained notes, chopped up into innumerable pieces of different lengths, and re-attached. Tracks, such as ‘Like Right Now’ and ‘Like Last Night’ are examples of live material converted to a recorded format, keeping the simplicity of the direct voice signal through a digital delay effect with no post-production processing.

The album is mastered by Rashad Becker, featuring photography by Camille Blake and artwork by Bill Kouligas.

@stinejanvin
http://p-a-n.org

Fake Synthetic Music

Stine Janvin - Like Last Night (PAN 84)

Unofficial Remix from the track "Lullaby for My Insomniac" by James Blake, from the album "Assume Form" released on January 18th 2019.

≈ FREE DOWNLOAD ! 

Check the amazing album here http://assumeform.com/

<a href='https://theartistunion.com/tracks/668ede'>Download for free on The Artist Union</a>

2019

Download

James Blake - Lullaby for My Insomniac (Dropout Marsh Remix)

'Crush', out now on Ninja Tune: https://floatingpoints.lnk.to/crushSo

Follow Floating Points -
Spotify: https://found.ee/floatingpoints-sp
Apple Music: https://found.ee/floatingpoints-am
Instagram: https://found.ee/floatingpoints-ig
Facebook: https://found.ee/floatingpoints-fb
Twitter: https://found.ee/floatingpoints-tw
Youtube: https://found.ee/floatingpoints-yt
Bandcamp: https://found.ee/floatingpoints-bc
Soundcloud: https://found.ee/floatingpoints-sc
Songkick: https://found.ee/floatingpoints-sk

Crush

Requiem for CS70 and Strings

Produced by JPEGMAFIA
Mixed by JPEGMAFIA
Mastered by JPEGMAFIA

--

Niggas bold
Bitches shady
Records gold
Cracker pay me
Round here niggas really think shit gravy Black ms been got since the mid 80s Since a little baby
Heard white folks like beer
Rich young swan Iʼm the seer
Fuck him he is not top tier
Nigga never ever spit a rhyme that made me care Big strap looking like dildo
Looking like a creep when I kick door
Young black male with the 44
Iʼm a terrorist
I donʼt spit raps bitch
I spit rhetoric
& I be In your kids minds
Getting leverage
I hate white old Niggas
Iʼm prejudice
But ima take u niggas money
like a reverand
Better its me rather than you
Iʼma bury it
Tryna lead these niggas to freedom peggy Harriet
🥺
 Target practice on a aryan
Redneck tears
Woooo What A beverage
Dead cops on my songs that hilarious
Are u mad cuz nigga done bought a gold tooth? Are u mad when u see me up in your Whole Foods?
Niggas bold
Bitches shady
Records gold
Cracker pay me
Round here niggas really think shit gravy Black ms been got since the mid 80s
Bitch im on yo street right now Creep up turn lights then out Ima show u what this hype bout I Know
Bowling for the Columbine
Heard he want the nicotine
sig up on his chin it make him move like pistol Pete Flash the burner is his face and make him pray to me
[redacted]
Fuck with me you gon end up like Dylan RoOf Fuck with me u gon end up like steve paddock
Hunched over nigga they thought u was a hammock
these clips spit they taking out yo fam lay
We pack tools but We ainʼt going camping
Big cannon on me bitch Iʼm the young cammy
SJWʼs cannot fucking stand me
I canʼt coddle u I am not your mami
Stick in my head like I am Bambi
Ugh...
I never stick the landing
Throwing bullets at you I think Iʼm Peyton Manning Gloc real ugly I call it steve Bannon
Caught him at a show and got to fucking clapping 12 pull up and I donʼt what happened

Iʼm just rapping baby

Papi I Missed U

US-born, Stockholm-based minimalist artist and apprenticing organ tuner Kali Malone gave a special organ performance in TivoliVredenburg's Grote Zaal as opening of Le Guess Who? 2019. The performance was part of The Bug's curated program for the festival. 

We can now share two exceptionally beautiful pieces from the performance: 'Sacrificial Code' and 'Glory Canon III'. Both are deeply immersive and mesmerizing tracks, drawing in listeners with Kali Malone's well-known warmth and timelessness.

Captured on Thursday, 7 November 2019, at TivoliVredenburg's Grote Zaal during Le Guess Who? 2019.
Recorded and mixed by Marc Broer & Philip ten Brink.
Photography by Jelmer de Haas.

Kali Malone - Sacrificial Code

Release date: 20/03/20

Max de Wardener returns to Village Green with an album of detuned acoustic piano pieces, performed by British jazz pianist Kit Downes (ECM).

Drawing inspiration from modernist composers James Tenney, Harry Partch and La Monte Young, de Wardener’s intentions here were “to try and bend something established and monumental into something new”. 

The resulting album is deceptively simple, belying the project’s myriad technical challenges, (pianos are immensely stubborn when subject to unorthodox tuning methods). Captured over a two year period, Downes’ enlivening improvisations do justice to de Wardener’s vision in creating an elegant record that feels at once familiar, yet otherworldly.

Music For Detuned Pianos

The Sky Has A Film

From archival release "Songs & Melodies, 1973-1977." Forthcoming on Superior Viaduct, 2020. www.superiorviaduct.com

Jon Gibson - Song I (excerpt)

بالحلقة الثامنة من الموسم الثاني لدُم تك رح نحكي عن الموسيقى الإلكترونيّة. منعرّفكم على نشأة هالموسيقى بمصر بالقرن الماضي، ومنرويلكم تجربة فنّانين مستقلّين حاليًّا بالمجال. 

هالحلقة بحثًا وكتابةً للما رباح، تحرير وإنتاج صابرين طه، إخراج صوتي لتيسير قباني، ورويتلكم ياها أنا رنا داود. النشر والتوزيع تولّته مرام النبالي، وجنى قزّاز، وشارك بإنتاج هالموسم فريق صوت.

رصيد الأغاني بحسب ورودها في الحلقة:
الزار المصري (الصعيدي)، المطرية القاهرة
أغنية البودكاست: لما بدا يتثنى، شيرين أبو خضر، دوزان
Wire Recorder Piece, Halim El-Dabh
Time Won't Tell, Emil Axelsson
Element, Being, And Primeval, Halim El-Dabh
يم، الراس ومونما
رقصة الأقنعة، مُقاطَعة
ذاكرة جماعية، مُقاطَعة
Set Boiler Room Palestine, Sama' DJ 
Boiler Room x Le Bon Air Festival, Glitter
طوفي بي، عبدالله المنياوي
إحسان مينز بيوتي، عبدالله المنياوي
Nayroz, Carl Gari & Abdullah Miniawy
Tobayabooya, Hello Psychaleppo
Tarab Dub, Hello Psychaleppo

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يمكنكم الاستماع لبودكاست دا ميري عبر الرابط: https://link.chtbl.com/dmp

Thom Yorke – In the absence thereof

kunal_dutta